Books with author Edward Salisbury Field

Lang: - English, Pages 515. Reprinted in 2019 with the help of original edition published long back [1918]. This book is Printed in black & white, Hardcover, sewing binding for longer life with Matt laminated multi-Colour Dust Cover, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. (Any type of Customisation is possible with extra charges). Hope you will like it and give your comments and suggestions.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> The Sapphire Bracelet<author> Edward Salisbury Field<publisher> Grosset & Dunlap, 1910

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Chapter IIf Dad had been a coal baron, like Mr. Tudor Carstairs, or a stock-watering captain of industry, like Mrs. Sanderson-Spear's husband, or descended from a long line of whisky distillers, like Mrs. Carmichael Porter, why, then his little Elizabeth would have been allowed the to sit in seat of the scornful with the rest of the Four Hundred, and this story would never have been written. But Dad wasn't any of these things; he was just an old love who had made seven million dollars by the luckiest fluke in the world. Everybody in southern California knew it was a fluke, too, so the seven millions came in for all the respect that would otherwise have fallen to Dad. Of course we were celebrities, in a way, but in a very horrid way. Dad was Old Tom Middleton, who used to keep a livery-stable in San Bernardino, and I was Old Tom Middleton's girl, "who actually used to live over a livery-stable, my dear!" It sounds fearfully sordid, doesn't it? But it wasn't sordid, really, for I never actually lived over a stable. Indeed, we had the sweetest cottage in all San Bernardino. I remember it so well: the long, cool porch, the wonderful gold-of-Ophir roses, the honeysuckle where the linnets nested, the mocking birds that sang all night long; the perfume of the jasmine, of the orange-blossoms, the pink flame of the peach trees in April, the ever-changing color of the mountains. And I remember Ninette, my little Creole mother, gay as a butterfly, carefree as a meadow-lark. 'Twas she who planted the jasmine.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.