Books with author Charles 1814-1884 Reade

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Cloister and the Hearth, Volume II"The Cloister and the Hearth" is Charles Reade's greatest work--and, I believe, the greatest historical novel in the language. . . . "One can only say that this great writer--there is no greater praise--paints women as they are, men as they are, things as they are. What we call genius is first the power of seeing men, women, and things as they are--most of us, being without genius, are purblind--and then the power of showing them by means of "invention"--by the grafting of "invention" upon fact. No man has shown greater power of grasping fact and of weaving invention upon it than Charles Reade." -- from Walter Besant's introduction

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

Charles Reade (1814-1884) was an English novelist and dramatist. He began his literary career as a dramatist, and it was his own wish that the word "dramatist" should stand-first in the description of his occupations on his tombstone. His first comedy, The Ladies' Battle, appeared in May 1851. It was followed by Angela (1851), A Village Tale (1852) and The Lost Husband (1852). But Reade's reputation was made by the twoact comedy, Masks and Faces (1852), in which he collaborated with Tom Taylor. He made his name as a novelist in 1856, when he produced It is Never Too Late to Mend, a novel written with the purpose of reforming abuses in prison discipline and the treatment of criminals. Several novels followed in quick succession, including The Course of True Love Never Did Run Smooth (1857), Jack of All Trades (1858), Love Me Little, Love Me Long (1859), and White Lies (1860), which was dramatised as The Double Marriage. In 1861, Reade produced what would become his most famous work, The Cloister and the Hearth, relating the adventures of the father of Erasmus.

Cloister and the Hearth, Volume III"The Cloister and the Hearth" is Charles Reade's greatest work--and, I believe, the greatest historical novel in the language. . . . "One can only say that this great writer--there is no greater praise--paints women as they are, men as they are, things as they are. What we call genius is first the power of seeing men, women, and things as they are--most of us, being without genius, are purblind--and then the power of showing them by means of "invention"--by the grafting of "invention" upon fact. No man has shown greater power of grasping fact and of weaving invention upon it than Charles Reade." -- from Walter Besant's introduction

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

HARD CASH, like THE CLOISTER AND THE HEARTH, is a matter-of-fact Romance -- that is, a fiction built on truths; and these truths have been gathered by long, severe, systematic labor, from a multitude of volumes, pamphlets, journals, reports, blue-books, manuscript narratives, letters, and living people, whom I have sought out, examined, and cross-examined, to get at the truth on each main topic I have striven to handle. The madhouse scenes have been picked out by certain disinterested gentlemen, who keep private asylums, and periodicals to puff them; and have been met with bold denials of public facts, and with timid personalities, and a little easy cant about Sensation Novelists; but in reality those passages have been written on the same system as the nautical, legal, and other scenes: the best evidence has been ransacked; and a large portion of this evidence I shall be happy to show at my house to any brother writer who is disinterested, and really cares enough for truth and humanity to walk or ride a mile in pursuit of them. . . .