Books with author Anne Thackeray,

This volume is from 1902. Between 1866 and 1874 Anne Thackeray Ritchie (1837-1919) published nine revisions of well-known fairy tales. The first four stories ("Sleeping Beauty in the Woods," "Cinderella," "Beauty and the Beast," and "Little Red Riding Hood") and the novella lack the Giant-Killer appeared over a two-year period in The Cornhill Magazine and were collected in Five Old Friends and a Young Prince (1868). Four more such revisions (Bluebeard's Keys, Riquet a la Houppe, Jack and the Bean-Stalk, and The White Cat) were subsequently serialized and collected in Bluebeard's Keys and Other Stories (1874). Contents: Bluebeard's Keys Part I I. Fanny's Work-Basket II. The Terrace Opposite the Church III. Under the Dais IV. A Carriage; a Marquis V. A Trousseau VI. The Secret VII. Bluebeards's Keys Part II VIII. Mrs. Detravers' Dreams IX. Mrs. DeTravers Awake X. A Roman Party XI. Fanny and Barbi XII. The Capuchins' Mass Riquet a la Houppe 1. True Love II. Dorlicote III. Colonel King's Two Daughters IV. Dinner V. Tea Time VI. Some Passages from Sophy's Correspondence VII. More Correspondence VIII. In the Balcony IX. Throught the Village X. Sylle Alone in the Forest XI. An Umbrealla XII. Miss Williamson Tries Her Hand at Description XIII. Old Christine's Oracle Jack and the Bean-Stalk I. Jack's Father II. Jack's Mother III. The Cow IV. The Ogre's Harp V. Jack Meets a Fairy Godmother VI. Beans and Talk VII. Widow Barnes' Hen is Scared VIII. In the Ogre's Castle IX. The Bean-stalk Top Which Jack Tried to Climb X. The Arid Country Towards Which Jack is Climbing XI. Jack Comes to the Ogre's Mansion XII. Jack Carries off the Hen with the Golden Eggs XIII. Jack Hears the Strain of the Harp Music XIV. The Bean-Stalk XV. Jack Starts on his Second Jorney to the Ogre's Castle XVI. Jack Secures the Money Bags XVII. Jack Steals the Golden Harp XVIII. Jack Brings Home the Golden Harp and Cuts the Bean-Stalk The White Cat I. A Friend II. Fairy Latouche Enchants the Castle and the Poor Little White Cat III. The Old King and His Three Sons IV. The Youngest Starts on His Travels in Search of a Dog, Fine Linen and a Fair Bride V. The Grand Entertainment to Which the Prince Accompanies the White Cat VI. The Prince Stays on at the White Cat's Castle VII. The Prince Prepares to Take Leave VIII. The Prince Carries off the French Poodle IX. The Prince at His Father's Court X. The Prince Cuts off the White Cat's Head and Throws it into the Fire

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

William Makepeace Thackeray (1811 – 1863) was an English novelist of the 19th century. He is famous for his satirical works, particularly Vanity Fair, a panoramic portrait of English society. Thackeray began as a satirist and parodist, writing works that displayed a sneaking fondness for roguish upstarts such as Becky Sharp in Vanity Fair, and the title characters of The Luck of Barry Lyndon and Catherine. In his earliest works, written under such pseudonyms as Charles James Yellowplush, Michael Angelo Titmarsh and George Savage Fitz-Boodle, he tended towards savagery in his attacks on high society, military prowess, the institution of marriage and hypocrisy. In The Luck of Barry Lyndon, a novel serialised in Fraser’s in 1844, Thackeray explored the situation of an outsider trying to achieve status in high society, a theme he developed more successfully in Vanity Fair with the character of Becky Sharp, the artist’s daughter who rises nearly to the heights by manipulating the other characters. Thackeray is probably best known now for Vanity Fair. In contrast, his large novels from the period after Vanity Fair, which were once described by Henry James as examples of ”loose baggy monsters”, have largely faded from view, perhaps because they reflect a mellowing in Thackeray, who had become so successful with his satires on society that he seemed to lose his zest for attacking it. These later works include Pendennis, a Bildungsroman depicting the coming of age of Arthur Pendennis, an alter ego of Thackeray, who also features as the narrator of two later novels, The Newcomes and The Adventures of Philip. The Newcomes is noteworthy for its critical portrayal of the ”marriage market,” while Philip is known for its semi-autobiographical depiction of Thackeray’s early life, in which he partially regains some of his early satirical power. Also notable among the later novels is The History of Henry Esmond, in which Thackeray tried to write a novel in the style of the eighteenth century, a period that held great appeal for him. Not only Esmond but also Barry Lyndon and Catherine are set in that period, as is the sequel to Esmond, The Virginians, which takes place in North America and includes George Washington as a character who nearly kills one of the protagonists in a duel.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.