Other editions of book Margret Howth, a Story of To-day: NULL

Excerpt from Margret Howth: A Story of to-DayMystory is very crude and homely, as I said, -only\a rough sketch of one or two of those people whom you see every day, and call dregs, sometimes, - a dull, plain bit of prose, such as you might pick for yourself out of any of these warehouses or back-streets. I expect you to call it stale and plebeian, for I know the glimpses of life it pleases you best to find; idyls delicately tinted; passion-veined hearts, out bare for curious eyes; prophetic utterances, concrete and clear; or some word of pathos or fun from the old friends who have endenizened themselves in everybody's home. You want something, in fact, to lift you out of this crowded, tobacco-stained commonplace, to kindle and chafe and glow in you. I want you to dig into this commonplace, this vulgar American life, and see what is in it. Some times I think it has a new and awful sig nificance that we do not see.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Let me tell you a story of To-Day,—very homely and narrow in its scope and aim. Not of the To-Day whose significance in the history of humanity only those shall read who will live when you and I are dead. We can bear the pain in silence, if our hearts are strong enough, while the nations of the earth stand afar off. I have no word of this To-Day to speak. I write from the border of the battlefield, and I find in it no theme for shallow argument or flimsy rhymes.

Rebecca Blaine Harding Davis (1831-1910), born Rebecca Blaine Harding, was an American author and journalist. She is deemed a pioneer of literary Realism in American literature. Her most important literary work is the novella Life in the Iron Mills published in the Atlantic Monthly (1861), and is regarded by many critics as a pioneering document marking the transition from Romanticism to Realism in American literature. Throughout her lifetime, she sought to effect social change for blacks, women, Native Americans, immigrants, and the working class, by intentionally writing about these marginalised groups' plight in the 19th century. From 1869 onwards, she was a regular contributing editor to the New York Tribune and the New York Independent. In 1889, however, she resigned from the Tribune in order to protest editorial censorship of her articles. Her other works include Margaret Howth: A Story of To-day (1862), Waiting for the Verdict (1868), Dallas Galbraith (1868), John Andross (1874), Kitty's Choice (1874), Silhouettes of American Life (1892), Doctor Warrick's Daughters (1896), Frances Waldeaux (1897) and Bits of Gossip (1904).

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This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.