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The Haunted Man and The Ghost's Bargain : Literature Classics

Charles Dickens

The Haunted Man and The Ghost's Bargain : Literature Classics

eBook (Goldfish Classics Publishing Dec. 19, 2011)
The Haunted Man and The Ghost's Bargain : Literature ClassicsADDITIONAL CONTENT : + The Author Biography + Plot Summary of The Haunted Man and The Ghost's Bargain + Illustration from Original Book + Active Table of ContentsOVERVIEW:The Haunted Man and the Ghost's Bargain, A Fancy for Christmas-Time, (better known as The Haunted Man and the Ghost's Bargain) is a novella by Charles Dickens first published in 1848. It is the fifth and last of Dickens' Christmas novellas. The story is more about the spirit of the holidays than about the holidays themselves, harking back to the first of the series, A Christmas Carol. The tale centers around a Professor Redlaw and those close to him.PLOT SUMMARY :Redlaw is a teacher of chemistry who often broods over wrongs done him and grief from his past life.He is haunted by a spirit, who is not so much a ghost as Redlaw's phantom twin and is "an awful likeness of himself...with his features, and his bright eyes, and his grizzled hair, and dressed in the gloomy shadow of his dress..." This specter appears and proposes to Redlaw that he can allow him to "forget the sorrow, wrong, and trouble you have known...to cancel their remembrance..." Redlaw is hesitant at first, but finally agrees. However, before the spirit vanishes it imposes an additional consequence: "The gift that I have given you, you shall give again, go where you will."Besides Redlaw, the book is populated with the people of Redlaw's life. Most of them are semi-comical characters such as the Tetterby family who rent a room to one of Redlaw's students and Swidger family who are Redlaw's servants. Milly Swidger, William Swidger's wife, is another of the absolutely and completely good females that frequent many of Dickens' stories.As a consequence of the ghost's intervention Redlaw is without memories of the painful incidents from his past. He experiences a universal anger that he cannot explain. His bitterness spreads to the Swidgers, the Tetterbys and his student. All become as wrathful as Redlaw himself. The only one who is able to avoid the bitterness is Milly.The narrative climaxes when Milly presents the moral of the tale: "It is important to remember past sorrows and wrongs so that you can then forgive those responsible and, in doing so, unburden your soul and mature as a human being." With this realization, the novel concludes with everyone back to normal and Redlaw, like Ebenezer Scrooge, a changed, more loving and a whole person learn to be humble on Christmas and the Holiday.TABLE OF CONTENTSCHAPTER I - The Gift BestowedCHAPTER II - The Gift DiffusedCHAPTER III - The Gift ReversedBIOGRAPHY of CHARLES DICKENSABOUT of THE HAUNTED MAN AND THE GHOST' S BARGAINABOUT THE AUTHOR :Charles John Huffam Dickens ( 7 February 1812 – 9 June 1870) was an English novelist, generally considered the greatest of the Victorian period. Dickens enjoyed a wider popularity and fame than had any previous author during his lifetime, and he remains popular, having been responsible for some of English literature's most iconic novels and characters.Many of his writings were originally published serially, in monthly instalments or parts, a format of publication which Dickens himself helped popularise at that time. Unlike other authors who completed entire novels before serialisation, Dickens often created the episodes as they were being serialised. The practice lent his stories a particular rhythm, punctuated by cliffhangers to keep the public looking forward to the next instalment. The continuing popularity of his novels and short stories is such that they have never gone out of print.Dickens's work has been highly praised for its realism, comedy, mastery of prose, unique personalities and concern for social reform by writers such as Leo Tolstoy, George Gissing and G.K. Chesterton; though others, such as Henry James and Virginia Woolf, have criticised it for sentimentality and implausibility.
Pages
187

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