Books with author Donald Alexander 1873-1936 MacKenzie

In writing the history of Ancient Man in Britain, it has been found necessary to investigate the Continental evidence. When our early ancestors came from somewhere, they brought something with them, including habits of life and habits of thought. The story unfolded by British finds is but a part of a larger story; and if this larger story is to be reconstructed, our investigations must extend even beyond the continent of Europe. The data afforded by the "Red Man of Paviland", who was buried with Crô-Magnon rites in a Welsh cave, not only emphasize that Continental and North African cultural influences reached Britain when the ice-cap was retreating in Northern Europe, but that from its very beginnings the history of our civilization cannot be considered apart from that of the early civilization of the world as a whole. The writer, however, has not assumed in this connection that in all parts of the world man had of necessity to pass through the same series of evolutionary stages of progress, and that the beliefs, customs, crafts, arts, &c., of like character found in different parts of the world were everywhere of spontaneous generation. There were inventors and discoverers and explorers in ancient times as there are at present, and many new contrivances were passed on from people to people. The man who, for instance, first discovered how to "make fire" by friction of fire-sticks was undoubtedly a great scientist and a benefactor of his kind. It is shown that shipbuilding had a definite area of origin.The "Red Man of Paviland" also reveals to us minds pre-occupied with the problems of life and death. It is evident that the corpse of the early explorer was smeared with red earth and decorated with charms for very definite reasons. That the people who thus interred xi their dead with ceremony were less intelligent than the Ancient Egyptians who adopted the custom of mummification, or the Homeric heroes who practised cremation, we have no justification for assuming.At the very dawn of British history, which begins when the earliest representatives of Modern Man reached our native land, the influences of cultures which had origin in distant areas of human activity came drifting northward to leave an impress which does not appear to be yet wholly obliterated. We are the heirs of the Ages in a profounder sense than has hitherto been supposed.

The myths and legends of Scotland are full of what is called " local colour ". They afford us not only glimpses of ancient times and of old habits of thought and life, but also of the country itself at different times of the year. In the winter season the great mountain ranges are white with snow and many inland lochs are frozen over, but along the west coast, which is washed by the warm surface waters of the Atlantic and bathed in mild moist breezes from the south-west, there may be found sheltered and sunny spots where wild flowers continue to bloom. The old people believed that somewhere in the west the spirit of Spring had its hiding-place, and they imagined this hiding-place to be a green floating island on which the sun always shone and flowers were io Tales from Scottish Myths always blooming. During the reign of Beira 1 , Queen of Winter, the spirit of Spring, they thought, was always trying to visit Scotland, and they imagined that Beira raised the storms of January and February to prolong her reign by keeping the grass from growing. Beira was re- garded as a hard and cruel old woman, and the story of her exploits is the story of the weather conditions in winter and early spring. She rouses the dangerous whirlpool of Corryvreckan, she brings the snow, she unlooses the torrents that cause rivers to overflow. According to folk be- lief, it was she who formed the lochs and the mountains. In the days when the people had no calendar, the various periods of good and bad weather were named after the battles of Beira and the victories of the spirits of sunshine and growth. Gaelic-speaking people still refer to certain gales in February and March by their ancient names the "whistling wind", the "sweeper", and so on, as set forth in the second chapter. On the north- east coast even those fisher folks, who are not Gaelic speakers, still tell that the fierce south- westerly gales of early spring are caused by the storm-wife whom they call "Gentle Annie". This Annie may be the same old deity as Black Annis of Leicestershire and Anu of Ireland, whose name lingers in the place name, the " Paps of Anu ", a 1 Pronounced Bee'ra. Introduction n mountain group in County Kerry. In Scotland the story of the winter goddess, Beira, has a strictly local setting. She is, in consequence, a local deity. Bride, the lady of summer growth, is still remembered also, and there are beautiful Gaelic songs about her. Other stories have likewise a local character. Those who know the west coast will be familiar with the glorious transparency of the hill-sur- rounded lochs in calm weather. When the old people saw the waters reflecting the mountains and forests, the bare cliffs and the bright girths of green verdure, they imagined a " Land-under- Waves " about which they, of course, made stories. The "Northern Lights" (aurora borealis), which are a feature of northern winters, also stirred their imaginations. They called these vivid and beautiful streamers " Nimble Men " and " Merry Dancers ", and believed they sometimes danced and sometimes waged war. In the red-spotted green stones called " blood stones " they saw the blood-drops of the wounded. When the streamers are particularly bright a red cloud often appears below them; this the old people called "the pool of fairy blood ". In like manner they accounted for the restless- ness of the waters of a strait between the island of Lewis and the Shant islands by imagining that Blue Men were always swimming up and 12 Tales from Scottish Myths down this haunt of theirs, trying to sink boats and ships. As the Gaelic people have ever been great lovers of poetry, they made the Blue Men poets, and told that they spared those seafarers who were able to complete the half verses they shouted to them, by way of challenge, for trial of skill. The " Blue Men " are peculiar to Scot- land, and especially to the north....

In his Presidential Address to the Royal Anthropological Institute this year the late Dr. Rivers put his finger upon the most urgent need for reform in the study of Man, when he appealed for "the Unity of Anthropology". No true conception of the nature and the early history of the human family can be acquired by investigations, however carefully they may be done, of one class of evidence only. The physical characters of a series of skulls can give no reliable information unless their exact provenance and relative age are known. But the interpretation of the meaning of these characters cannot be made unless we know something of the movements of the people and the distinctive peculiarities of the inhabitants of the foreign lands from which they may have come. No less important than the study of their physical structure is the cultural history of peoples. The real spirit of a population is revealed by its social and industrial achievements, and by its vi customs and beliefs, rather than by the shape of the heads and members of its units. The revival of the belief in the widespread diffusion of culture in early times has, as one of its many important effects, directed attention to the physical peculiarities of the mixed populations of important foci of civilization throughout the world. Such inquiries have not only enabled the student of human structure to detect racial affinities where he might otherwise have neglected to look for them, but on the other hand they have been able to give the investigator of cultural diffusion evidence of the most definite and irrefutable kind in corroboration of the reality of his inferences.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

It's Odyssey, but not as you know it!Odyssey is an inventive reimagining of the tale of Odysseus, King of Ithaca retold for the modern day. Filled with vibrant illustrations, this retelling of the classic tale will have you laughing out loud! Alexander Mackenzie uses his knack for storytelling to bring the adventures of Odysseus, King of Ithaca to life in this epic tale told in a modern and contemporary way that will have you on the edge of your seat as you follow the twists and turns of the King's struggles to return home.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.