Books with author Ernest Seton-Thompson

Wild Animals I Have Known is an 1898 nature classic by naturalist and writer Ernest Thompson Seton. As the initial example of realistic wild animal fiction, the volume quickly became a bestseller. "Lobo the King of Currumpaw," the first story in the collection, became a classic, establishing a archetype that would similarly depict animals, especially predators, as noble and honorable beasts.Several years after its publication, Seton and his works came under fire during the nature fakers controversy, which began in 1903 when naturalist John Burroughs published an essay called "Real and Sham Natural History" in The Atlantic Monthly. In particular Burroughs blamed Seton's collection of stories for founding the sentimental animal story genre, which he felt featured fabricated events and wild animal behaviors; he even amended the title of the collection to Wild Animals I Alone Have Known.Ernest Thompson Seton (born Ernest Evan Thompson[1] August 14, 1860 – died October 23, 1946) was an author (published in the United Kingdom, Canada, and the US), wildlife artist, founder of the Woodcraft Indians in 1902 (renamed Woodcraft League of America) and one of the founding pioneers of the Boy Scouts of America (BSA) in 1910. Seton also influenced Lord Baden-Powell, the founder of Scouting. His notable books related to Scouting include The Birch Bark Roll and the Boy Scout Handbook. He is responsible for the appropriation and incorporation of what he believed to be American Indian elements into the traditions of the BSA.Seton was born in South Shields, County Durham (now part of South Tyneside, Tyne and Wear), England of Scottish parents. His family emigrated to Canada in 1866. Most of his childhood was spent in Toronto, Ontario and known to have lived at 6 Aberdeen Avenue in Cabbagetown. As a youth, he retreated to the woods of the Don River to draw and study animals as a way of avoiding his abusive father. He won a scholarship in art to the Royal Academy in London, England.[2]On his twenty-first birthday, Seton's father presented him with an invoice for all the expenses connected with his childhood and youth, including the fee charged by the doctor who delivered him. He paid the bill, but never spoke to his father again.[3][4]He changed his name to Ernest Thompson Seton, believing that Seton had been an important family name. He became successful as a writer, artist and naturalist, and moved to New York City to further his career. Seton later lived at Wyndygoul,[5] an estate that he built in Cos Cob, a section of Greenwich, Connecticut. After experiencing vandalism by the local youth, Seton invited them to his estate for a weekend where he told them what he claimed were stories of the American Indians and of nature.He formed the Woodcraft Indians in 1902 and invited the local youth to join. Despite the name, the group was made up of non-native boys and girls. The stories became a series of articles written for the Ladies Home Journal, and were eventually collected in The Birch Bark Roll of the Woodcraft Indians in 1906. Shortly after, the Woodcraft Indians evolved into the Woodcraft Rangers.Woodcraft Rangers was established as a non-profit organization for youth programming in 1922, the founder of the organizations was Ernest Thompson Seton (1860-1946)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

List of the Stories in this Book And their Full-page Drawings Page Lobo, the King of Curnnripaw .... 15 Lobo showing the pack how to kill beef 23 Tannerey, with his dogs, came galloping up the cafion 27 Lobo exposing the traps 38 Lobo and Blanca ....... 42 Lobo Rex Currumpae 55 Sitverspot, the Story of a Crow ... 57 Silverspot 61 The handle of a china-cup, the gem of the collection 73 Roost in a row, like big folks ... 78 The track of the murderer .. ..(Typographical errors above are due to OCR software and don't occur in the book.)About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at

"Two Little Savages" is a 1910 novel by Ernest Thompson Seton. One of the great classics of nature and youth written by one of America's best remembered nature experts, it tells the story of two boys who build a teepee in the woods and convince their parents to allow them to live alone among nature for a whole month. During that period, they learn how to cook food, make fires and beds, sanitise water, read the stars, hunt, and much, much more. Full of real lessons for real situations, this charming volume is both enjoyable and instructive, and it is ideal for young children with a love of the outdoors. Ernest Thompson Seton (1860 - 1946) was an English-born Canadian author and wildlife artist who founded the Woodcraft Indians in 1902. He was also among the founding members of the Boy Scouts of America, established in 1910. He wrote profusely on this subject, the most notable of his scouting literature including "The Birch Bark Roll" and the "Boy Scout Handbook". Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

Wild Animals I Have Known is an 1898 book by naturalist and author Ernest Thompson Seton. The first entry in a new genre of realistic wild-animal fiction, Seton's first collection of short stories quickly became one of the most popular books of its day. "Lobo the King of Currumpaw", the first story in the collection, was based upon Seton's experience hunting wolves in the southwestern United States. It became a classic, setting the tone for his future works that would similarly depict animals—especially predators who were often demonized in literature—as compassionate, individualistic beings.Several years after its publication, Seton and his works came under fire during the nature fakers controversy, which began in 1903 when naturalist John Burroughs published an essay called "Real and Sham Natural History" in The Atlantic Monthly. In particular Burroughs blamed Seton's collection of stories for founding the sentimental animal story genre, which he felt featured fabricated events and wild animal behaviors; he even amended the title of the collection to Wild Animals I Alone Have Known.

PrefaceIn this story I have endeavoured to realize some of the influences that surrounded the youth of America a hundred years ago, and made of them, first, good citizens, and, later, in the day of peril, heroes that won the battles of Lake Erie, Plattsburg, and New Orleans, and the great sea fights of Porter, Bainbridge, Decatur, Lawrence, Perry, and MacDonough.I have especially dwelt in detail on the woodland and peace scouting in the hope that I may thus help other boys to follow the hard-climbing trail that leads to the higher uplands.For the historical events of 1812-14, I have consulted among books chiefly, Theodore Roosevelt's "Naval War of 1812," Peter S. Palmer's "History of Lake Champlain," and Walter Hill Crockett's "A History of Lake Champlain," 1909. But I found another and more personal mine of information. Through the kindness of my friend, Edmund Seymour, a native of the Champlain region, now a resident of New York, I went over all the historical ground with several unpublished manuscripts for guides, and heard from the children of the sturdy frontiersmen new tales of the war; and in getting more light and vivid personal memories, I was glad, indeed, to realize that not only were there valour and heroism on both sides, but also gentleness and courtesy. Histories written by either party at the time should be laid aside. They breathe the rancourous hate of the writers of the age—the fighters felt not so—and the many incidents given here of chivalry and consideration were actual happenings, related to me by the descendants of those who experienced them; and all assure me that these were a true reflex of the feelings of the day.I am much indebted to Miss Katherine Palmer, of Plattsburg, for kindly allowing me to see the unpublished manuscript memoir of her grandfather, Peter Sailly, who was Collector of the Port of Plattsburg at the time of the war.Another purpose in this story was to picture the real Indian with his message for good or for evil.Those who know nothing of the race will scoff and say they never heard of such a thing as a singing and religious red man. Those who know him well will say, "Yes, but you have given to your eastern Indian songs and ceremonies which belong to the western tribes, and which are of different epochs." To the latter I reply:"You know that the western Indians sang and prayed in this way. How do you know that the eastern ones did not? We have no records, except those by critics, savagely hostile, and contemptuous of all religious observances but their own. The Ghost Dance Song belonged to a much more recent time, no doubt, but it was purely Indian, and it is generally admitted that the races of continental North America were of one stock, and had no fundamentally different customs or modes of thought."The Sunrise Song was given me by Frederick R. Burton, author of "American Primitive Music." It is still in use among the Ojibwa.The songs of the Wabanaki may be read in C. G. Leland's "Kuloskap the Master."The Ghost Dance Song was furnished by Alice C. Fletcher, whose "Indian Song and Story" will prove a revelation to those who wish to follow further.ERNEST THOMPSON SETON.

A hero is an individual of unusual gifts and achievements. Whether it be man or animal, this definition applies; and it is the histories of such that appeal to the imagination and to the hearts of those who hear them.In this volume every one of the stories, though more or less composite, is founded on the actual life of a veritable animal hero. The most composite is the White Reindeer. This story I wrote by Utrovand in Norway during the summer of 1900, while the Reindeer herds grazed in sight on the near uplands.

Meet Old Lobo, a gigantic grey wolf whose death-defying predations on sheep and cattle herds are the scourge of farmers and ranchers in the Currumpaw region of northern New Mexico. This great wolf is just one of the animals whose true stories come to life in this engrossing collection of tales by celebrated naturalist Ernest Thompson Seton. Combining scientific observations of animals in their natural habitats with a romantic vision of nature and the narrative skills of a born storyteller, Seton created an extraordinary collection of tales that gave the animal story new force and believability as a literary genre. Critically and popularly acclaimed upon its initial appearance in 1898, this collection remains, more than a century later, the best-known and best-loved of his works. Each tale focuses on an individual creature: the clever crow, Silverspot; Raggylug, a young cottontail rabbit; the author’s errant hound, Bingo; Redruff, a Don Valley partridge; a wild horse known as The Mustang; Vixen, The Springfield Fox; and Wully, faithful sheep dog by day and treacherous killer by night. Seton offers affectionate but realistic portraits of each animal, stressing the commonality between his subjects and their human neighbors. In addition to his popular wildlife stories, the author is well known for his work as an illustrator and painter. This edition faithfully reproduces the layout of the original volume, as well as all 200 of the author’s distinctive illustrations.