Books with author Charles George Douglas Roberts

Red Fox - The Story of His Adventurous Career in the Ringwaak Wilds and of His Final Triumph over the Enemies of His Kind by Sir Charles G. D. RobertsSir Charles George Douglas Roberts, KCMG FRSC (January 10, 1860 – November 26, 1943) was a Canadian poet and prose writer who is known as the Father of Canadian Poetry. He was "almost the first Canadian author to obtain worldwide reputation and influence; he was also a tireless promoter and encourager of Canadian literature. He published numerous works on Canadian exploration and natural history, verse, travel books, and fiction." "At his death he was regarded as Canada's leading man of letters."Besides his own body of work, Roberts is also called the "Father of Canadian Poetry" because he served as an inspiration and a source of assistance for other Canadian poets of his time.Roberts, his cousin Bliss Carman, Archibald Lampman and Duncan Campbell Scott are known as the Confederation Poets. In the following story I have tried to trace the career of a fox of the backwoods districts of Eastern Canada. The hero of the story, Red Fox, may be taken as fairly typical, both in his characteristics and in the experiences that befall him, in spite of the fact that he is stronger and cleverer than the average run of foxes. This fact does not detract from his authenticity as a type of his kind. He simply represents the best, in physical and mental development, of which the tribe of the foxes has shown itself capable. In a litter of young foxes there is usually one that is larger and stronger, and of more finely coloured fur, than his fellows. There is not infrequently, also, one that proves to be much more sagacious and adaptable than his fellows. Once in awhile such exceptional strength and such exceptional intelligence may be combined in one individual. This combination is apt to result in just such a fox as I have made the hero of my story.The incidents in the career of this particular fox are not only consistent with the known characteristics and capacities of the fox family, but there is authentic record of them all in the accounts of careful observers. Every one of these experiences has befallen some red fox in the past, and may befall other red foxes in the future. There is no instance of intelligence, adaptability, or foresight given here that is not abundantly attested by the observations of persons who know how to observe accurately. In regard to such points, I have been careful to keep well within the boundaries of fact. As for any emotions which Red Fox may once in a great while seem to display, these may safely be accepted by the most cautious as fox emotions, not as human emotions. In so far as man is himself an animal, he is subject to and impelled by many emotions which he must share with not a few other members of the animal kingdom. Any full presentation of an individual animal of one of the more highly developed species must depict certain emotions not altogether unlike those which a human being might experience under like conditions. To do this is not by any means, as some hasty critics would have it, to ascribe human emotions to the lower animals.

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The Kindred of the Wild: A Book of Animal Life by Sir Charles G. D. RobertsSir Charles George Douglas Roberts, KCMG FRSC (January 10, 1860 – November 26, 1943) was a Canadian poet and prose writer who is known as the Father of Canadian Poetry. He was "almost the first Canadian author to obtain worldwide reputation and influence; he was also a tireless promoter and encourager of Canadian literature. He published numerous works on Canadian exploration and natural history, verse, travel books, and fiction." "At his death he was regarded as Canada's leading man of letters."Besides his own body of work, Roberts is also called the "Father of Canadian Poetry" because he served as an inspiration and a source of assistance for other Canadian poets of his time.Roberts, his cousin Bliss Carman, Archibald Lampman and Duncan Campbell Scott are known as the Confederation Poets. Alike in matter and in method, the animal story, as we have it to-day, may be regarded as a culmination. The animal story, of course, in one form or another, is as old as the beginnings of literature. Perhaps the most engrossing part in the life-drama of primitive man was that played by the beasts which he hunted, and by those which hunted him. They pressed incessantly upon his perceptions. They furnished both material and impulse for his first gropings toward pictorial art. When he acquired the kindred art of telling a story, they supplied his earliest themes; and they suggested the hieroglyphs by means of which, on carved bone or painted rock, he first gave his narrative a form to outlast the spoken breath. We may not unreasonably infer that the first animal story—the remote but authentic ancestor of “Mowgli” and “Lobo” and “Krag”—was a story of some successful hunt, when success meant life to the starving family; or of some desperate escape, when the truth of the narrative was attested, to the hearers squatted trembling about their fire, by the sniffings of the baffled bear or tiger at the rock-barred mouth of the cave. Such first animal stories had at least one merit of prime literary importance. They were convincing. The first critic, however supercilious, would be little likely to cavil at their verisimilitude.Somewhat later, when men had begun to harass their souls, and their neighbours, with problems of life and conduct, then these same animals, hourly and in every aspect thrust beneath the eyes of their observation, served to point the moral of their tales. The beasts, not being in a position to resent the ignoble office thrust upon them, were compelled to do duty as concrete types of those obvious virtues and vices of which alone the unsophisticated ethical sense was ready to take cognisance. In this way, as soon as composition became a métier, was born the fable; and in this way the ingenuity of the first author enabled him to avoid a perilous unpopularity among those whose weaknesses and defects his art held up to the scorn of all the caves.

Sir Charles George Douglas Roberts (1860-1943) was a Canadian poet and prose writer. He is known as the "Father of Canadian Poetry" because he served as an inspiration for other writers of his time. In 1879, he earned a BA from the University of New Brunswick and, in the following year, published his first book of poems, Orion and Other Poems. From 1879 to 1895, he worked as a teacher in Chatham and Frederiction, New Brunswick, as editor of the literary magazine, The Week, and as a professor at the University of King's College. It was during this period that he wrote his two best collections of verse, In Divers Tones (1887) and Songs of the Common Day and Ave! (1893). In 1893, he was elected a Fellow of the Royal Society of Canada. In 1897, he moved to New York City, where he turned to fiction, especially stories about animals. He also wrote descriptive text for guide books, such as Picturesque Canada. In 1907, he moved to Paris, later moving to London. He served with the British Army during World War I, then later joined the Canadian War Records Office in London.

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