Books with author Alfred Tennyson Tennyson Baron 1809-1892

Excerpt from A Portentous HistoryHe was content to remain, with the few hundreds a year that were his by inheritance, in the House on the Road between the stone-quarries and Tuchan. He was con tent to be out of life, to own himself beaten, and nothing now, after three such remote years, seemed worth having save the valley's silence and the majesty of the mighty mountains.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1870 Excerpt: ...to his own. II. Long have I sigh'd for a calm: God grant I may find it at last! It will never be broken by Hand, she has neither savor nor salt, But a cold and clear-cut face, as I found when her carriage past, Perfectly beautiful: let it be granted her: where is the fault? All that I saw (for her eyes were downcast, not to be seen) Faultily faultless, icily regular, splendidly null, Dead perfection, no more; nothing more, if it had not been For a chance of travel, a paleness, an hour's defect of the rose, Or an nnderlip, yon may call it a little too ripe, too full, Or the least little delicate aquiline curve in a sensitive nose, From which I escaped heart-free, with the least little touch of spleen. m. Cold and clear-cut face, why come yon so cruelly meek, Breaking a slumber in which all spleenful folly was drown'd, Pale with the golden beam of an eyelash dead on the cheek, Passionless, pale, cold face, star-sweet on a gloom profound; Womanlike, taking revenge too deep for a transient wrong Done but in thought to your beauty, and ever as pale as before Growing and fading and growing upon me without a sound, Luminous, gemlike, ghostlike, deathlike, half the night long Growing and fading and growing, till I conld bear it no more, But arose, and all by myself in my own dark garden ground, Listening now to the tide in its broad-flung shipwrecking roar, Now to the scream of a madden'd beach dragg'd down by the wave, Walk'd in a wintry wind by a ghastly glimmer, and found The shining daffodil dead, and Orion low in his grave. IV. 1. A Million emeralds break from the rnby-budded lime In the little grove where I sit--ah, wherefore cannot I be Like things of the season gay, like the bountiful season bland, When the far-off sail is blown by the breeze of a softer cl...

"The Princess" by Baron Alfred Tennyson Tennyson. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

About the Book Poetry as an art form predates written text, with the earliest poetry having been recited or sung, and employed as a way of remembering oral history. The oldest examples of epic poetry include the Epic of Gilgamesh from Bablylon and the Greek epics The Iliad and The Odyssey, and the Indian Sanskrit epics of Ramayana and Mahabharata. The longest epic poems in history were the Mahabharata and the Tibetan Epic of King Gesar. Aristotle's Poetics considered that there were three genres of poetry—the epic, the comic, and the tragic. Later aestheticians identified: epic poetry, lyric poetry, and dramatic poetry. One of the most popular form since the Late Middle Ages, is the sonnet, which by the 13th century had become standardized as fourteen lines following a set rhyme scheme. The form had crystallized further by the 14th century and the Italian Renaissance, under the guidance of Petrarch.Also in this Book American poetry arose first as efforts by colonists to add their voices to English poetry in the 17th century, well before the unification of the 13 colonies as a result of thye American War of Independence. Most of the colonists' early poetry relied on British models. During the 19th century, a distinctive American voice began to emerge when, in the later part of that century Walt Whitman began to be recognized internationally.And in this Book English poetry begins with Anglo-Saxon poetry such as the hymn on the creation, which Bede attributes to Cædmon (658–680AD). William Shakespeare was the stand out poet of the Elizabethan period, while Milton was considered the greatest poet of Jacobean and Caroline pe5riod (1603-1670). The Romantic movement was very big, proiducing such greats as William Blake, William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, Lord Byron, and John Keats. The major Victorian poets were John Clare, Alfred, Lord Tennyson, Robert Browning, Elizabeth Barrett Browning, Matthew Arnold and Gerard Manley Hopkins. James Macpherson was the first Scottish poet to gain an international reputation, while Robert Burns is regarded as the national poet of Scotland. The most important figure of Scottish Romanticism, Walter Scott, began as a poet. In Wales the works of the great hymn writers of the 18th and 19th centuries were the poets William Williams Pantycelyn and Ann Griffiths. In the early 20th century there was a Welsh renaissance, with poets like T. H. Parry-Williams and D. Gwenallt Jones and T. Gwynn Jones.About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!