Books with author Ernest Thompson 1860-1946 Seton

Wild Animals I Have Known is an 1898 book by naturalist and author Ernest Thompson Seton. The first entry in a new genre of realistic wild-animal fiction, Seton's first collection of short stories quickly became one of the most popular books of its day. "Lobo the King of Currumpaw", the first story in the collection, was based upon Seton's experience hunting wolves in the southwestern United States. It became a classic, setting the tone for his future works that would similarly depict animals—especially predators who were often demonized in literature—as compassionate, individualistic beings.Several years after its publication, Seton and his works came under fire during the nature fakers controversy, which began in 1903 when naturalist John Burroughs published an essay called "Real and Sham Natural History" in The Atlantic Monthly. In particular Burroughs blamed Seton's collection of stories for founding the sentimental animal story genre, which he felt featured fabricated events and wild animal behaviors; he even amended the title of the collection to Wild Animals I Alone Have Known.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Wild Animals I Have Known is an 1898 book by naturalist and author Ernest Thompson Seton. The first entry in a new genre of realistic wild-animal fiction, Seton's first collection of short stories quickly became one of the most popular books of its day. "Lobo the King of Currumpaw", the first story in the collection, was based upon Seton's experience hunting wolves in the southwestern United States. It became a classic, setting the tone for his future works that would similarly depict animals—especially predators who were often demonized in literature—as compassionate, individualistic beings.Several years after its publication, Seton and his works came under fire during the nature fakers controversy, which began in 1903 when naturalist John Burroughs published an essay called "Real and Sham Natural History" in The Atlantic Monthly. In particular Burroughs blamed Seton's collection of stories for founding the sentimental animal story genre, which he felt featured fabricated events and wild animal behaviors; he even amended the title of the collection to Wild Animals I Alone Have Known.

Within this volume Ernest Thompson Seton attempts to recount the actions and interactions of various woodland critters from their tracks alone. From a weasel racing across the snow after its prey to hungry wolves themselves stalking a moose, Seton imparts the basics of animal tracking in this half-instruction manual half-exciting narrative designed to inspire children. Ernest Thompson Seton (1860 - 1946) was an English author and wildlife artist who founded the Woodcraft Indians in 1902. He was also among the founding members of the Boy Scouts of America, established in 1910. He wrote profusely on this subject, the most notable of his scouting literature including "The Birch Bark Roll" and the "Boy Scout Handbook." Seton was also an early pioneer of animal fiction writing, and he is fondly remembered for his charming book "Wild Animals I Have Known" (1898). Other notable works by this author include: "Lobo, Rag and Vixen" (1899), "Two Little Savages" (1903), and "Animal Heroes" (1911). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

Wild Animals I Have Known is an 1898 book by naturalist and author Ernest Thompson Seton. The first entry in a new genre of realistic wild-animal fiction, Seton's first collection of short stories quickly became one of the most popular books of its day. "Lobo the King of Currumpaw", the first story in the collection, was based upon Seton's experience hunting wolves in the southwestern United States. It became a classic, setting the tone for his future works that would similarly depict animals—especially predators who were often demonized in literature—as compassionate, individualistic beings.Several years after its publication, Seton and his works came under fire during the nature fakers controversy, which began in 1903 when naturalist John Burroughs published an essay called "Real and Sham Natural History" in The Atlantic Monthly. In particular Burroughs blamed Seton's collection of stories for founding the sentimental animal story genre, which he felt featured fabricated events and wild animal behaviors; he even amended the title of the collection to Wild Animals I Alone Have Known.

Wild Animals I Have Known is an 1898 book by naturalist and author Ernest Thompson Seton. The first entry in a new genre of realistic wild-animal fiction, Seton's first collection of short stories quickly became one of the most popular books of its day. "Lobo the King of Currumpaw", the first story in the collection, was based upon Seton's experience hunting wolves in the southwestern United States. It became a classic, setting the tone for his future works that would similarly depict animals—especially predators who were often demonized in literature—as compassionate, individualistic beings.Several years after its publication, Seton and his works came under fire during the nature fakers controversy, which began in 1903 when naturalist John Burroughs published an essay called "Real and Sham Natural History" in The Atlantic Monthly. In particular Burroughs blamed Seton's collection of stories for founding the sentimental animal story genre, which he felt featured fabricated events and wild animal behaviors; he even amended the title of the collection to Wild Animals I Alone Have Known.

YAN was much like other twelve-year-old boys in having a keen interest in Indians and in wild life, but he differed from most in this, that he never got over it. Indeed, as he grew older, he found a yet keener pleasure in storing up the little bits of woodcraft and Indian lore that pleased him as a boy. His father was in poor circumstances. He was an upright man of refined tastes, but indolent—a failure in business, easy with the world and stern with his family. He had never taken an interest in his son's wildwood pursuits; and when he got the idea that they might interfere with the boy's education, he forbade them altogether. There was certainly no reason to accuse Yan of neglecting school. He was the head boy of his class, although there were many in it older than himself. He was fond of books in general, but those that dealt with Natural Science and Indian craft were very close to his heart. Not that he had many—there were very few in those days, and the Public Library had but a poor representation of these. "Lloyd's Scandinavian Sports," "Gray's Botany" and one or two Fenimore Cooper novels, these were all, and Yan was devoted to them. He was a timid, obedient boy in most things, but the unwise command to give up what was his nature merely made him a disobedient boy—turned a good boy into a bad one. He was too much in terror of his father to disobey openly, but he used to sneak away at all opportunities to the fields and woods, and at each new bird or plant he found he had an exquisite thrill of mingled pleasure and pain—the pain because he had no name for it or means of learning its nature.