Books with author Emmuska,

The scene is set in the terrorized Paris of revolutionary France in the 1800's. During this time period nobody was safe from the horrifying grasp of "Madame la Guillotine" which claimed hundreds of lives every day. The Scarlet Pimpernel is England's national hero, a rescuer of French aristocrats from under the guillotine in France. He's also Sir Percy Blakeny, husband of Marguerite Blakeney nee St. Marguerite's brother Armand is under suspicion in France and a French government agent, Chauvelin, approaches her with an ultimatum: discover the identity of the Pimpernel or let your brother die. When she realizes that the Pimpernel is her husband, she's off to warn and rescue him with the help of another member of the League of the Scarlet Pimpernel, Sir Andrew Ffoulkes. Chauvelin threatens to kill Marguerite's brother if she warns her husband that Chauvelin is trying to kill him. Will her husband figure out the trap he is in, or will Marguerite warn him before its too late?

ENDURING LITERATURE ILLUMINATED BY PRACTICAL SCHOLARSHIP EACH ENRICHED CLASSIC EDITION INCLUDES: • A concise introduction that gives readers important background information • A chronology of the author's life and work • A timeline of significant events that provides the book's historical context • An outline of key themes and plot points to help readers form their own interpretations • Detailed explanatory notes • Critical analysis, including contemporary and modern perspectives on the work • Discussion questions to promote lively classroom and book group interaction • A list of recommended related books and films to broaden the reader's experience Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential. SERIES EDITED BY CYNTHIA BRANTLEY JOHNSON

The first and most successful in the Baroness’s series of books that feature Percy Blakeney, who leads a double life as an English fop and a swashbuckling rescuer of aristocrats, The Scarlet Pimpernel was the blueprint for what became known as the masked-avenger genre. As Anne Perry writes in her Introduction, the novel “has almost reached its first centenary, and it is as vivid and appealing as ever because the plotting is perfect. It is a classic example of how to construct, pace, and conclude a plot. . . . To rise on the crest of laughter without capsizing, to survive being written, rewritten, and reinterpreted by each generation, is the mark of a plot that is timeless and universal, even though it happens to be set in England and France of 1792.”

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It is what happened after the death of Louis XVII, that is so amazingly interesting. Through various entries Cardinal Beneventy’s diary, we can follow the drama step by step and I have taken the liberty of forming from these fragments a coherent story—the life story not of the rescued Dauphin himself, for that was uneventful, but that of his son, known to a narrow but intensely loyal circle of royalists as Louis XIX.

The elusive Pimpernel returns for another swashbuckling adventure in El Dorado. The still-raging French Revolution continues to claim lives, and the shadow of the guillotine draws ever nearer to the young Dauphin, son of Louis XVI and Marie Antoinette. No one dares to attempt to liberate the little prince . no one, that is, but the mysterious Sir Percy Blakeney, also known as the Scarlet Pimpernel. Sir Percy takes on one of Robespierre's agents, the scheming Citizen Chauvelin, in a suspenseful blend of action and political intrigue, recounted with captivating period detail.

The Old Man in the Corner is an unnamed armchair detective who appears in a series of short stories written by Baroness Orczy. He examines and solves crimes while sitting in the corner of a genteel London tea-room in conversation with a female journalist. He was one of the first of this character-type created in the wake of the huge popularity of the Sherlock Holmes stories. The character's moniker is used as the title of the collection of the earliest stories featuring the character.The Old Man relies mostly upon sensationalistic newspaper accounts, with the occasional courtroom visit, and relates all this while tying complicated knots in a piece of string. The plots themselves are typical of Edwardian crime fiction, resting on a foundation of unhappy marriages and the inequitable division of family property. Other period details include a murder in the London Underground, the murder of a female doctor, and two cases involving artists living in "bohemian" lodgings. Another new and noteworthy feature is that no one is ever brought to justice. Though the villains are identified by the narrator (who disdains to inform the police), most cannot be proven guilty beyond a reasonable doubt.

The Old Man in the Corner is an unnamed armchair detective who appears in a series of short stories written by Baroness Orczy. He examines and solves crimes while sitting in the corner of a genteel London tea-room in conversation with a female journalist. He was one of the first of this character-type created in the wake of the huge popularity of the Sherlock Holmes stories. The character's moniker is used as the title of the collection of the earliest stories featuring the character.The Old Man relies mostly upon sensationalistic newspaper accounts, with the occasional courtroom visit, and relates all this while tying complicated knots in a piece of string. The plots themselves are typical of Edwardian crime fiction, resting on a foundation of unhappy marriages and the inequitable division of family property. Other period details include a murder in the London Underground, the murder of a female doctor, and two cases involving artists living in "bohemian" lodgings. Another new and noteworthy feature is that no one is ever brought to justice. Though the villains are identified by the narrator (who disdains to inform the police), most cannot be proven guilty beyond a reasonable doubt.

The Old Man in the Corner is an unnamed armchair detective who appears in a series of short stories written by Baroness Orczy. He examines and solves crimes while sitting in the corner of a genteel London tea-room in conversation with a female journalist. He was one of the first of this character-type created in the wake of the huge popularity of the Sherlock Holmes stories. The character's moniker is used as the title of the collection of the earliest stories featuring the character.The Old Man relies mostly upon sensationalistic newspaper accounts, with the occasional courtroom visit, and relates all this while tying complicated knots in a piece of string. The plots themselves are typical of Edwardian crime fiction, resting on a foundation of unhappy marriages and the inequitable division of family property. Other period details include a murder in the London Underground, the murder of a female doctor, and two cases involving artists living in "bohemian" lodgings. Another new and noteworthy feature is that no one is ever brought to justice. Though the villains are identified by the narrator (who disdains to inform the police), most cannot be proven guilty beyond a reasonable doubt.