Books with author Budd Schulberg

The classic book that shaped two generations’ view of the movie business and introduced the archetypal Hollywood player Sammy Glick. He’s got a machete mouth and a genius for double-cross. As Budd Shulberg—author of the screenplay On the Waterfront—follows Sammy’s relentless upward progress, he creates a virtuoso study in character that manages to be hilariously appalling yet deeply compassionate. “Sammy Glick remains at the top of the Hollywood sleaze heap, a hustler nonpareil…. What Makes Sammy Run? Is still the quintessential novel about “the all-American heel.’” – Moredcai Richler, GQ

Twenty gritty stories by the Academy Award–winning writer of On the Waterfront and A Face in the Crowd. Despite growing up among Hollywood’s most powerful producers and movie stars in the 1920s and ’30s, Budd Schulberg was always a populist at heart. In this collection of his best short fiction, Schulberg takes readers from the halls of privilege in Los Angeles to smoky dives and dockyard slums in New York. His eye for detail and nose for trouble render characters as vividly as a Weegee photograph. These stories also represent the great clash of people and ideas in mid-century America. The collection includes “The Arkansas Traveler,” the story Schulberg adapted into the influential, prescient film A Face in the Crowd starring Andy Griffith. This ebook features an illustrated biography of Budd Schulberg including rare images and never-before-seen documents from the author’s estate.

What Makes Sammy Run?Everyone of us knows someone who runs. He is one of the symp-toms of our times—from the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run?This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York’s East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic—his congenital incapacity for friendship.An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening.When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glick’s real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. To this group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run (an operation in which the reader is spared none of the grue-some details) Schulberg has poured out everything he has felt about that place. The result is a book which the publishers not only believe to be the most honest ever written about Hollywood, but a penetrating study of one kind of twentieth-century success that is peculiar to no single race of people or walk of life.

One of the most accomplished novelists and screenwriters of our time (What Makes Sammy Run?, On the Waterfront), Budd Schulberg is a master of the art of the short story, as he proved in his early collection Some Faces in the Crowd. The crowd is the American landscape: indelible characters drawn coast-to-coast from the teeming streets of New York to tables at Hollywood's legendary nightclub, Ciro's. In these sparkling stories, Schulberg brings us vivid, restless people haunted by abrupt failure in the wake of rapid success. In "The Arkansas Traveler" he gives us Larry "Lonesome" Rhodes's down-home stories of Riddle, Arkansas, which later became the stuff of the celebrated movie A Face in the Crowd. "Schulberg's characters have to take the responsibility for what they do. They have to pay moral costs and face defeats."―New York Times. "Packed with verisimilitude.

Everyone of us knows someone who runs. He is one of the symptoms of our times-from the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run? This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York's East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic-his congenital incapacity for friendship. An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening. When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glick's real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. To this group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run...

What Makes Sammy Run?Everyone of us knows someone who runs. He is one of the symp-toms of our times—from the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run?This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York’s East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic—his congenital incapacity for friendship.An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening.When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glick’s real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. To this group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run (an operation in which the reader is spared none of the grue-some details) Schulberg has poured out everything he has felt about that place. The result is a book which the publishers not only believe to be the most honest ever written about Hollywood, but a penetrating study of one kind of twentieth-century success that is peculiar to no single race of people or walk of life.

Excerpt from Some Faces in the CrowdHe beams on me. You must be a mighty smart little gal to be handlin' this here raddio station all by yourself.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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