Books with author Brown William Wells

THE calumniators and traducers of the Negro are to be found, mainly, among two classes. The first and most relentless are those who have done them the greatest injury, by being instrumental in their enslavement and consequent degradation. They delight to descant upon the "natural inferiority" of the blacks, and claim that we were destined only for a servile condition, entitled neither to liberty nor the legitimate pursuit of happiness. The second class are those who are ignorant of the characteristics of the race, and are the mere echoes of the first. To meet and refute these misrepresentations, and to supply a deficiency, long felt in the community, of a work containing sketches of individuals who, by their own genius, capacity, and intellectual development, have surmounted the many obstacles which slavery and prejudice have thrown in their way, and raised themselves to positions of honor and influence, this volume was written. The characters represented in most of these biographies are for the first time put in print. The author's long sojourn in Europe, his opportunity of research amid the archives of England and France, and his visit to the West Indies, have given him the advantage of information respecting the blacks seldom acquired. If this work shall aid in vindicating the Negro's character, and show that he is endowed with those intellectual and amiable qualities which adorn and dignify human nature, it will meet the most sanguine hopes of the writer.

Treachery and double-dealing are the rule in this spy vs spy thriller. A dead Mossad agent, Nazi rocket scientists, the Moslem Brotherhood, a corrupt American ambassador, and two missing Egyptian tank regiments – somebody’s trying to start another Arab-Israeli war. Richard Thomson is a burnt-out CIA agent who the Agency dumped in Egypt because they couldn’t think of a worse place to send him. Already gnawed on by Langley and set-up by the Cairo police, his day can't get much worse, until someone leaves a dead body on the rear steps of his hotel with its head lopped off like a ripe melon.A message? No doubt about it. The body belongs to Mahmoud Yussuf, a fat, petty thief and wannabe spy who is peddling photographs of a long-abandoned RAF base in the Egyptian desert. While the world focuses on Russian missiles in Cuba, no one notices the ones being rolled out in the Egyptian desert pointed at Israel, no one, except Thomson.Alone and on the run, no one believes his story -- not the CIA, the US Ambassador, and most assuredly not Captain Hassan Saleh, Chief of the Homicide Bureau of the Cairo Police, who wants to hang Thomson for murder.Like Night of the Generals, this is a murder mystery wrapped inside an international political thriller. Tick Toc, Tick Toc, it's all going to start at Noon on Thursday, unless Thompson can stop them.This Cold War spy thriller will sweep you back to when John Kennedy was in the White House, Nikita Khrushchev ruled the Kremlin, and Abdel, Gamal Nasser sat precariously in Cairo, threatened by the radical Islamist fringe of the Moslem Brotherhood.If you're looking for a good beach book or something to curl up with in front of the fire, this fast-moving conspiracy thriller is from the author of Burke’s Gamble, Burke’s War, The Undertaker, Amongst My Enemies, Thursday at Noon, and Aim True, My Brothers, with over 500 Kindle 5-Star Reviews. Enjoy!

The first novel by an African-American, this dramatic tale revolves around the fate of a child fathered by Thomas Jefferson with one of his slaves. Although born into slavery, author William Wells Brown escaped bondage to become a prominent reformer and historian. His emotionally powerful depiction of slavery and racial conflict in the antebellum South resounds with the immediacy and honesty of his own experiences. Brown weaves a variety of contemporary sources — sermons, lectures, political pamphlets, and newspaper advertisements — into this innovative work, which appears here in an unabridged republication of the 1853 first edition.

MORE than two hundred years have elapsed since the first cargo of slaves was landed on the banks of the James River, in the colony of Virginia, from the West coast of Africa. From the introduction of slaves in 1620, down to the period of the separation of the Colonies from the British Crown, the number had increased to five hundred thousand; now there are nearly four million. In fifteen of the thirty-one States, Slavery is made lawful by the Constitution, which binds the several States into one confederacy.

Although of historic interest simply by virtue of the fact that William Wells Brown appears to have been the first African American to write a novel, Clotel is much more than a literary curiosity: it is an eminently readable and emotionally powerful, portrait of the dehumanizing horrors of slave life in the Ante-bellum South. Brown, himself an escaped slave, tells the story of the slave Currer and her daughters, Clotel and Althesa, and of their attempts to escape from slavery. The unacknowledged father of the girls, President Thomas Jefferson, is the reason for the title and a theme that runs through the book. There is an immediacy to the stories here--of slave auctions, of families being torn apart, of card games where humans are wagered and lost, of sickly slaves being purchased for the express purpose of resale for medical experimentation upon their imminent deaths, of suicides and of many more indignities and brutalities--which no textbook can adequately convey. Though the characters tend too much to the archetypal, Brown does put a human face on this most repellent of American tragedies. He also makes extensive use of actual sermons, lectures, political pamphlets, newspaper advertisements, and the like, to give the book something of a docudrama effect.

An interesting memoir that looks at the relationships between black and white Southerners before and after the Civil War from different perspectives. Especially toward the start of the book, the tone is deceptively light describing plantation life and how slaves enjoyed pulling one over on their masters. But as the book continues, the tone shifts when the horrors of slavery and racism come more to the forefront (like the time a loving husband abandoned his wife to a slave catcher because she was actually 1/8 black).

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The first novel published by an African American, Clotel takes up the story, in circulation at the time, that Thomas Jefferson fathered an illegitimate mulatto daughter who was sold into slavery. Powerfully reimagining this story, and weaving together a variety of contemporary source materials, Brown fills the novel with daring escapes and encounters, as well as searing depictions of the American slave trade. An innovative and challenging work of literary invention, Clotel is receiving much renewed attention today. William Wells Brown, though born into slavery, escaped to become one of the most prominent reformers of the nineteenth century and one of the earliest historians of the black experience. This Modern Library Paperback Classics edition reproduces the first, 1853, edition of Clotel and includes, as did that edition, his autobiographical narrative, "The Life and Escape of William Wells Brown," plus newly written notes.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.