Books with author Dallas Lore 1870-1929 Sharp

AS in The Fall of the Year, so here in Winter, the second volume of this series, I have tried by story and sketch and suggestion to catch the spirit of the season. In this volume it is the large, free, strong, fierce, wild soul of Winter which I would catch, the bitter boreal might that, out of doors, drives all before it; that challenges all that is wild and fierce and strong and free and large within us, till the bounding red blood belts us like an equator, and the glow of all the tropics blooms upon our faces and down into the inmost of our beings.Winter within us means vitality and purpose and throbbing life; and without us in our fields and woods it means widened prospect, the storm of battle, the holiness of peace, the poetry of silence and darkness and emptiness and death. And I have tried throughout this volume to show that Winter is only a symbol, that death is only an appearance, that life is everywhere, and that everywhere life dominates even while it lies buried under the winding-sheet of the snow.“A simple child,That lightly draws its breath,What should it know of death?”Why, this at least, that the winter world is not dead; that the cold is powerless to destroy; that life flees and hides and sleeps, only to waken again, forever stronger than death—fresher, fairer, sweeter for its long winter rest.But first of all, and always, I have tried here to be a naturalist and nature-lover, pointing out the sounds and sights, the things to do, the places to visit, the how and why, that the children may know the wild life of winter, and through that knowledge come to love winter for its own sake.And they will love it. Winter seems to have been made especially for children. They do not have rheumatism. Let the old people hurry off down South, but turn the children loose in the snow. The sight of a snowstorm affects a child as the smell of catnip affects a cat. He wants to roll over and over and over in it. And he should roll in it; the snow is his element as it is a polar bear cub’s.I love the winter, and so do all children—its bare fields, empty woods, flattened meadows, its ranging landscapes, its stirless silences, its tumult of storms, its crystal nights with stars new cut in the glittering sky, its challenge, defiance, and mighty wrath. I love its wild life—its birds and animals; the shifts they make to conquer death. And then, out of this winter watching, I love the gentleness that comes, the sympathy, the understanding! One gets very close to the heart of Nature through such understanding.Winter, Hunting the Snow, The Turkey Drive, Things to Do this Winter, The Missing Tooth, A February Freshet, The Last Day of Winter

The word summer, being interpreted, means vacation; and vacation, being interpreted, means—so many things that I have not space in this book to name them. Yet how can there be a vacation without mountains, or seashore, or the fields, or the forests—days out of doors? My ideal vacation would have to be spent in the open; and this book, the larger part of it, is the record of one of my summer vacations—the vacation of the summer of 1912. That was an ideal vacation, and along with my account of it I wish to give you some hints on how to make the most of your summer chance to tramp the fields and woods. For the real lover of nature is a tramp; not the kind of tramp that walks the railroad-ties and carries his possessions in a tomato-can, but one who follows the cow-paths to the fields, who treads the rabbit-roads in the woods, watching the ways of the wild things that dwell in the tree-tops, and in the deepest burrows under ground.

Excerpt from SummerIN this fourth and last volume of these outdoor books I have taken you into the summer fields and, shall I hope left you there. After all, What better thing could I do And as I leave vou there, let me say one last serious Word concerning the purpose of such books as these and the large subject of nature-study in general.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Spring of the YearSO it is with the other first Signs. If you want springtime ahead of time, then you must have it in your heart, out of reach of the weather, just as you must grow cucumbers in a hothouse if you want them ahead of time. But there comes a day when cucumbers will grow out of doors and there comes a day when the bluebird and the song sparrow and all the other heralds stay, when spring has come whether you have a heart or not.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

THERE was a swish of wings, a flash of gray, a cry of pain, a squawking, cowering, scattering flock of hens, a weakly fluttering pullet, and yonder, swinging upward into the October sky, a marsh hawk, buoyant and gleaming silvery in the sun. Over the trees he beat, circled once, and disappeared.The hens were still flapping for safety in a dozen directions, but the gray harrier had gone. A bolt of lightning could not have dropped so unannounced, could not have vanished so completely, could scarcely have killed so quickly. I ran to the pullet, but found her dead. The harrier’s stroke, delivered with fearful velocity, had laid head and neck open as with a keen knife. Yet a fraction slower and he would have missed, for the pullet caught the other claw on her wing. The gripping talons slipped off the long quills, and the hawk swept on without his quarry. He dared not come back for it at my feet; and[Pg 4] so with a single turn above the woods he was gone.The scurrying hens stopped to look about them. There was nothing in the sky to see. They stood still and silent a moment. The rooster chucked. Then one by one they turned back into the open pasture. A huddled group under the hen-yard fence broke up and came out with the others. Death had flashed among them, but had missed them. Fear had come, but had gone. Within two minutes—in less time—from the fall of the stroke, every hen in the flock was intent at her scratching, or as intently chasing the gray grasshoppers over the pasture.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Lay of the Land by Dallas Lore Sharp is presented here in a high quality paperback edition. This publication was produced from a professional scan of an original edition of the book, which can include imperfections from the original book or through the scanning process, and has been created from an edition which we consider to be of the best possible quality available. This popular classic work by Dallas Lore Sharp is in the English language. The Lay of the Land is highly recommended for those who enjoy the works of Dallas Lore Sharp, and for those discovering the works of Dallas Lore Sharp for the first time.

Excerpt:The storm grew fiercer; the wind roared through the big pines by the side of the house and swept hoarsely on across the fields; the pines shivered and groaned, and their long limbs scraped over the shingles above me as if feeling with frozen fingers for a way in; the windows rattled, the cracks and corners of the old farm-house shrieked, and a long, thin line of snow sifted in from beneath the window across the garret floor. I fancied these sounds of the storm were the voices of freezing birds, crying to be taken in from the cold. Once I thought I heard a thud against the window, a sound heavier than the rattle of the snow. Something seemed to be beating at the glass. It might be a bird. I got out of bed to look; but there was only the ghostly face of the snow pressed against the panes, half-way to the window's top. I imagined that I heard the thud again; but, while listening, fell asleep and dreamed that my window was frozen fast, and that all the birds in the world were knocking at it, trying to get in out of the night and storm.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

There are three serious charges brought against nature books of the present time, namely, that they are either so dull as to be unreadable, or so fanciful as to be misleading, or so insincere as to be positively harmful. There is a real bottom to each of these charges. Dull nature-writing is the circumstantial, the detailed, the cataloguing, the semi-scientific sort, dried up like old Rameses and cured for all time with the fine-ground spice of measurements, dates, conditions—observations, so called. For literary purposes, one observation of this kind is better than two. Rarely does the watcher in the woods see anything so new that for itself it is worth recording. It is not what one sees, so much as the manner of the seeing, not the observation but its suggestions that count for interest to the reader. Science wants the exact observation; nature-writing wants the observation exact and the heart of the observer along with it. We want plenty of facts in our nature books, but they have all been set down in order before; what has not been set down before are the author’s thoughts and emotions. These should be new, personal, and are pretty sure therefore to be interesting.

The owl, for all his feathers, was a-cold. A storm had been raging from the northeast all day. Toward evening the wind strengthened to a gale, and the fine, icy snow swirled and drifted over the frozen fields. I lay a long time listening to the wild symphony of the winds, thankful for the roof over my head, and wondering how the hungry, homeless creatures out of doors would pass the night. Where do the birds sleep such nights as this? Where in this bitter cold, this darkness and storm, will they make their beds? The lark that broke from the snow at my feet as I crossed the pasture this afternoon—