Walter Crane
Beauty and the Beast Picture Book with Other Stories
language
(Balefire Publishing Sept. 28, 2012)
Beauty and the Beast (French: La Belle et la Bête) is a traditional fairy tale. The first published version of the fairy tale was a rendition by Gabrielle-Suzanne Barbot de Villeneuve published in 1740. The best-known written version was an abridgement of her work published in 1756 by Jeanne-Marie Le Prince de Beaumont. an English translation appeared in 1757.
Variants of the tale are known across Europe. In France, for example, Zémire et Azor is an operatic version of the story of Beauty and the Beast written by Marmontel and composed by Grétry in 1771. It had enormous success well into the 19th century. It is based on the second version of the tale.
Amour pour amour, by Nivelle de la Chaussée, is a 1742 play based on Villeneuve's version.
A wealthy merchant lived in a mansion with his three daughters, all of whom were very beautiful, but only the youngest, at fourteen, is named Belle for being lovely and pure of heart; her sisters, in contrast, are wicked and selfish. The merchant eventually loses all of his wealth in a tempest at sea, and he and his daughters must therefore live in a small farmhouse and work for their living. After some years of this, the merchant hears that one of the trade ships he had sent off has arrived back in port, having escaped the destruction of its compatriots; therefore, he returns to the city to discover whether it contains anything of monetary value. Before leaving, he asks his daughters whether they desire that he bring them any gift upon his return. His two elder daughters ask for jewels and fine dresses, thinking that his wealth has returned; Belle is satisfied with the promise of a rose, as none grow in their part of the country. The merchant, to his dismay, finds that his ship's cargo has been seized to pay his debts, leaving him without money to buy his daughters their presents.
During his return, he becomes lost in a forest. Seeking shelter, he enters a dazzling palace. He finds inside tables laden with food and drink, which have apparently been left for him by the palace's unseen owner. The merchant accepts this gift and spends the night. The next morning as the merchant is about to leave, he sees a rose garden and recalls that Belle had desired a rose. Upon picking the loveliest rose he finds, the merchant is confronted by a hideous 'Beast', which tells him that for taking his (the Beast's) most precious possession after accepting his hospitality, the merchant must die. The merchant begs to be set free, arguing that he had only picked the rose as a gift for his youngest daughter. The Beast agrees to let him give the rose to Belle, only if the merchant will return, or his daughter goes to the castle in his place.
The merchant is upset, but accepts this condition. The Beast sends him on his way, with jewels and fine clothes for his daughters, and stresses that Belle must come to the castle of her own accord. The merchant, upon arriving home, tries to hide the secret from Belle, but she pries it from him and willingly goes to the Beast's castle. The Beast receives her graciously and informs her that she is mistress of the castle, and he is her servant. He gives her lavish clothing and food and carries on lengthy conversations with her. Each night, the Beast asks Belle to marry him, only to be refused each time. After each refusal, Belle dreams of a handsome prince who pleads with her to answer why she keeps refusing him, and she replies that she cannot marry the Beast because she loves him only as a friend. Belle does not make the connection between the handsome prince and the Beast and becomes convinced that the Beast is holding the prince captive somewhere in the castle. She searches for him and discovers multiple enchanted rooms, but never the prince from her dreams. The story continues from here.
Walter Crane (1845–1915) was an English artist and book illustrator. He is considered to be the most prolific and influential children’s book creator of his generation.
Variants of the tale are known across Europe. In France, for example, Zémire et Azor is an operatic version of the story of Beauty and the Beast written by Marmontel and composed by Grétry in 1771. It had enormous success well into the 19th century. It is based on the second version of the tale.
Amour pour amour, by Nivelle de la Chaussée, is a 1742 play based on Villeneuve's version.
A wealthy merchant lived in a mansion with his three daughters, all of whom were very beautiful, but only the youngest, at fourteen, is named Belle for being lovely and pure of heart; her sisters, in contrast, are wicked and selfish. The merchant eventually loses all of his wealth in a tempest at sea, and he and his daughters must therefore live in a small farmhouse and work for their living. After some years of this, the merchant hears that one of the trade ships he had sent off has arrived back in port, having escaped the destruction of its compatriots; therefore, he returns to the city to discover whether it contains anything of monetary value. Before leaving, he asks his daughters whether they desire that he bring them any gift upon his return. His two elder daughters ask for jewels and fine dresses, thinking that his wealth has returned; Belle is satisfied with the promise of a rose, as none grow in their part of the country. The merchant, to his dismay, finds that his ship's cargo has been seized to pay his debts, leaving him without money to buy his daughters their presents.
During his return, he becomes lost in a forest. Seeking shelter, he enters a dazzling palace. He finds inside tables laden with food and drink, which have apparently been left for him by the palace's unseen owner. The merchant accepts this gift and spends the night. The next morning as the merchant is about to leave, he sees a rose garden and recalls that Belle had desired a rose. Upon picking the loveliest rose he finds, the merchant is confronted by a hideous 'Beast', which tells him that for taking his (the Beast's) most precious possession after accepting his hospitality, the merchant must die. The merchant begs to be set free, arguing that he had only picked the rose as a gift for his youngest daughter. The Beast agrees to let him give the rose to Belle, only if the merchant will return, or his daughter goes to the castle in his place.
The merchant is upset, but accepts this condition. The Beast sends him on his way, with jewels and fine clothes for his daughters, and stresses that Belle must come to the castle of her own accord. The merchant, upon arriving home, tries to hide the secret from Belle, but she pries it from him and willingly goes to the Beast's castle. The Beast receives her graciously and informs her that she is mistress of the castle, and he is her servant. He gives her lavish clothing and food and carries on lengthy conversations with her. Each night, the Beast asks Belle to marry him, only to be refused each time. After each refusal, Belle dreams of a handsome prince who pleads with her to answer why she keeps refusing him, and she replies that she cannot marry the Beast because she loves him only as a friend. Belle does not make the connection between the handsome prince and the Beast and becomes convinced that the Beast is holding the prince captive somewhere in the castle. She searches for him and discovers multiple enchanted rooms, but never the prince from her dreams. The story continues from here.
Walter Crane (1845–1915) was an English artist and book illustrator. He is considered to be the most prolific and influential children’s book creator of his generation.
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