Books with author Ernest Thompson 1860-1946 Seton

Wild Animals I Have Known is an 1898 book by naturalist and author Ernest Thompson Seton. The first entry in a new genre of realistic wild-animal fiction, Seton's first collection of short stories quickly became one of the most popular books of its day. "Lobo the King of Currumpaw", the first story in the collection, was based upon Seton's experience hunting wolves in the southwestern United States. It became a classic, setting the tone for his future works that would similarly depict animals—especially predators who were often demonized in literature—as compassionate, individualistic beings.Several years after its publication, Seton and his works came under fire during the nature fakers controversy, which began in 1903 when naturalist John Burroughs published an essay called "Real and Sham Natural History" in The Atlantic Monthly. In particular Burroughs blamed Seton's collection of stories for founding the sentimental animal story genre, which he felt featured fabricated events and wild animal behaviors; he even amended the title of the collection to Wild Animals I Alone Have Known.

PrefaceIn this story I have endeavoured to realize some of the influences that surrounded the youth of America a hundred years ago, and made of them, first, good citizens, and, later, in the day of peril, heroes that won the battles of Lake Erie, Plattsburg, and New Orleans, and the great sea fights of Porter, Bainbridge, Decatur, Lawrence, Perry, and MacDonough.I have especially dwelt in detail on the woodland and peace scouting in the hope that I may thus help other boys to follow the hard-climbing trail that leads to the higher uplands.For the historical events of 1812-14, I have consulted among books chiefly, Theodore Roosevelt's "Naval War of 1812," Peter S. Palmer's "History of Lake Champlain," and Walter Hill Crockett's "A History of Lake Champlain," 1909. But I found another and more personal mine of information. Through the kindness of my friend, Edmund Seymour, a native of the Champlain region, now a resident of New York, I went over all the historical ground with several unpublished manuscripts for guides, and heard from the children of the sturdy frontiersmen new tales of the war; and in getting more light and vivid personal memories, I was glad, indeed, to realize that not only were there valour and heroism on both sides, but also gentleness and courtesy. Histories written by either party at the time should be laid aside. They breathe the rancourous hate of the writers of the age—the fighters felt not so—and the many incidents given here of chivalry and consideration were actual happenings, related to me by the descendants of those who experienced them; and all assure me that these were a true reflex of the feelings of the day.I am much indebted to Miss Katherine Palmer, of Plattsburg, for kindly allowing me to see the unpublished manuscript memoir of her grandfather, Peter Sailly, who was Collector of the Port of Plattsburg at the time of the war.Another purpose in this story was to picture the real Indian with his message for good or for evil.Those who know nothing of the race will scoff and say they never heard of such a thing as a singing and religious red man. Those who know him well will say, "Yes, but you have given to your eastern Indian songs and ceremonies which belong to the western tribes, and which are of different epochs." To the latter I reply:"You know that the western Indians sang and prayed in this way. How do you know that the eastern ones did not? We have no records, except those by critics, savagely hostile, and contemptuous of all religious observances but their own. The Ghost Dance Song belonged to a much more recent time, no doubt, but it was purely Indian, and it is generally admitted that the races of continental North America were of one stock, and had no fundamentally different customs or modes of thought."The Sunrise Song was given me by Frederick R. Burton, author of "American Primitive Music." It is still in use among the Ojibwa.The songs of the Wabanaki may be read in C. G. Leland's "Kuloskap the Master."The Ghost Dance Song was furnished by Alice C. Fletcher, whose "Indian Song and Story" will prove a revelation to those who wish to follow further.ERNEST THOMPSON SETON.

A hero is an individual of unusual gifts and achievements. Whether it be man or animal, this definition applies; and it is the histories of such that appeal to the imagination and to the hearts of those who hear them.In this volume every one of the stories, though more or less composite, is founded on the actual life of a veritable animal hero. The most composite is the White Reindeer. This story I wrote by Utrovand in Norway during the summer of 1900, while the Reindeer herds grazed in sight on the near uplands.

Meet Old Lobo, a gigantic grey wolf whose death-defying predations on sheep and cattle herds are the scourge of farmers and ranchers in the Currumpaw region of northern New Mexico. This great wolf is just one of the animals whose true stories come to life in this engrossing collection of tales by celebrated naturalist Ernest Thompson Seton. Combining scientific observations of animals in their natural habitats with a romantic vision of nature and the narrative skills of a born storyteller, Seton created an extraordinary collection of tales that gave the animal story new force and believability as a literary genre. Critically and popularly acclaimed upon its initial appearance in 1898, this collection remains, more than a century later, the best-known and best-loved of his works. Each tale focuses on an individual creature: the clever crow, Silverspot; Raggylug, a young cottontail rabbit; the author’s errant hound, Bingo; Redruff, a Don Valley partridge; a wild horse known as The Mustang; Vixen, The Springfield Fox; and Wully, faithful sheep dog by day and treacherous killer by night. Seton offers affectionate but realistic portraits of each animal, stressing the commonality between his subjects and their human neighbors. In addition to his popular wildlife stories, the author is well known for his work as an illustrator and painter. This edition faithfully reproduces the layout of the original volume, as well as all 200 of the author’s distinctive illustrations.

"The Red Book or How To Play Indian" is a 1904 work by Ernest Thompson Seton. It offers instructions and information on how children can 'play Indians', with cultural details to help them be more authentic and learn about Native American traditions and practices. Included are instructions on such actives as organizing a tribe, making teepees, and much more. Contents include: "To Organize a Band of Indians", "Vow of the Head Chief", "Vow of Each Brave on Joining", "Laws", "Teepees", "A List of the Exploits of Coups that Entitled the Brave to a Decoration", "Athletics", "White Honors", "Nature Study", "Photography", etc. Ernest Thompson Seton (1860 - 1946) was an English-born Canadian author and wildlife artist who founded the Woodcraft Indians in 1902. He was also among the founding members of the Boy Scouts of America, established in 1910. He wrote profusely on this subject, the most notable of his scouting literature including "The Birch Bark Roll" and the "Boy Scout Handbook". Seton was also an early pioneer of animal fiction writing, and he is fondly remembered for his charming book "Wild Animals I Have Known" (1898). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

"Woodland Tales" by Ernest Thompson Seton. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Wild Animals I Have Known is an 1898 e-book via naturalist and creator Ernest Thompson Seton. The first entry in a brand new style of sensible wild-animal fiction, Seton's first series of brief tales speedy became one of the maximum famous books of its day. "Lobo the King of Currumpaw", the first tale inside the series, turned into based upon Seton's experience searching wolves inside the southwestern United States. It have become a classic, placing the tone for his destiny works that would similarly depict animals—specially predators who were often demonized in literature—as compassionate, individualistic beings.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Wild Animals I Have Known is an 1898 book by naturalist and author Ernest Thompson Seton. The first entry in a new genre of realistic wild-animal fiction, Seton's first collection of short stories quickly became one of the most popular books of its day. "Lobo the King of Currumpaw", the first story in the collection, was based upon Seton's experience hunting wolves in the southwestern United States. It became a classic, setting the tone for his future works that would similarly depict animals—especially predators who were often demonized in literature—as compassionate, individualistic beings.Several years after its publication, Seton and his works came under fire during the nature fakers controversy, which began in 1903 when naturalist John Burroughs published an essay called "Real and Sham Natural History" in The Atlantic Monthly. In particular Burroughs blamed Seton's collection of stories for founding the sentimental animal story genre, which he felt featured fabricated events and wild animal behaviors; he even amended the title of the collection to Wild Animals I Alone Have Known.