Books with author Eugene G. O'Neill

Eugene Gladstone O'Neill was born on October 16, 1888 in a hotel bedroom in what is now Times Square, New York. Much of his childhood was spent in the comfort of books at boarding schools whilst his actor father was on the road and his Mother contended with her own demons. He spent only a year at University - Princeton - and various reasons have been given for his departure. However whatever his background and education denied or added to his development it is agreed amongst all that he was a playwright of the first rank and possibly America's greatest. His introduction of realism into American drama was instrumental in its development and paved a path for many talents thereafter. Of course his winning of both the Pulitzer Prize (4 times) and the Nobel Prize are indicative of his status. His more famous and later works do side with the disillusionment and personal tragedy of those on the fringes of society but continue to build upon ideas and structures he incorporated in his early one act plays. Eugene O'Neill suffered from various health problems, mainly depression and alcoholism. In the last decade he also faced a Parkinson's like tremor in his hands which made writing increasingly difficult. But out of such difficulties came plays of the calibre of The Iceman Cometh, Long Day's Journey Into Night, and A Moon for the Misbegotten. Eugene O'Neill died in Room 401 of the Sheraton Hotel on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "I knew it. I knew it. Born in a hotel room and died in a hotel room."

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This historic book may have numerous typos, missing text, images, or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1920. Not illustrated. Excerpt: ... ACT THREE SCENE ONE Scene--Same as Act Two, Scene One--The sitting room of the farm house about six o'clock in the morning of a day toward the end of October five years later. It is not yet dawn, but as the action progresses the darkness outside the windows gradually fades to grey. The room, seen by the light of the shadeless oil lamp with a smoky chimney which stands on the table, presents an appearance of decay, of dissolution. The curtains at the windows are torn and dirty and one of them is missing. The closed desk is grey with accumulated dust as if it had not been used in years. Blotches of dampness disfigure the wall paper. Threadbare trails, leading to the kitchen and outer doors, show in the faded carpet. The top of the coverless table is stained with the imprints of hot dishes and spilt food. The rung of one rocker has been clumsily mended with a piece of plain board. A brown coating of rust covers the unblacked stove. A pile of wood is stacked up carelessly against the wall by the stove. 123 The whole atmosphere of the room, contrasted with that of former years, is one of an habitual poverty too hopelessly resigned to be any longer ashamed or even conscious of itself. At the rise of the curtain Ruth is discovered sitting by the stove, with hands outstretched to the warmth as if the air in the room were damp and cold. A heavy shawl is wrapped about her shoulders, half-concealing her dress of deep mourning. She has aged horribly. Her pale, deeply lined face has the stony lack of expression of one to whom nothing more can ever happen, whose capacity for emotion has been exhausted. When she speaks her voice is without timbre, low and monotonous. The negligent disorder of her dress, the slovenly arrangement of her hair, now streaked with grey, her...

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Excerpt from Thirst: And Other One Act PlaysAbout the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Before Breakfast: A Play in One ActMrs. Rowland: (in a low voice.) Alfred! Alfred! (there is no answer from the next room and she can tinnes suspiciously in a louder tone.) You needn't pre tend you're asleep.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.