Books with author Charles,

Where the Red Fern Grows meets To Kill a Mockingbird.It's 1968 in the rural coastline town of Denton, Florida, and the only thing with a tougher life than twelve-year-old Jack Turner is a starving dog named Bones. When they meet while Jack is fishing, Jack knows that he and Bones are meant for each other, and he promises his oft-absent alcoholic parents that he'll somehow get a job to pay for his new dog's food and care.In the process of finding work, Jack meets Hank Pittman, a middle-aged man who lives in a dilapidated school bus at the harbor, and Mrs. Mary Jane Dawson, an eccentric but kind older woman in need of gardening help. As Bones nurses back to health, Hank and Mrs. Dawson become the caring parents Jack never had.But gossip and lies about Jack's growing relationships lead to an attack on Bones' life and questions about Hank's past. When Hank is put on trial for a crime he didn't commit, everything Jack holds dear is set in the balance of that small-town courtroom.Floating Twigs is a timeless coming-of-age story about a boy and his dog, the responsibilities that come with loving others, and how sometimes one small moment can change a life forever.

In this groundbreaking work of science, history, and archaeology, Charles C. Mann radically alters our understanding of the Americas before the arrival of Columbus in 1492. Contrary to what so many Americans learn in school, the pre-Columbian Indians were not sparsely settled in a pristine wilderness; rather, there were huge numbers of Indians who actively molded and influenced the land around them. The astonishing Aztec capital of Tenochtitlan had running water and immaculately clean streets, and was larger than any contemporary European city. Mexican cultures created corn in a specialized breeding process that it has been called man’s first feat of genetic engineering. Indeed, Indians were not living lightly on the land but were landscaping and manipulating their world in ways that we are only now beginning to understand. Challenging and surprising, this a transformative new look at a rich and fascinating world we only thought we knew.

This book is fiction. The story that inspired it was not.In 1846, a young couple met during the worst days of the Great Irish Famine. 'The Killing Snows' is a way to imagine what led to their meeting and what followed from it.In 1990, a box of very old documents was found on a small farm in the west of Ireland. They had been stored for well over a hundred years and told an incredible story of suffering, of love and of courage. The story of how one family survived.The story of two young people who defied their fate.The story of The Killing Snows.

Scotland Yard detective Ian Rutledge is assigned one of the most baffling investigations of his career—a cold murder case with an unidentified victim and a cold trail with few clues to follow.Chief Inspector Brian Leslie, a respected colleague of Ian Rutledge’s, is sent to Avebury, a village set inside a great prehistoric stone circle not far from Stonehenge. A young woman has been murdered next to a mysterious, hooded, figure-like stone, but no one recognizes her—or admits to it. And how did she get there? Despite a thorough investigation, it appears that her killer has simply vanished. Rutledge, returning from the conclusion of a case involving another apparently unknown woman, is asked to take a second look at Leslie’s inquiry, to see if he can identify this victim. But Rutledge is convinced Chief Superintendent Jameson only hopes to tarnish his earlier success once he also fails.Where to begin? He too finds very little to go on in Avebury, slowly widening his search beyond the village—only to discover that unlikely—possibly even unreliable—clues are pointing him toward an impossible solution, one that will draw the wrath of the Yard down on him, and very likely see him dismissed if he pursues it. But what about the victim—what does he owe this tragic woman? Where must his loyalty lie?

On a deserted road, late at night, Scotland Yard’s Ian Rutledge encounters a frightened woman standing over a body, launching an inquiry that leads him into the lair of a stealthy killer and the dangerous recesses of his own memories in this twentieth installment of the acclaimed New York Times bestselling series.Hours after his sister’s wedding, a restless Ian Rutledge drives aimlessly, haunted by the past, and narrowly misses a motorcar stopped in the middle of a desolate road. Standing beside the vehicle is a woman with blood on her hands and a dead man at her feet.She swears she didn’t kill Stephen Wentworth. A stranger stepped out in front of their motorcar, and without warning, fired a single shot before vanishing into the night. But there is no trace of him. And the shaken woman insists it all happened so quickly, she never saw the man’s face.Although he is a witness after the fact, Rutledge persuades the Yard to give him the inquiry, since he’s on the scene. But is he seeking justice—or fleeing painful memories in London?Wentworth was well-liked, yet his bitter family paint a malevolent portrait, calling him a murderer. But who did Wentworth kill? Is his death retribution? Or has his companion lied? Wolf Pit, his village, has a notorious history: in Medieval times, the last wolf in England was killed there. When a second suspicious death occurs, the evidence suggests that a dangerous predator is on the loose, and that death is closer than Rutledge knows.

From bestselling author Charles Finch comes the third and final in a prequel trilogy to his lauded Charles Lenox series.London, 1855. A young and eager Charles Lenox faces his toughest case yet: a murder without a single clue. Slumped in a third-class car at Paddington Station is the body of a handsome young gentleman. He has no luggage, empty pockets, and no sign of identification on his person. And putting together the clues to the mystery of the man’s identity only raises more questions, when Lenox discovers that the crime has a significant connection to America.As he seeks to solve this impossible case, the young Lenox must confront an equally troublesome problem in his personal life. Kitty Ashbrook, beautiful and cultured, appears to be his soulmate―but love comes with obstacles of its own. In tandem, this fiendish early case and passionate, deeply felt affair will irrevocably shape the brilliant detective and thoughtful gentleman Lenox is destined to become. Written in Charles Finch’s unmistakably witty and graceful voice, THE LAST PASSENGER is a cunning, thrilling, and deeply satisfying conclusion to this trilogy of prequels to his bestselling Charles Lenox series.

From bestselling author Charles Finch comes the third and final in a prequel trilogy to his lauded Charles Lenox series.London, 1855. A young and eager Charles Lenox faces his toughest case yet: a murder without a single clue. Slumped in a third-class car at Paddington Station is the body of a handsome young gentleman. He has no luggage, empty pockets, and no sign of identification on his person. And putting together the clues to the mystery of the man’s identity only raises more questions, when Lenox discovers that the crime has a significant connection to America.As he seeks to solve this impossible case, the young Lenox must confront an equally troublesome problem in his personal life. Kitty Ashbrook, beautiful and cultured, appears to be his soulmate—but love comes with obstacles of its own. In tandem, this fiendish early case and passionate, deeply felt affair will irrevocably shape the brilliant detective and thoughtful gentleman Lenox is destined to become. Written in Charles Finch’s unmistakably witty and graceful voice, THE LAST PASSENGER is a cunning, thrilling, and deeply satisfying conclusion to this trilogy of prequels to his bestselling Charles Lenox series.