Books with author Edward Bulwer (Lord Lytton) Lytton

Paul Clifford is a novel published in 1830 by English author Edward Bulwer-Lytton. It tells the life of Paul Clifford, a man who leads a dual life as both a criminal and an upscale gentleman. The book was successful upon its release. It is the source of the famous opening phrase "It was a dark and stormy night.. Paul Clifford tells the story of a chivalrous highwayman in the time of the French Revolution. Brought up not knowing his origins and living an evil life, Clifford is arrested for theft. The love of his life is Lucy Brandon. Brought before her uncle, Judge Brandon, for the robbery, it is unexpectedly revealed that Clifford is Brandon's son. That revelation complicates the trial, but Judge Brandon tries Clifford and condemns him to death. Clifford escapes from jail. With his lover and cousin, Lucy, he makes his way to America......... Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton, PC (25 May 1803 – 18 January 1873) was an English novelist, poet, playwright, and politician. He was immensely popular with the reading public and wrote a stream of bestselling novels which earned him a considerable fortune. He coined the phrases "the great unwashed", "pursuit of the almighty dollar", "the pen is mightier than the sword", "dweller on the threshold", and the well-known and much-parodied opening line "It was a dark and stormy night". After his death, Bulwer-Lytton suffered a tremendous decline in reputation and today is best known for the "dark and stormy night" line and the Bulwer-Lytton Fiction Contest, to determine the "opening sentence of the worst of all possible novels." Life: Bulwer-Lytton was born on 25 May 1803 to General William Earle Bulwer of Heydon Hall and Wood Dalling, Norfolk and Elizabeth Barbara Lytton, daughter of Richard Warburton Lytton of Knebworth, Hertfordshire. He had two older brothers, William Earle Lytton Bulwer (1799–1877) and Henry (1801–1872), later Lord Dalling and Bulwer. When Edward was four, his father died and his mother moved to London. He was a delicate, neurotic child and was discontented at a number of boarding schools. But he was precocious and Mr. Wallington at Baling encouraged him to publish, at the age of fifteen, an immature work, Ishmael and Other Poems. In 1822 he entered Trinity College, Cambridge, where he met John Auldjo, but shortly afterwards moved to Trinity Hall. In 1825 he won the Chancellor's Gold Medal for English verse.In the following year he took his BA degree and printed, for private circulation, a small volume of poems, Weeds and Wild Flowers. He purchased a commission in the army in 1826, but sold it in 1829 without serving.In August 1827, he married Rosina Doyle Wheeler (1802–1882), a famous Irish beauty, but against his mother's wishes, who withdrew his allowance, so that he was forced to work for a living.They had two children, Lady Emily Elizabeth Bulwer-Lytton (1828–1848), and (Edward) Robert Lytton Bulwer-Lytton, 1st Earl of Lytton (1831–1891) who became Governor-General and Viceroy of British India (1876–1880). His writing and political work strained their marriage, while his infidelity embittered Rosina;in 1833 they separated acrimoniously and in 1836 the separation became legal. Three years later, Rosina published Cheveley, or the Man of Honour (1839), a near-libellous fiction bitterly satirising her husband's alleged hypocrisy. In June 1858, when her husband was standing as parliamentary candidate for Hertfordshire, she indignantly denounced him at the hustings. He retaliated by threatening her publishers, withholding her allowance, and denying her access to the children.Finally he had her committed to a mental asylum, but after a public outcry, she was released a few weeks later. This incident was chronicled in her memoir, A Blighted Life (1880)...................

The Last Days of Pompeii is a novel written by the baron Edward Bulwer-Lytton in 1834. The novel was inspired by the painting The Last Day of Pompeii by the Russian painter Karl Briullov, which Bulwer-Lytton had seen in Milan. It culminates in the cataclysmic destruction of the city of Pompeii by the eruption of Mount Vesuvius in AD 79.The novel uses its characters to contrast the decadent culture of 1st-century Rome with both older cultures and coming trends. The protagonist, Glaucus, represents the Greeks who have been subordinated by Rome, and his nemesis Arbaces the still older culture of Egypt. Olinthus is the chief representative of the nascent Christian religion, which is presented favourably but not uncritically. The Witch of Vesuvius, though she has no supernatural powers, shows Bulwer-Lytton's interest in the occult – a theme which would emerge in his later writing, particularly The Coming Race.A popular sculpture by American sculptor Randolph Rogers, Nydia, the Blind Flower Girl of Pompeii (1856), was based on a character from the book.

The Last Days of Pompeii is a novel written by Edward Bulwer-Lytton in 1834. The novel was inspired by the painting The Last Day of Pompeii by the Russian painter Karl Briullov, which Bulwer-Lytton had seen in Milan. It culminates in the cataclysmic destruction of the city of Pompeii by the eruption of Mount Vesuvius in AD 79.The Last Day of Pompeii, Karl BryullovThe novel uses its characters to contrast the decadent culture of 1st-century Rome with both older cultures and coming trends. The protagonist, Glaucus, represents the Greeks who have been subordinated by Rome, and his nemesis Arbaces the still older culture of Egypt. Olinthus is the chief representative of the nascent Christian religion, which is presented favourably but not uncritically. The Witch of Vesuvius, though she has no supernatural powers, shows Bulwer-Lytton's interest in the occult—a theme which would emerge in his later writing, particularly The Coming Race.A popular sculpture by American sculptor Randolph Rogers, Nydia, the Blind Flower Girl of Pompeii (1856), was based on a character from the book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Coming Race is an 1871 novel by Edward Bulwer-Lytton, reprinted as Vril, the Power of the Coming Race. Among its readers have been those who have believed that its account of a superior subterranean master race and the energy-form called "Vril" is accurate, to the extent that some theosophists, notably Helena Blavatsky, William Scott-Elliot, and Rudolf Steiner, accepted the book as being (at least in part) based on occult truth. A popular book, The Morning of the Magicians (1960) suggested that a secret Vril Society existed in pre-Nazi Berlin. However, there is no historical evidence for the existence of such a society.The novel centres on a young, independently wealthy traveller (the narrator), who accidentally finds his way into a subterranean world occupied by beings who seem to resemble angels and call themselves Vril-ya.The hero soon discovers that the Vril-ya are descendants of an antediluvian civilization who live in networks of subterranean caverns linked by tunnels. It is a technologically supported Utopia, chief among their tools being the "all-permeating fluid" called "Vril", a latent source of energy that its spiritually elevated hosts are able to master through training of their will, to a degree which depends upon their hereditary constitution, giving them access to an extraordinary force that can be controlled at will. The powers of the will include the ability to heal, change, and destroy beings and things; the destructive powers in particular are awesomely powerful, allowing a few young Vril-ya children to wipe out entire cities if necessary. It is also suggested that the Vril-ya are fully telepathic.The narrator states that in time, the Vril-ya will run out of habitable spaces underground and start claiming the surface of the Earth, destroying mankind in the process, if necessary.

The Coming Race, an early science-fiction work, with its superman race the Vril-ya descended from the same ancestors as the great Aryan family, from which in varied streams has flowed the dominant civilization of the world spawned a occult secret society known as the Vril Society or Luminous Lodge - its philosphy and swastika symbol profoundly influenced the Nazis.

The Coming Race, an early science-fiction work, with its superman race the Vril-ya descended from the same ancestors as the great Aryan family, from which in varied streams has flowed the dominant civilization of the world spawned a occult secret society known as the Vril Society or Luminous Lodge - its philosphy and swastika symbol profoundly influenced the Nazis.