Books with author E. T. C. Werner

This fascinating and comprehensive collection of Chinese myths and legends, E. T. C. Werner drew upon material readily available to him as a member of the Chinese government's' Historiographical Bureau in Peking. A former barrister and British consul in Foochow, Werner presents a wealth of i nformation illuminating the ideas and beliefs that governed the daily l ives of the Chinese people long before the revolutions of the 20th century. Includes unique illustrations.

The chief literary sources of Chinese myths are the Li tai shen hsien t'ung chien, in thirtytwo volumes, the Shen hsien lieh chuan, in eight volumes, the Feng shen yen i, in eight volumes, and the Sou shen chi, in ten volumes. In writing the following pages I have translated or paraphrased largely from these works. I have also consulted and at times quoted from the excellent volumes on Chinese Superstitions by Pere Henri Dore, comprised in the valuable series Varietes Sinologiques, published by the Catholic Mission Press at Shanghai. The native works contained in the Ssu K'u Ch'uan Shu, one of the few public libraries in Peking, have proved useful for purposes of reference. My heartiest thanks are due to my good friend Mr Mu Hsueh-hsun, a scholar of wide learning and generous disposition, for having kindly allowed me to use his very large and useful library of Chinese books. The late Dr G. E. Morrison also, until he sold it to a Japanese baron, was good enough to let me consult his extensive collection of foreign works relating to China whenever I wished, but owing to the fact that so very little work has been done in Chinese mythology by Western writers I found it better in dealing with this subject to go direct to the original Chinese texts. I am indebted to Professor H. A. Giles, and to his publishers, Messrs Kelly and Walsh, Shanghai, for permission to reprint from Strange Stories from a Chinese Studio the fox legends given in Chapter XV. This is, so far as I know, the only monograph on Chinese mythology in any non-Chinese language. Nor do the native works include any scientific analysis or philosophical treatment of their myths. My aim, after summarizing the sociology of the Chinese as a prerequisite to the understanding of their ideas and sentiments, and dealing as fully as possible, consistently with limitations of space (limitations which have necessitated the presentation of a very large and intricate topic in a highly compressed form), with the philosophy of the subject, has been to set forth in English dress those myths which may be regarded as the accredited representatives of Chinese mythology - those which live in the minds of the people and are referred to most frequently in their literature, not those which are merely diverting without being typical or instructive - in short, a true, not a distorted image.

: with thirty-two illustrations in colours by Chinese artists.[The Sociology of the Chinese -- On Chinese Mythology -- Cosmogony-P'an Ku and the Creation Myth -- The Gods of China -- Myths of the Stars -- Myths of Thunder, Lightning, Wind, and Rain -- Myths of the Waters -- Myths of Fire -- Myths of Epidemics, Medicine, Exorcism, Etc. -- The Goddess of Mercy -- The Eight Immortals -- The Guardian of the Gate of Heaven -- A Battle of the Gods -- How the Monkey Became a Go

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In spite of much research and conjecture, the origin of the Chinese people remains undetermined. We do not know who they were nor whence they came. Such evidence as there is points to their immigration from elsewhere; the Chinese themselves have a tradition of a Western origin. The first picture we have of their actual history shows us, not a people behaving as if long settled in a land which was their home and that of their forefathers, but an alien race fighting with wild beasts, clearing dense forests, and driving back the aboriginal inhabitants.

Preface The chief literary sources of Chinese myths are the _Li tai shên hsien t'ung chien_, in thirty-two volumes, the _Shên hsien lieh chuan_, in eight volumes, the _Fêng shên yen i_, in eight volumes, and the _Sou shên chi_, in ten volumes. In writing the following pages I have translated or paraphrased largely from these works. I have also consulted and at times quoted from the excellent volumes on Chinese Superstitions by Père Henri Doré, comprised in the valuable series _Variétés Sinologiques_, published by the Catholic Mission Press at Shanghai. The native works contained in the Ssu K'u Ch'üan Shu, one of the few public libraries in Peking, have proved useful for purposes of reference. My heartiest thanks are due to my good friend Mr Mu Hsüeh-hsün, a scholar of wide learning and generous disposition, for having kindly allowed me to use his very large and useful library of Chinese books. The late Dr G.E. Morrison also, until he sold it to a Japanese baron, was good enough to let me consult his extensive collection of foreign works relating to China whenever I wished, but owing to the fact that so very little work has been done in Chinese mythology by Western writers I found it better in dealing with this subject to go direct to the original Chinese texts. I am indebted to Professor H.A. Giles, and to his publishers, Messrs Kelly and Walsh, Shanghai, for permission to reprint from _Strange Stories from a Chinese Studio_ the fox legends given in Chapter XV. This is, so far as I know, the only monograph on Chinese mythology in any non-Chinese language. Nor do the native works include any scientific analysis or philosophical treatment of their myths. My aim, after summarizing the sociology of the Chinese as a prerequisite to the understanding of their ideas and sentiments, and dealing as fully as possible, consistently with limitations of space (limitations which have necessitated the presentation of a very large and intricate topic in a highly compressed form), with the philosophy of the subject, has been to set forth in English dress those myths which may be regarded as the accredited representatives of Chinese mythology--those which live in the minds of the people and are referred to most frequently in their literature, not those which are merely diverting without being typical or instructive--in short, a true, not a distorted image. _Edward Theodore Chalmers Werner_

The chief literary sources of Chinese myths are the Li tai shên hsien t’ung chien, in thirty-two volumes, the Shên hsien lieh chuan, in eight volumes, the Fêng shên yen i, in eight volumes, and the Sou shên chi, in ten volumes. In writing the following pages I have translated or paraphrased largely from these works. I have also consulted and at times quoted from the excellent volumes on Chinese Superstitions by Père Henri Doré, comprised in the valuable series Variétés Sinologiques, published by the Catholic Mission Press at Shanghai. The native works contained in the Ssŭ K’u Ch’üan Shu, one of the few public libraries in Peking, have proved useful for purposes of reference. My heartiest thanks are due to my good friend Mr Mu Hsüeh-hsün, a scholar of wide learning and generous disposition, for having kindly allowed me to use his very large and useful library of Chinese books. The late Dr G.E. Morrison also, until he sold it to a Japanese baron, was good enough to let me consult his extensive collection of foreign works relating to China whenever I wished, but owing to the fact that so very little work has been done in Chinese mythology by Western writers I found it better in dealing with this subject to go direct to the original Chinese texts. I am indebted to Professor H.A. Giles, and to his publishers, Messrs Kelly and Walsh, Shanghai, for permission to reprint from Strange Stories from a Chinese Studio the fox legends given in Chapter XV.This is, so far as I know, the only monograph on Chinese mythology in any non-Chinese language. Nor do the native works include any scientific analysis or philosophical treatment of their myths.My aim, after summarizing the sociology of the Chinese as a prerequisite to the understanding of their ideas and sentiments, and dealing as fully as possible, consistently with limitations of space (limitations which have necessitated the presentation of a very large and intricate topic in a highly compressed form), with the philosophy of the subject, has been to set forth in English dress those myths which may be regarded as the accredited representatives of Chinese mythology—those which live in the minds of the people and are referred to most frequently in their literature, not those which are merely diverting without being typical or instructive—in short, a true, not a distorted image.