Books with author Elizabeth R. Epperly

L. M. Montgomery's beautiful Island scrapbooks, covering a period from 1893 to mid-1910, are finally back in print. Reflecting Montgomery's youth and optimism, these full-colour pages are filled with meaningful insight into the life of a young writer's inspiration during the period when she would create the beloved character of Anne Shirley, who would win the hearts of readers worldwide with the publication of Anne of Green Gables in 1908. With annotations and notes from Montgomery scholar Elizabeth Epperly, Imagining Anne allows fans a revealing look inside the mind of one of the most cherished writers of the twentieth century.

When it originally appeared, Elizabeth Rollins Epperly’s The Fragrance of Sweet-Grass was one of the first challenges to the idea that L.M. Montgomery’s books were unworthy of serious study. Examining all of Montgomery’s fiction, Epperly argues that Montgomery was much more than a master of the romance genre and that, through her use of literary allusions, repetitions, irony, and comic inversions, she deftly manipulated the normal conventions of romance novels. Focusing on Montgomery’s memorable heroines, from Anne Shirley to Emily Byrd Starr, Valancy Stirling, and Pat Gardiner, Epperly demonstrates that Montgomery deserves a place in the literary canon not just as the creator of Anne of Green Gables but as an artist in her chosen profession.Since its publication more than twenty years ago, The Fragrance of Sweet-Grass has become a favourite of scholars, writers, and Montgomery fans. This new edition adds a preface in which Epperly discusses the book’s contribution to the ongoing research on the life and writing of L.M. Montgomery, reflects on how Montgomery studies have flourished over the past two decades, and suggests new ways to approach and explore the Canadian writer’s work.

Anne of Green Gables may be the most famous Canadian literary character ever created. She has captured the imagination of young girls around the world, and her popularity shows no sign of diminishing. But Anne Shirley is only the best known of the memorable heroines created by Lucy Maud Montgomery, a group that includes Emily Byrd Starr, Valancy Stirling, and Pat Gardiner. These characters are at the centre of Elizabeth Rollins Epperly's book, the first full-length critical study of all L.M. Montgomery's fiction.Epperly argues that the strength of the novels lies in their descriptions of nature, the comic interplay of eccentrics and children, and above all the heroines. She points out that Montgomery was a master of the genre of romance, a skill she honed in hundreds of short stories aimed at a specific market. But her heroines reveal a much more complex relationship with the genre. Each one's struggle to establish individual identity is at odds with the conventions of romance. So is the powerful love of home that drives each of them. The expectations of romance readers are confounded, and yet, in the end, the happy endings fulfil the romance formula.Through her use of literary allusions, repetitions, irony, and comic inversions, Montgomery deftly works with and against the literary convention of which she is in total command. As Epperly demonstrates, Montgomery's place in the Canadian canon arises not simply from the affection in which the world holds Anne, but from her creator's mastery of her craft.

When it originally appeared, Elizabeth Rollins Epperly’s The Fragrance of Sweet-Grass was one of the first challenges to the idea that L.M. Montgomery’s books were unworthy of serious study. Examining all of Montgomery’s fiction, Epperly argues that Montgomery was much more than a master of the romance genre and that, through her use of literary allusions, repetitions, irony, and comic inversions, she deftly manipulated the normal conventions of romance novels. Focusing on Montgomery’s memorable heroines, from Anne Shirley to Emily Byrd Starr, Valancy Stirling, and Pat Gardiner, Epperly demonstrates that Montgomery deserves a place in the literary canon not just as the creator of Anne of Green Gables but as an artist in her chosen profession.Since its publication more than twenty years ago, The Fragrance of Sweet-Grass has become a favourite of scholars, writers, and Montgomery fans. This new edition adds a preface in which Epperly discusses the book’s contribution to the ongoing research on the life and writing of L.M. Montgomery, reflects on how Montgomery studies have flourished over the past two decades, and suggests new ways to approach and explore the Canadian writer’s work.

Six-year-old Elspeth's mother has a surprise in store for her daughters. She's taking Elspeth and her eleven-year-old sister on a surprise vacation. When she starts reading Anne of Green Gables aloud to the girls, they catch on--they're going to Prince Edward Island!Elspeth proudly dons her Anne hat on the ferry, ready to explore the Land of Anne. Although she knows she's really visiting Lucy Maud Montgomery?s house, she feels like she recognizes everything from the books and is thoroughly enchanted. At first devastated that Montgomery's first house was torn down by Montgomery's uncle, Elspeth sees signs of life--chipmunks living in the old cellar.Elspeth's imagination is ignited. No longer satisfied with pretending to be Anne, Elspeth is instead inspired to become more like Montgomery: famous writer Elspeth of Cavendish, writing about the world she loves.Summer in the Land of Anne is a celebration of the books we love and all the ways they inspire us.

Anne Shirley is the best known of a memorable group of heroines created by Lucy Maud Montgomery, a group that includes Emily Byrd Starr, Valancy Stirling, and Pat Gardiner. These characters are at the centre of Epperly's book, the first full-length critical study of all L.M. Montgomery's fiction.Epperly contends that Montgomery was a master of the romance genre, and through her use of literary allusions, repetitions, irony, and comic inversions she deftly manipulated the normal conventions of romance novels. By studying the fictional biographies of the heroines and their pursuit of romance, Epperly questions the ways romance shapes what we consider valuable in our imaginings and experience.