Books with author ERNEST THOMPSON SETON

Wild Animals I Have Known is an 1898 book by naturalist and author Ernest Thompson Seton. The first entry in a new genre of realistic wild-animal fiction, Seton's first collection of short stories quickly became one of the most popular books of its day. "Lobo the King of Currumpaw", the first story in the collection, was based upon Seton's experience hunting wolves in the southwestern United States. It became a classic, setting the tone for his future works that would similarly depict animals—especially predators who were often demonized in literature—as compassionate, individualistic beings.Several years after its publication, Seton and his works came under fire during the nature fakers controversy, which began in 1903 when naturalist John Burroughs published an essay called "Real and Sham Natural History" in The Atlantic Monthly. In particular Burroughs blamed Seton's collection of stories for founding the sentimental animal story genre, which he felt featured fabricated events and wild animal behaviors; he even amended the title of the collection to Wild Animals I Alone Have Known.

YAN was much like other twelve-year-old boys in having a keen interest in Indians and in wild life, but he differed from most in this, that he never got over it. Indeed, as he grew older, he found a yet keener pleasure in storing up the little bits of woodcraft and Indian lore that pleased him as a boy. His father was in poor circumstances. He was an upright man of refined tastes, but indolent—a failure in business, easy with the world and stern with his family. He had never taken an interest in his son's wildwood pursuits; and when he got the idea that they might interfere with the boy's education, he forbade them altogether. There was certainly no reason to accuse Yan of neglecting school. He was the head boy of his class, although there were many in it older than himself. He was fond of books in general, but those that dealt with Natural Science and Indian craft were very close to his heart. Not that he had many—there were very few in those days, and the Public Library had but a poor representation of these. "Lloyd's Scandinavian Sports," "Gray's Botany" and one or two Fenimore Cooper novels, these were all, and Yan was devoted to them. He was a timid, obedient boy in most things, but the unwise command to give up what was his nature merely made him a disobedient boy—turned a good boy into a bad one. He was too much in terror of his father to disobey openly, but he used to sneak away at all opportunities to the fields and woods, and at each new bird or plant he found he had an exquisite thrill of mingled pleasure and pain—the pain because he had no name for it or means of learning its nature.

NEARLY half a century has gone since I lived among these scenes and made my observations on the grand Old Bear of the Mountains. Many new conditions have in that time developed, have changed the course of history. But the biggest, saddest change of all is that the Grizzly Bear, the most magnificent, dignified, and powerful beast of the wild, heroic West, is gone. There may be a few individuals about Yellowstone Park or other great havens, but the Grizzly Bear as the wide-wandering monarch of the hills has gone the way of the Dodo. It is just possible that in this last and latest time a newborn strong and growing sentiment will come to the rescue, will prompt us to seek out and preserve the last remnant, just as long-belated appreciation came at final stance to save for later generations the Great Sequoia Tree, when man's blind avarice had all but wiped it out. Good men are now at work with better thoughts, and reverence for the masterpieces, the giants of creation's world. It may be that this newer thought may come in force and save the grand old Bear while yet it curbs his power for harm. This is my hope and prayer; this is the sentiment unwritten, but expressed, in my Story of the Grizzly.

First published in 1918, “Sign Talk” is a detailed guide to the sign language employed by various tribes of Native Americans for communication, written and illustrated with over 700 drawings by Ernest Thompson Seton. Sign language constituted a common language between many groups of Native Americans, and it was used whenever they were unable to understand each other’s speech. Drawn from the author’s extensive experience with users and teachers, this volume is the definitive guide to Native American sign language and constitutes a must-read for anyone with an interest in the subject. Contents include: “Its Antiquity”, “Its Universality”, “Among School Children”, “Codes, Etc.”, “Deaf Code”, “The Indian Code”, “A Comparison Of The Two Codes”, “Attitude Toward The Sign Language”, “Proper Names”, etc. Ernest Thompson Seton (1860 – 1946) was an English-born Canadian author and wildlife artist who founded the Woodcraft Indians in 1902. He was also among the founding members of the Boy Scouts of America, established in 1910. He wrote profusely on this subject, the most notable of his scouting literature including “The Birch Bark Roll” and the “Boy Scout Handbook”. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

First published in1922, “Woodland Tales” is a charming collection of classic short animals stories for children of all ages. Ernest Thompson Seton (1860 – 1946) was an English author and wildlife artist who founded the Woodcraft Indians in 1902. He was also among the founding members of the Boy Scouts of America (BSA), established in 1910. He wrote profusely on this subject, the most notable of his scouting literature including “The Birch Bark Roll” and the “Boy Scout Handbook”. Seton was also an early pioneer of animal fiction writing, and he is fondly remembered for his charming book “Wild Animals I Have Known” (1898). This collection is perfect bedtime reading for animal-loving children and would make for a worthy addition to any collection. Contents include: “Blue-eyes, the Snow-child, or the Story of Hepatica”, “The Story of the Dawnsinger, or How the Bloodroot Came”, “The Prairie-girl with Yellow Hair”, “The Cat's-eye Toad, a child of Maka Ina”, “How the Bluebird Came”, “Robin, the Bird that Loves to Make Clay Pots”, etc. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

My travels in search of light on the "Animals at Home" have taken me up and down the Rocky Mountains for nearly thirty years. In the canyons from British Columbia to Mexico, I have lighted my campfire, far beyond the bounds of law and order, at times, and yet I have found no place more rewarding than the Yellowstone Park, the great mountain haven of wild life. Whenever travellers penetrate into remote regions where human hunters are unknown, they find the wild things half tame, little afraid of man, and inclined to stare curiously from a distance of a few paces. But very soon they learn that man is their most dangerous enemy, and fly from him as soon as he is seen. It takes a long time and much restraint to win back their confidence. In the early days of the West, when game abounded and when fifty yards was the extreme deadly range of the hunter’s weapons, wild creatures were comparatively tame. The advent of the rifle and of the lawless skin hunter soon turned all big game into fugitives of excessive shyness and wariness. One glimpse of a man half a mile off, or a whiff of him on the breeze, was enough to make a Mountain Ram or a Wolf run for miles, though formerly these creatures would have gazed serenely from a point but a hundred yards removed. The establishment of the Yellowstone Park in 1872 was the beginning of a new era of protection for wild life; and, by slow degrees, a different attitude in these animals toward us. In this Reservation, and nowhere else at present in the northwest, the wild things are not only abundant, but they have resumed their traditional Garden-of-Eden attitude toward man

Ernest Thompson Seton (August 14, 1860 – October 23, 1946) was an author (published in the United Kingdom, Canada, and the US), wildlife artist, founder of the Woodcraft Indians in 1902 (renamed Woodcraft League of America) and one of the founding pioneers of the Boy Scouts of America (BSA) in 1910. Seton also influenced Lord Baden-Powell, the founder of Scouting. His notable books related to Scouting include The Birch Bark Roll and the Boy Scout Handbook. He is responsible for the appropriation and incorporation of what he believed to be American Indian elements into the traditions of the BSA.