The Works of Edgar Allan Poe Volume I

Poe's best known fiction works are Gothic, a genre that he followed to appease the public taste. His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of premature burial, the reanimation of the dead, and mourning. Many of his works are generally considered part of the dark romanticism genre, a literary reaction to transcendentalism which Poe strongly disliked. He referred to followers of the transcendental movement as "Frog-Pondians", after the pond on Boston Common, and ridiculed their writings as "metaphor—run mad," lapsing into "obscurity for obscurity's sake" or "mysticism for mysticism's sake". Poe once wrote in a letter to Thomas Holley Chivers that he did not dislike Transcendentalists, "only the pretenders and sophists among them".Beyond horror, Poe also wrote satires, humor tales, and hoaxes. For comic effect, he used irony and ludicrous extravagance, often in an attempt to liberate the reader from cultural conformity. "Metzengerstein" is the first story that Poe is known to have published and his first foray into horror, but it was originally intended as a burlesque satirizing the popular genre.[93] Poe also reinvented science fiction, responding in his writing to emerging technologies such as hot air balloons in "The Balloon-Hoax".Poe wrote much of his work using themes aimed specifically at mass-market tastes. To that end, his fiction often included elements of popular pseudosciences, such as phrenology and physiognomy.