Books with author Burton Richard (trans.)

How is this book unique? Formatted for E-Readers, Unabridged & Original version. You will find it much more comfortable to read on your device/app. Easy on your eyes.Includes: Illustrations and BiographyOne Thousand and One Nights (Arabic: أَلْف لَيْلَة وَلَيْلَة‎, translit. ʾAlf layla wa-layla) is a collection of Middle Eastern folk tales compiled in Arabic during the Islamic Golden Age. It is often known in English as the Arabian Nights, from the first English-language edition (c. 1706 – c. 1721), which rendered the title as The Arabian Nights' Entertainment.The work was collected over many centuries by various authors, translators, and scholars across West, Central, and South Asia and North Africa. Some tales themselves trace their roots back to ancient and medieval Arabic, Persian, Greek, Indian, Jewish and Turkish folklore and literature. In particular, many tales were originally folk stories from the Abbasid and Mamluk eras, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hezār Afsān (Persian: هزار افسان‎, lit. A Thousand Tales), which in turn relied partly on Indian elements.What is common throughout all the editions of the Nights is the initial frame story of the ruler Shahryār and his wife Scheherazade and the framing device incorporated throughout the tales themselves. The stories proceed from this original tale; some are framed within other tales, while others begin and end of their own accord. Some editions contain only a few hundred nights, while others include 1,001 or more. The bulk of the text is in prose, although verse is occasionally used for songs and riddles and to express heightened emotion. Most of the poems are single couplets or quatrains, although some are longer.Some of the stories commonly associated with The Nights, in particular "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves", and "The Seven Voyages of Sinbad the Sailor", were not part of The Nights in its original Arabic versions but were added to the collection by Antoine Galland and other European translators.

Drawing from the famous translation of Sir Richard Burton, "The Arabian Nights" is a selection of the voluminous "One Thousand and One Nights", a collection of ancient and medieval Arabic, Persian, Indian, Egyptian, and Mesopotamian literature. Many readers will recognize the more famous of these tales: "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor". These exciting and mystical tales can be found in this uncensored and authoritatively noted edition along with thirty-five additional stories.

Various characters from this epic have themselves become cultural icons in Western culture, such as Aladdin, Sinbad and Ali Baba. Part of its popularity may have sprung from the increasing historical and geographical knowledge, so that places of which little was known and so marvels were plausible had to be set further "long ago" or farther "far away"; this is a process that continues, and finally culminate in the fantasy world having little connection, if any, to actual times and places. Several elements from Arabian mythology and Persian mythology are now common in modern fantasy, such as genies, bahamuts, magic carpets, magic lamps, etc. When L. Frank Baum proposed writing a modern fairy tale that banished stereotypical elements, he included the genie as well as the dwarf and the fairy as stereotypes to go.The influence of the versions of The Nights on world literature is immense. Writers as diverse as Henry Fielding to Naguib Mahfouz have alluded to the collection by name in their own works. Other writers who have been influenced by the Nights include John Barth, Jorge Luis Borges, Salman Rushdie, Goethe, Walter Scott, Thackeray, Wilkie Collins, Elizabeth Gaskell, Nodier, Flaubert, Marcel Schwob, Stendhal, Dumas, Gérard de Nerval, Gobineau, Pushkin, Tolstoy, Hofmannsthal, Conan Doyle, W. B. Yeats, H. G. Wells, Cavafy, Calvino, Georges Perec, H. P. Lovecraft, Marcel Proust, A. S. Byatt and Angela Carter.

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)Formatted for e-readerIllustratedAbout The Arabian Nights By Richard BurtonThe Book of the Thousand Nights and a Night (1885), subtitled A Plain and Literal Translation of the Arabian Nights Entertainments, is a celebrated English language translation of One Thousand and One Nights (the “Arabian Nights”) – a collection of Middle Eastern and South Asian stories and folk tales compiled in Arabic during the Islamic Golden Age (8th−13th centuries) – by the British explorer and Arabist Richard Francis Burton (1821–1890). It stood as the only complete translation of the Macnaghten or Calcutta II edition (Egyptian recension) of the "Arabian Nights" until the Malcolm C. and Ursula Lyons translation in 2008.

Sir Richard Francis Burton (1821-1890) was a preeminent British explorer of Asia, Africa, and the Americas. His famed disguised pilgrimage to Mecca in 1853 made his name known. Burton helped demystify this exotic Eastern world to the West. In "Personal Narrative of a Pilgrimage to Al-Madinah and Meccah", we are gifted with his personal account of his Haj. Full of insightful anthropological observations, Burton describes his encounters with Arab cultures and customs. This exciting tale revolves around his disguising as an Afghan doctor in order to not be noticed in his religious pilgrimage. Burton was more than an explorer, though; he was a translator, soldier, cartographer, and spy. His fascinating character comes through brilliantly in this travel account as we discover the East through the eyes of an outsider. Burton's "Narrative" is as much an adventure story as it is a study in cultural anthropology—a true classic of travel writing that helped define the genre.

Verily the works and words of those gone before us have become instances and examples to men of our modern day, that folk may view what admonishing chances befell other folk and may therefrom take warning; and that they may peruse the annals of antique peoples and all that hath betided them, and be thereby ruled and restrained. Praise, therefore, be to Him who hath made the histories of the past an admonition unto the present! Now of such instances are the tales called "A Thousand Nights and a Night," together with their far-famed legends and wonders.

This was written by Sir Richard Burton under the pseudonym of Hâjî Abdû El-Yezdî after his return from Mecca in 1854. It contains references to 19th Century scientific and philosophical concepts. Nonetheless, it is a Sufi text to the core, and one of the few instances of Burton writing in the first person about his belief system, even if it is under the cloak of a different name. According to the Oxford English Dictionary, a Kasidah is a classical Arabic or Persian panegyric, which must begin with a reference to a forsaken campground, followed by a lament, and a prayer to ones comrades to halt while the memory of the departed dwellers is invoked. The same rhyme has to run through the entire composition, no matter how long the poem is.

Sir Richard Francis Burton (1821-1890) was a preeminent British explorer of Asia, Africa, and the Americas. His famed disguised pilgrimage to Mecca in 1853 made his name known. Burton helped demystify this exotic Eastern world to the West. In "Personal Narrative of a Pilgrimage to Al-Madinah and Meccah", we are gifted with his personal account of his Haj. Full of insightful anthropological observations, Burton describes his encounters with Arab cultures and customs. This exciting tale revolves around his disguising as an Afghan doctor in order to not be noticed in his religious pilgrimage. Burton was more than an explorer, though; he was a translator, soldier, cartographer, and spy. His fascinating character comes through brilliantly in this travel account as we discover the East through the eyes of an outsider. Burton's "Narrative" is as much an adventure story as it is a study in cultural anthropology—a true classic of travel writing that helped define the genre.