Books with title The Sleeping Beauty and Other Tales

Quiller-Couch translates four French fairy tales into English, some of which are perennial favorites, witness Disney's animated rendering of Beauty and the Beast or Jean Cocteau's critically acclaimed film version of the tale. (It was written by Mme Gabrielle de Villeneuve, who died in 1755 and lives only by grace of this one of her several original romantic stories.) Other fairy tales included in this compilation are Charles Perrault's (1628-1703) The Sleeping Beauty, Bluebeard, and Cinderella. Arthur Quiller-Couch had this to say regarding his translation of these tales: "My own share in this volume is, perhaps, less easily defended. I began by translating Perrault's tales, very nearly word for word; because to me his style has always seemed nearly perfect for its purpose; and the essence of 'style' in writing is propriety to its purpose."

The book includes five famous tales by Charles Perrault illustrated by Walter Crane (50 illustrations): Little Red Riding Hood; The Master Cat, or Puss in Boots; Blue Beard; The Sleeping Beauty in the Woods; and Cinderella, or The Little Glass Slipper.Walter Crane was a prominent book illustrator of the 19th century. In cooperation with Edmund Evans, he designed picture books printed in colour, which became the most popular children’s books at the time thanks to their high level of craftsmanship and low price. Crane’s style shows the influence of the art of the Renaissance and Japanese prints (ukiyo-e). He designed his books according to the belief that “children, like the ancient Egyptians, appear to see most things in profile and like definite statements in design. They prefer well-defined forms and bright, frank colour. They don’t want to bother about three dimensions. They can accept symbolic representations. They themselves employ drawing ... as a kind of picture-writing and eagerly follow a pictured story.”Crane’s work set the standards of taste in the Victorian children’s book industry and earned him a reputation as ‘the father of the illustrated children’s book’.

Five classic fairy tales by Charles Perrault illustrated by Walter Crane (40 colour illustrations): Little Red Riding Hood; The Master Cat, or Puss in Boots; Blue Beard; The Sleeping Beauty in the Woods; and Cinderella, or The Little Glass Slipper.Walter Crane was a prominent book illustrator of the 19th century. In cooperation with Edmund Evans, he designed picture books printed in colour, which became the most popular children's books at the time thanks to their high level of craftsmanship and low price. Crane's style shows the influence of the art of the Renaissance and Japanese prints (ukiyo-e). He designed his books according to the belief that "children, like the ancient Egyptians, appear to see most things in profile and like definite statements in design. They prefer well-defined forms and bright, frank colour. They don't want to bother about three dimensions. They can accept symbolic representations. They themselves employ drawing ... as a kind of picture-writing and eagerly follow a pictured story." Crane's work set the standards of taste in the Victorian children's book industry and earned him a reputation as "the father of the illustrated children's book".

This sumptuous volume is a welcome follow-up to the earlier Calla publication of Dulac's Stories from Hans Christian Andersen. Edmund Dulac was second only to Arthur Rackham in his sensitivity to the world of fairy tales, and his style is at once exotic and elegant. The present edition contains four tales: "The Sleeping Beauty," "Blue Beard," "Cinderella," and "Beauty and the Beast" in artful retelling, but the main feature of the book is the generous offering of 30 full-page color plates in Dulac's inimitable style. Additional design elements make this Calla edition a keepsake for readers and collectors alike.

In this stunning follow-up to the bestselling holiday classic The Nutcracker, The New York City Ballet presents another timeless tale for a modern ballet lover with The Sleeping Beauty.The New York City Ballet presents classic stories of the ballet with their trademark stylish, modern sensibility. This lavishly illustrated book follows the storyline, choreography, costumes, and sets of the New York City Ballet’s production of The Sleeping Beauty. With beautiful art illustrated by Valeria Docampo, this magnificent retelling is a perfect gift for an aspiring ballerina or any family who wants to add this enchanting fairy tale classic to their library.

This book of fairy tales contains illustrated version of the following stories: The Sleeping Beauty, Blue Beard, Cinderella, and Beauty and the Beast.The Sleeping Beauty in the Woods (French: La Belle au bois dormant, "The Beauty sleeping in the wood") by Charles Perrault is a classic fairytale involving a beautiful princess, enchantment of sleep, and a handsome prince. Written as an original literary tale, it was first published by Charles Perrault in Histoires ou contes du temps passé in 1697.Perrault transformed the tone of Basile's "Sole, Luna, e Talia". Beside differences in tone, the most notable differences in the plot is that, in Basile's version, the sleep did not stem from a curse, but was prophesied; that the king did not wake Talia from the sleep with a kiss, but raped her, and when she gave birth to two children, one sucked on her finger, drawing out the piece of flax that had put her to sleep, which woke her; and that the woman who resented her and tried to eat her and her children was not the king's mother but his jealous wife. The mother-in-law's jealousy is less motivated, although common in fairy tales.There are earlier elements that contributed to the tale, in the medieval courtly romance Perceforest (published in 1528), in which a princess named Zellandine falls in love with a man named Troylus. Her father sends him to perform tasks to prove himself worthy of her, and while he is gone, Zellandine falls into an enchanted sleep. Troylus finds her and impregnates her in her sleep; when their child is born, he draws from her finger the flax that caused her sleep. She realizes from the ring he left her that the father was Troylus; he returns after his adventures to marry her.Some folklorists have analyzed Sleeping Beauty as indicating the replacement of the lunar year (with its thirteen months, symbolically depicted by the full thirteen fairies) by the solar year (which has twelve, symbolically the invited fairies). This, however, founders on the issue that only in the Grimms' tale is the wicked fairy the thirteenth fairy; in Perrault's, she is the eighth. The basic elements of the story can also be interpreted as a nature allegory: the Princess represents Nature, the Wicked Fairy is Winter, who puts the Court to sleep with pricks of frost until the Prince (Spring) cuts away the brambles with his sword (a sunbeam) to allow the sun to awaken sleeping Nature.Charles Perrault (12 January 1628 – 16 May 1703) was a French author and member of the Académie française. He laid the foundations for a new literary genre, the fairy tale, with his works derived from pre-existing folk tales. The best known of his tales include Le Petit Chaperon rouge (Little Red Riding Hood), Cendrillon (Cinderella), Le Chat Botté (Puss in Boots) and La Barbe bleue (Bluebeard). Many of Perrault's stories were rewritten by the Brothers Grimm, continue to be printed and have been adapted to opera, ballet (such as Tchaikovsky's The Sleeping Beauty), theatre, and film (Disney). Perrault was an influential figure in the 17th century French literary scene, and was the leader of the Modern faction during the Quarrel of the Ancients and the Moderns.

The book includes five famous fairy tales by Charles Perrault illustrated by Walter Crane (40 colour illustrations): Little Red Riding Hood; The Master Cat, or Puss in Boots; Blue Beard; The Sleeping Beauty in the Woods; and Cinderella, or The Little Glass Slipper. Walter Crane was a prominent book illustrator of the 19th century. In cooperation with Edmund Evans, he designed picture books printed in colour, which became the most popular children's books at the time thanks to their high level of craftsmanship and low price. Crane's work set the standards of taste in the Victorian children's book industry and earned him a reputation as 'the father of the illustrated children's book'.