Other editions of book The Brass Bottle

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Thomas Anstey Guthrie (1856-1934), was an English novelist and journalist, who wrote his comic novels under the pseudonym F. Anstey. He was educated at King's College London and at Trinity Hall, Cambridge, and was called to the bar in 1880. But the popular success of his story Vice Versa (1882) with its topsy-turvy substitution of a father for his schoolboy son, at once made his reputation as a humourist of an original type. He published in 1883 a serious novel, The Giant's Robe; but, in spite of its excellence, he discovered that it was not as a serious novelist but as a humourist that the public insisted on regarding him. As such his reputation was further confirmed by The Black Poodle (1884), The Tinted Venus (1885), and A Fallen Idol (1886). Many of Anstey's stories have been adapted into theatrical productions and motion pictures. The Tinted Venus (1885) was adapted by S. J. Perelman, Ogden Nash, and Kurt Weill into One Touch of Venus in 1943.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from The Brass BottleAS he sat at the window of his Office in Great Cloister Street, Westminster, he made his thoughts travel back to a certain glorious morning in August which now seemed SO remote and irrecoverable. At this precise time he was waiting on the balcony of the hotel de la Plage - the sole hostelry of St. Luc-eu Port, the tiny Normandy watering-place upon which, by some happy inspiration, he had lighted during a solitary cycling tour - waiting until She Should appear.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Thomas Anstey Guthrie (1856-1934), was an English novelist and journalist, who wrote his comic novels under the pseudonym F. Anstey. He was educated at King's College London and at Trinity Hall, Cambridge, and was called to the bar in 1880. But the popular success of his story Vice Versa (1882) with its topsy-turvy substitution of a father for his schoolboy son, at once made his reputation as a humourist of an original type. He published in 1883 a serious novel, The Giant's Robe; but, in spite of its excellence, he discovered that it was not as a serious novelist but as a humourist that the public insisted on regarding him. As such his reputation was further confirmed by The Black Poodle (1884), The Tinted Venus (1885), and A Fallen Idol (1886). Many of Anstey's stories have been adapted into theatrical productions and motion pictures. The Tinted Venus (1885) was adapted by S. J. Perelman, Ogden Nash, and Kurt Weill into One Touch of Venus in 1943.

"This day six weeks—just six weeks ago!" Horace Ventimore said, half aloud, to himself, and pulled out his watch. "Half-past twelve—what was I doing at half-past twelve?" As he sat at the window of his office in Great Cloister Street, Westminster, he made his thoughts travel back to a certain glorious morning in August which now seemed so remote and irrecoverable. At this precise time he was waiting on the balcony of the Hôtel de la Plage—the sole hostelry of St. Luc-en-Port, the tiny Normandy watering-place upon which, by some happy inspiration, he had lighted during a solitary cycling tour—waiting until She should appear. He could see the whole scene: the tiny cove, with the violet shadow of the cliff sleeping on the green water; the swell of the waves lazily lapping against the diving-board from which he had plunged half an hour before; he remembered the long swim out to the buoy; the exhilarated anticipation with which he had dressed and climbed the steep path to the hotel terrace.