Books with author Édouard Laboulaye

Wry political fairy tales from a nineteenth-century politician that speak to our current timesÉdouard Laboulaye (1811–1883), one of nineteenth-century France’s most prominent politicians and an instrumental figure in establishing the Statue of Liberty, was also a prolific writer of fairy tales. Smack-Bam, or The Art of Governing Men brings together sixteen of Laboulaye’s most artful stories in new translations. Filled with biting social commentary and strong notions of social justice, these rediscovered tales continue to impart lessons today.Inspired by folktales from such places as Estonia, Germany, Iceland, and Italy, Laboulaye’s deceptively entertaining stories explore the relationships between society and the ruling class. In “Briam the Fool,” the hero refuses the queen’s hand after he kills the king. In “Zerbino the Bumpkin,” the king and prime minister are idiots, while the king’s daughter runs away with a woodcutter to an enchanted island. And in the title story, “Smack-Bam, or The Art of Governing Men,” a superficial prince is schooled by a middle-class woman who smacks him when he won’t engage in his lessons and follows him across Europe until he falls in love with her. In these worlds, shallow aristocrats come to value liberty, women are as assertive and intelligent as men, and protagonists experience compassion as they learn of human suffering.With an introduction by leading fairy-tale scholar Jack Zipes that places Laboulaye’s writing in historical context, Smack-Bam, or The Art of Governing Men presents spirited tales from the past that speak to contemporary life.

Wry political fairy tales from a nineteenth-century politician that speak to our current timesÉdouard Laboulaye (1811–1883), one of nineteenth-century France’s most prominent politicians and an instrumental figure in establishing the Statue of Liberty, was also a prolific writer of fairy tales. Smack-Bam, or The Art of Governing Men brings together sixteen of Laboulaye’s most artful stories in new translations. Filled with biting social commentary and strong notions of social justice, these rediscovered tales continue to impart lessons today.Inspired by folktales from such places as Estonia, Germany, Iceland, and Italy, Laboulaye’s deceptively entertaining stories explore the relationships between society and the ruling class. In “Briam the Fool,” the hero refuses the queen’s hand after he kills the king. In “Zerbino the Bumpkin,” the king and prime minister are idiots, while the king’s daughter runs away with a woodcutter to an enchanted island. And in the title story, “Smack-Bam, or The Art of Governing Men,” a superficial prince is schooled by a middle-class woman who smacks him when he won’t engage in his lessons and follows him across Europe until he falls in love with her. In these worlds, shallow aristocrats come to value liberty, women are as assertive and intelligent as men, and protagonists experience compassion as they learn of human suffering.With an introduction by leading fairy-tale scholar Jack Zipes that places Laboulaye’s writing in historical context, Smack-Bam, or The Art of Governing Men presents spirited tales from the past that speak to contemporary life.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

Once upon a time there lived in Brittany a noble lord, who was called the Baron Kerver. His manor-house was the most beautiful in the province. It was a great Gothic castle, with a groined roof and walls, covered with carving, that looked at a distance like a vine climbing over an arbor. On the first floor six stained-glass balcony windows looked out on each side toward the rising and the setting sun. In the morning, when the baron, mounted on his dun mare, went forth into the forest, followed by his tall greyhounds, he saw at each window one of his daughters, with prayer-book in hand, praying for the house of Kerver, and who, with their fair curls, blue eyes, and clasped hands, might have been taken for six Madonnas in an azure niche. At evening, when the sun declined and the baron returned homeward, after riding round his domains, he perceived from afar, in the windows looking toward the west, six sons, with dark locks and eagle gaze, the hope and pride of the family, that might have been taken for six sculptured knights at the portal of a church. For ten leagues round, all who wished to quote a happy father and a powerful lord named the Baron Kerver. The castle had but twelve windows, and the baron had thirteen children. The last, the one that had no place, was a handsome boy of sixteen, by the name of Yvon. As usual, he was the best beloved. In the morning, at his departure, and at evening, on his return, the baron always found Yvon waiting on the threshold to embrace him. With his hair falling to his waist, his graceful figure, his wilful air, and his bold bearing, Yvon was beloved by all the Bretons. At twelve years of age he had bravely attacked and killed a wolf with an ax, which had won him the name of Fearless. He deserved the title, for never was there a bolder heart.

There was once a green book, deliciously thick, with gilt-edged pages and the name of the author in gilt script on the front cover. Like an antique posy ring, it was a "box of jewels, shop of rarities"; it was a veritable Pandora's box, and if you laid warm, childish hands upon it and held it pressed close to your ear, you could hear, as Pandora did, soft rustlings, murmurings, flutterings, and whisperings from the fairy folk within. For this was a fairy book—Edouard Laboulaye's "Tales," and its heroes and heroines became first the daily companions, and then the lifetime possession, of the two little girls to whom it belonged.

There was once a green book, deliciously thick, with gilt-edged pages and the name of the author in gilt script on the front cover. Like an antique posy ring, it was a "box of jewels, shop of rarities"; it was a veritable Pandora's box, and if you laid warm, childish hands upon it and held it pressed close to your ear, you could hear, as Pandora did, soft rustlings, murmurings, flutterings, and whisperings from the fairy folk within. For this was a fairy book—Edouard Laboulaye's "Tales," and its heroes and heroines became first the daily companions, and then the lifetime possession, of the two little girls to whom it belonged.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.

This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.

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