Books with author Dorothy Miller Richardson

Excerpt from InterimOn to the doorstep. Stout boots hurried along the tiled passage and the door opened on Florrie in her outdoor clothes smiling bril liantly from under the Wide brim of a heavily trimmed hat. Grace in a large straight green dress appeared beside her from the open dining room door. Miriam finished her cadenza with the door knocker While F lorrie bent to secure her bag saying on a choke of laughter, come in. You've just been out, said Miriam listening to Grace's soothing reproaches for her lateness. Shall I come in or shall I burst into tears and sit down on the doorstep? F lorrie laughed aloud, standing With the bag. Bring her in scolded Mrs. Philps from the dining-room door. Grace took her by the.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Dorothy Richardson was a 20th century British writer who often worked in "stream of consciousness". After she finished school she worked as a teacher, writer and held some clerical positions Her major work was called Pilgrimage. It was a series of books or as she preferred to call them chapters published under separate titles. This included: Pointed Roofs, 1915; Backwater, 1916; Honeycomb, 1917; The Tunnel, 1919; Interim, 1919; Deadlock, 1921; Revolving Lights, 1923; The Trap, 1925; Oberland, 1927; Dawn's Left Hand, 1931; Clear Horizon, 1935; the last part, Dimple Hill, appeared under the collective title, four volumes, 1938). The heroine in Pilgrimage is Miriam Henderson who was an attractive mystical woman. The novel's new look at portraying feminine consciousness gives Richardson's work significant status in the 20th century.

Amanda is excited about spending the summer with her cousin Elinore's family, who live in a remote clearing in rural Pennsylvania. There Amanda learns that a mysterious man called Spook Wade lives nearby. Everyone believes that Spook killed little Bucky Mead 10 years ago. Amanda wants to find out the truth about Spook. When Elinore becomes too bossy, Amanda turns to her cousin Nelson and a new friend, Cynthia. Together, the trio sets out to discover the long-hidden secrets in the clearing.

Dorothy Richardson was a 20th century British writer who often worked in "stream of consciousness". After she finished school she worked as a teacher, writer and held some clerical positions Her major work was called Pilgrimage. It was a series of books or as she preferred to call them chapters published under separate titles. This included: Pointed Roofs, 1915; Backwater, 1916; Honeycomb, 1917; The Tunnel, 1919; Interim, 1919; Deadlock, 1921; Revolving Lights, 1923; The Trap, 1925; Oberland, 1927; Dawn's Left Hand, 1931; Clear Horizon, 1935; the last part, Dimple Hill, appeared under the collective title, four volumes, 1938). The heroine in Pilgrimage is Miriam Henderson who was an attractive mystical woman. The novel's new look at portraying feminine consciousness gives Richardson's work significant status in the 20th century.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Excerpt from The TunnelMornington Road. To explain about it would be to bring Mornington Road here.It doesn't matter now said Mrs. Bailey as she dropped her bag and fumbled for her purse.Oh, I'd better settle it at once or I shall forget about it. I'm so glad the things have come so soon.When Mrs. Bailey had taken the half-crown they stood smiling at each other. Mrs. Bailey looked exactly as she had done the first time. It was exactly the same; there was no disappointment. The light coming through the glass above the front door made her look more shabby and worn. Her hair was more metallic. But it was the same girlish figure and the same smile triumphing over the badly fitting teeth. Miriam felt like an inmate returning after an absence. The smeariness of the marble-topped hall table did not offend her. She held herself in. It was better to begin as she meant to go on. Behind Mrs. Bailey the stair case was beckoning. There was something waiting up stairs that would be gone ii she stayed talking to Mrs. Bailey.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

"Pointed Roofs" is the first volume of "Pilgrimage," a series of thirteen autobiographical novels by Dorothy Richardson considered to have pioneered the "stream of consciousness" technique of writing. In a review of Pointed Roofs (The Egoist April 1918), May Sinclair first applied the term "stream of consciousness" in her discussion of Richardson's stylistic innovations. Richardson, however, preferred the term "interior monologue." Miriam Henderson, the central character in Pilgrimage, is based on the author's own life between 1891 and 1915. Richardson also important as a feminist writer because of the way her work assumes the validity and importance of female experiences as a subject for literature.

Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.