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The Master Builder is a play by Norwegian playwright Henrik Ibsen. It was first published in December 1892 and is regarded as one of Ibsen's most significant and revealing works. The setting and plot of The Master Builder can be taken as one of unrelenting, "frock-coated realism": the destructive outcome of a middle-aged, professional man's infatuation with a younger, teasing woman or, as critic Desmond MacCarthy prosaically describes this concept of the work: the tragedy of an "elderly architect who falls off his scaffold while trying to show off before a young lady". If, however, we take Solness's belief in his powers at their face value, the play can also be a lyrical and poetic fairytale, in the manner of Peer Gynt travelling the Earth in his magical adventures while the faithful Solveig waits for his return. On stage both interpretations are possible, although it is difficult to give equal weight to both meanings in the same production.

Hedda Gabler, arguably Ibsen’s greatest work, is a tumultuous and sweeping play about a woman contending with her own dissatisfaction at the turn of the nineteenth century. Considered by many critics a heroine as complex and tragic so as to rival Hamlet, Hedda finds her life in disarray after the sudden appearance of her husband’s rival—her former lover, Eilert—and, consumed by jealousy toward Eilert’s new paramour, triggers the chain of events that will lead to the play’s ultimate, shocking conclusion.

Hedda, the famous daughter of General Gabler, married George Tesman out of desperation, but she finds life with him to be dull and tedious. Interesting events unfold. Hedda Gabler is a play written by Norwegian playwright Henrik Ibsen. It is recognized as a classic of realism, nineteenth-century theatre, and world drama. The title character, Hedda, is considered one of the great dramatic roles in theatre. The play has been adapted for the screen a number of times, from the silent film era onwards, in several languages.

Hedda Gabler, drama in four acts by Henrik Ibsen, published in 1890 and produced the following year. The work reveals Hedda Gabler as a selfish, cynical woman bored by her marriage to the scholar Jørgen Tesman. Her father’s pair of pistols provide intermittent diversion, as do the attentions of the ne’er-do-well Judge Brack. When Thea Elvestad, a longtime acquaintance of Hedda’s, reveals that she has left her husband for the writer Ejlert Løvborg, who once pursued Hedda, the latter becomes vengeful. Learning that Ejlert has forsworn liquor, Hedda first steers him to a rowdy gathering at Brack’s and subsequently burns the reputedly brilliant manuscript that he loses there while drunk. Witnessing his desperation, she sends him one of the pistols and he shoots himself. Brack deduces Hedda’s complicity and demands that she become his mistress in exchange for his silence about the matter. Instead, she ends her ennui with the remaining pistol. The work is remarkable for its nonjudgmental depiction of an immoral, destructive character, one of the most vividly realized women in dramatic literature.

Norwegian playwright Henrik Ibsen's play Hedda Gabler was first published in 1890. Despite premiering the next year to negative reviews, the play since been hailed as a classic work of realism, with the character Hedda being considered by some critics as one of the great dramatic roles; a female Hamlet. Gabler is actually the character's maiden name rather than her name by marriage (which is Hedda Tesman); on entitling it this Ibsen wrote: "My intention in giving it this name was to indicate that Hedda as a personality is to be regarded rather as her father's daughter than her husband's wife."

Norwegian playwright Henrik Ibsen's play Hedda Gabler was first published in 1890. Despite premiering the next year to negative reviews, the play since been hailed as a classic work of realism, with the character Hedda being considered by some critics as one of the great dramatic roles; a female Hamlet. Gabler is actually the character's maiden name rather than her name by marriage (which is Hedda Tesman); on entitling it this Ibsen wrote: "My intention in giving it this name was to indicate that Hedda as a personality is to be regarded rather as her father's daughter than her husband's wife."

Hedda Gabler, arguably Ibsen’s greatest work, is a tumultuous and sweeping play about a woman contending with her own dissatisfaction at the turn of the nineteenth century. Considered by many critics a heroine as complex and tragic so as to rival Hamlet, Hedda finds her life in disarray after the sudden appearance of her husband’s rival—her former lover, Eilert—and, consumed by jealousy toward Eilert’s new paramour, triggers the chain of events that will lead to the play’s ultimate, shocking conclusion.

Hedda Gabler By Henrik Ibsen Hedda Gabler is a play published in 1890 by Norwegian playwright Henrik Ibsen. It premiered in 1891 in Germany to negative reviews, but has subsequently gained recognition as a classic of realism, nineteenth century theatre, and world drama. A 1902 production starring Minnie Maddern Fiske was a major sensation on Broadway and following its initial limited run was revived with the same actress the next year. Some critics consider the character of Hedda one of the great dramatic roles in theatre, and some portrayals have been very controversial, especially the Australian production where a male plays Hedda.[citation needed] Depending on the interpretation, Hedda may be portrayed as an idealistic heroine fighting society, a victim of circumstance, a prototypical feminist, or a manipulative villain. Hedda's married name is Hedda Tesman; Gabler is her maiden name. On the subject of the title, Ibsen wrote: "My intention in giving it this name was to indicate that Hedda as a personality is to be regarded rather as her father's daughter than her husband's wife."