Books with author Denis Mackail

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Excerpt from What Next?Jim Grant stopped short at this enquiry, irresolu tion once more spreading over his features.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Romance to the RescueHe shuddered slightly at the thought of the alternative possibility, and for the thousandth time ran over in his mind the circumstances attendant on his first meeting with Mrs. Cartwright.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Not one of the historical squares of Mayfair, nor yet containing a sufficient percentage of professional brass plates to be identified at once as north of Oxford Street, but a good enough square for all that. Quiet and withdrawn from omnibus routes. The houses are small but neat. Where they are plasterfronted, the paint is of recent date; where they are brickfronted, the pointing has clearly not been neglected. For there is enough external variation in this square to give that suggestive, though often misleading clue to the character of its inhabitants, which to the speculative mind forms one of the chief attractions of a walk through the more comfortable portions of London. Number 15, for instance, has built itself out a little bow window on the ground floor, Number 9has attached to itself a diminutive glass porch, Number 24 has grown an extra top story. Number 18 moves with, if not in advance of the times; its dining-room curtains suggest the Ballet, and the vivid colour of its front door cannot be pleasing to Number 17, which clings to the traditions of the nineteenth century, has a bead blind in its fanlight and the only non-electric bell left in the square. Other trifling eccentricities and methods of self-expression may be noted in the remaining houses; scarcely one but has its own idea of knocker or steps or window-box. At Number 35, however, you pause.(Typographical errors above are due to OCR software and don't occur in the book.)About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text.

Excerpt from Where Am I?: Or a Stranger Here MyselfT H E window of the nursery in which I had somehow found myself looked over a London side street. To the right, a few hundred yards away, horse-omnibuses rumbled along a main thoroughfare, where already a shop that now sprawls all over the neighbourhood had begun (though this was as nothing yet) to expand. To the left, and almost at once, the side street itself expanded into 3. Square; which is the nearest that I have yet come to living in one, though I seem to have written about them a good deal. Almost immediately opposite there was another nursery window, with children, though' older than myself, whom it appeared that I knew. They, and my elder sister, would sometimes breathe on their respective panes and write messages, of a simple nature, in reverse. However, as I wasn't only younger but was taking a curiously long time to learn my letters, I was unable to interpret them myself.That would have been in the winter, of course, when windows were shut - unless my memory is up to some very queer trick again, I could swear that during at least one cold snap we were hermetically sealed in with strips of brown paper pasted along the sides, tops, and bottoms of both sashes - and breath would condense visibly at once. It was in the winter, too, that everyone's water-supply used to freeze - here, however, the clock has come round - and that the turncock would plant little stand-pipes, wrapped with straw, in the street, from which pails or jugs could be filled. Just as it was in the winter, or when dusk came before six o'clock, that I could watch the approach of the lamp-lighter, bearing fire at the end of a pole; adding a glimmer - or it would hardly seem more now to each lamp as he passed; and then striding once more on his way.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Where Am I?: Or a Stranger Here Myself T H E window of the nursery in which I had somehow found myself looked over a London side street. To the right, a few hundred yards away, horse-omnibuses rumbled along a main thoroughfare, where already a shop that now sprawls all over the neighbourhood had begun (though this was as nothing yet) to expand. To the left, and almost at once, the side street itself expanded into 3. Square; which is the nearest that I have yet come to living in one, though I seem to have written about them a good deal. Almost immediately opposite there was another nursery window, with children, though' older than myself, whom it appeared that I knew. They, and my elder sister, would sometimes breathe on their respective panes and write messages, of a simple nature, in reverse. However, as I wasn't only younger but was taking a curiously long time to learn my letters, I was unable to interpret them myself. That would have been in the winter, of course, when windows were shut - unless my memory is up to some very queer trick again, I could swear that during at least one cold snap we were hermetically sealed in with strips of brown paper pasted along the sides, tops, and bottoms of both sashes - and breath would condense visibly at once. It was in the winter, too, that everyone's water-supply used to freeze - here, however, the clock has come round - and that the turncock would plant little stand-pipes, wrapped with straw, in the street, from which pails or jugs could be filled. Just as it was in the winter, or when dusk came before six o'clock, that I could watch the approach of the lamp-lighter, bearing fire at the end of a pole; adding a glimmer - or it would hardly seem more now to each lamp as he passed; and then striding once more on his way. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.