Books with author E. M . Forster

The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes are practical and materialistic, leading lives of "telegrams and anger." When the elder Mrs. Wilcox dies and her family discovers she has left their country home—Howards End—to one of the Schlegel sisters, a crisis between the two families is precipitated that takes years to resolve. Howards End is a symbolic exploration of the social, economic, and intellectual forces at work in England in the years preceding World War I, a time when vast social changes were occurring. In the Schlegels and the Wilcoxes, Forster perfectly embodies the competing idealism and materialism of the upper classes, while the conflict over the ownership of Howards End represents the struggle for possession of the country’s future. As critic Lionel Trilling once noted, the novel asks, "Who shall inherit England?" Forster refuses to take sides in this conflict. Instead he poses one of the book’s central questions: In a changing modern society, what should be the relation between the inner and outer life, between the world of the intellect and the world of business? Can they ever, as Forster urges, "only connect"?Book ExcerptOne may as well begin with Helen’s letters to her sister.Dearest Meg,It isn’t going to be what we expected. It is old and little, and altogether delightful—red brick. We can scarcely pack in as it is, and the dear knows what will happen when Paul (younger son) arrives to–morrow. From hall you go right or left into dining–room or drawing–room. Hall itself is practically a room. You open another door in it, and there are the stairs going up in a sort of tunnel to the first–floor. Three bed–rooms in a row there, and three attics in a row above. That isn’t all the house really, but it’s all that one notices—nine windows as you look up from the front garden.

Dr Aziz is a young Muslim physician in the British Indian town of Chandrapore. One evening he comes across an English woman, Mrs Moore, in the courtyard of a local mosque; she and her younger travelling companion Adela are disappointed by claustrophobic British colonial culture and wish to see something of the 'real' India. But when Aziz kindly offers to take them on a tour of the Marabar caves with his close friend Cyril Fielding, the trip results in a shocking accusation that throws Chandrapore into a fever of racial tension.

This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England.A charming young Englishwoman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson—who is entirely unsuitable and whose father just may be a Socialist—Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England, she is courted by a more acceptable, if stifling, suitor and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion.(Additional author biography)

"A Room with a View" by E. M. Forster. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England.A charming young Englishwoman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson—who is entirely unsuitable and whose father just may be a Socialist—Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England, she is courted by a more acceptable, if stifling, suitor and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion.(Additional author biography)

How is this book unique? Formatted for E-Readers, Unabridged & Original version. You will find it much more comfortable to read on your device/app. Easy on your eyes.Includes: 15 Colored Illustrations and BiographyA Room with a View is a 1908 novel by English writer E. M. Forster, about a young woman in the repressed culture of Edwardian era England. Set in Italy and England, the story is both a romance and a critique of English society at the beginning of the 20th century. Merchant-Ivory produced an award-winning film adaptation in 1985.The Modern Library ranked A Room with a View 79th on its list of the 100 best English-language novels of the 20th century (1998).The first part of the novel is set in Florence, Italy, and describes a young English woman's first visit to Florence, at a time when upper middle class English women were starting to lead independent, adventurous lives. Lucy Honeychurch is touring Italy with her overbearing older cousin and chaperone, Charlotte Bartlett, and the novel opens with their complaints about the hotel, "The Pension Bertolini." Their primary concern is that although rooms with a view of the River Arno have been promised for each of them, their rooms instead look over a courtyard. A Mr. Emerson interrupts their "peevish wrangling," offering to swap rooms as he and his son, George Emerson, look over the Arno. This behaviour causes Miss Bartlett some consternation, as it appears impolite. Without letting Lucy speak, Miss Bartlett refuses the offer, looking down on the Emersons because of their unconventional behaviour and thinking it would place her under an "unseemly obligation" towards them. However, another guest at the pension, an Anglican clergyman named Mr. Beebe, persuades the pair to accept the offer, assuring Miss Bartlett that Mr. Emerson only meant to be kind.The next day, Lucy embarks on a tour of Florence with another guest, Miss Eleanor Lavish, a novelist who shows Lucy the back streets of Florence, takes her Baedeker guidebook and subsequently loses her in Santa Croce, where Lucy meets the Emersons again. Although their manners are awkward and they are deemed socially unacceptable by the other guests, Lucy likes them and continues to run into them in Florence. One afternoon Lucy witnesses a murder in Florence. George Emerson happens to be nearby and catches her when she faints. Lucy asks George to retrieve some photographs of hers that happen to be near the murder site. George, out of confusion, throws her photographs into the river because they were spotted with blood. Lucy observes how boyish George is. As they stop to look over the River Arno before making their way back to the hotel, they have an intimate conversation. After this, Lucy decides to avoid George, partly because she is confused by her feelings and partly to keep her cousin happy—Miss Bartlett is wary of the eccentric Emersons, particularly after a comment made by another clergyman, Mr. Eager, that Mr. Emerson "murdered his wife in the sight of God." Later on in the week, a party made up of Beebe, Eager, the Emersons, Miss Lavish, Miss Bartlett and Lucy Honeychurch make their way to Fiesole, in carriages driven by Italians. The driver is permitted to invite a woman he claims is his sister onto the box of the carriage, and when he kisses her, Mr. Eager promptly forces the lady to get off the carriage box. Mr. Emerson remarks how it is defeat rather than victory to part two people in love. In the fields, Lucy searches for Mr. Beebe, and asks in poor Italian for the driver to show her the way. Misunderstanding, he leads her to a field where George stands. George is overcome by Lucy's beauty among a field of violets and kisses her, but they are interrupted by Lucy's cousin, who is outraged. Lucy promises Miss Bartlett that she will not tell her mother of the "insult" George has paid her because Miss Bartlett fears she will be blamed.

This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England.A charming young Englishwoman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson—who is entirely unsuitable and whose father just may be a Socialist—Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England, she is courted by a more acceptable, if stifling, suitor and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion.

This Edwardian social comedy explores love and prim propriety among an eccentric cast of characters assembled in an Italian pensione and in a corner of Surrey, England.A charming young Englishwoman, Lucy Honeychurch, faints into the arms of a fellow Britisher when she witnesses a murder in a Florentine piazza. Attracted to this man, George Emerson—who is entirely unsuitable and whose father just may be a Socialist—Lucy is soon at war with the snobbery of her class and her own conflicting desires. Back in England, she is courted by a more acceptable, if stifling, suitor and soon realizes she must make a startling decision that will decide the course of her future: she is forced to choose between convention and passion.(Additional author biography)

Dr Aziz is a young Muslim physician in the British Indian town of Chandrapore. One evening he comes across an English woman, Mrs Moore, in the courtyard of a local mosque; she and her younger travelling companion Adela are disappointed by claustrophobic British colonial culture and wish to see something of the 'real' India. But when Aziz kindly offers to take them on a tour of the Marabar caves with his close friend Cyril… (more)

- With biography of E. M. Forster.Where Angels Fear to Tread (1905) is a novel by E. M. Forster, originally entitled Monteriano. The title comes from a line in Alexander Pope's An Essay on Criticism: "For fools rush in where angels fear to tread".In 1991 it was made into a film by Charles Sturridge, starring Rupert Graves, Giovanni Guidelli, Helen Mirren, Helena Bonham Carter, and Judy Davis.On a journey to Tuscany with her young friend and traveling companion Caroline Abbott, widowed Lilia Herriton falls in love with both Italy and Gino, a handsome Italian much younger than herself, and decides to stay. Furious, her dead husband's family send Lilia's brother-in-law Philip to Italy to prevent a misalliance, but he arrives too late. Lilia had already married the Italian and becomes pregnant again. While giving birth to her son, she dies. The Herritons send Philip again to Italy, this time to save the infant boy from an uncivilized life and to save the family's reputation. Not wanting to be outdone—or considered any less moral or concerned than Caroline for the child's welfare—Lilia's in-laws try to take the lead in traveling to Italy. In the public eye, they make it known that it is both their right and their duty to travel to Monteriano to obtain custody of the infant so that he can be raised as an Englishman. Secretly, though, they have no regard for the child; only public appearances.

The book is about three families in England at the beginning of the 20th century: the Wilcoxes, rich capitalists with a fortune made in the Colonies; the half-German Schlegel siblings (Margaret, Tibby, and Helen), who have much in common with the real-life Bloomsbury Group; and the Basts, a struggling couple in the lower-middle class. The Schlegel sisters try to help the poor Basts and try to make the Wilcoxes less prejudiced.The Schlegels frequently encounter the Wilcoxes. The youngest, Helen, is for a short period intensely attracted to the younger Wilcox brother, Paul; each rejects the other for his or her own reasons. The eldest, Margaret, becomes friends with Paul's mother, Ruth Wilcox. Ruth's most prized personal possession is her family house at Howards End. She wishes that Margaret could live there, as she feels that it might be in good hands with her. Ruth's own husband and children do not value the house and its rich history, because such abstractions, while being very dear to Margaret, are lost to them. As Ruth is terminally ill, and Margaret and her family are about to be evicted from their London home by a developer, Ruth bequeaths the cottage to Margaret in a handwritten note delivered to her husband from the nursing home where she has died, causing great consternation among the Wilcoxes. Mrs Wilcox's widowed husband, Henry, and his children burn the note without telling Margaret about her inheritance. However, over the course of several years, Margaret becomes friends with Henry Wilcox and eventually marries him. The more free-spirited Margaret tries to get Henry to open up more, to little effect. Henry's elder son Charles and his wife try to keep Margaret from taking possession of Howards End.Gradually, Margaret becomes aware of Henry's dismissive attitude towards the lower classes. On Henry's advice, Helen tells Leonard Bast to quit his respectable job as a clerk at an insurance company, because the company stands outside a protective group of companies and thus is vulnerable to failure. A few weeks later, Henry carelessly reverses his opinion, having entirely forgotten about Bast, but it is too late, and Bast has lost his tenuous hold on financial solvency. Bast lives with a troubled, "fallen" woman for whom he feels responsible and whom he eventually marries. Helen continues to try to help young Leonard Bast (perhaps in part out of guilt about having intervened in his life to begin with, as Leonard had not wanted it and Henry had explicitly stated beforehand that he advised no one) but it all goes terribly wrong; because of Bast's wife's connection with Henry, Henry will not countenance helping them. It is later revealed that 10 years previously, as a teenager, she had been Henry's mistress in Cyprus, but he had then carelessly abandoned her, an expatriate English girl on foreign soil with no way to return home. Margaret confronts Henry about his ill-treatment, and he is ashamed of the affair but unrepentant about his harsh treatment of her. Because of Margaret's impending marriage into the Wilcoxes and situations such as these, the Schlegel sisters drift apart somewhat. In a moment of pity for the poor, doomed Bast, Helen has an affair with him. Includes a biography of the Author