Books with title Been Down So Long It Looks Like Up to Me

Richard Fariña evokes the Sixties as precisely, wittily, and poignantly as F. Scott Fitzgerald captured the Jazz Age. The hero, Gnossos Pappadopoulis, weaves his way through the psychedelic landscape, encountering-among other things-mescaline, women, art, gluttony, falsehood, science, prayer, and, occasionally, truth. A portrait of an explosive decade, sparkling with inventive writing and conveying the essence of a generation, Been Down So Long It Looks Like Up to Me, as Thomas Pynchon wrote, “comes on like the Hallelujah Chorus done by 200 kazoo players with perfect pitch.”

The classic novel of the 1960s--an unerring corrosively comic depiction of a campus in revoltRichard Fariña evokes the Sixties as precisely, wittily, and poignantly as F. Scott Fitzgerald captured the Jazz Age. The hero, Gnossus Pappadopoulis, weaves his way through the psychedelic landscape, encountering--among other things--mescaline, women, art, gluttony, falsehood, science, prayer, and, occasionally, truth. A portrait of an explosive decade, sparkling with inventive writing and conveying the essence of a generation, Been Down So Long It Looks Like Up to Me, as Thomas Pynchon wrote, "comes on like the Hallelujah Chorus done by 200 kazoo players with perfect pitch."

A witty, psychedelic, and telling novel of the 1960sRichard Fariña evokes the Sixties as precisely, wittily, and poignantly as F. Scott Fitzgerald captured the Jazz Age. The hero, Gnossus Pappadopoulis, weaves his way through the psychedelic landscape, encountering-among other things-mescaline, women, art, gluttony, falsehood, science, prayer, and, occasionally, truth.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Fariña evokes the Sixties as precisely, wittily, and poignantly as F. Scott Fitzgerald captured the Jazz Age. The hero, Gnossus Pappadopoulis, weaves his way through the psychedelic landscape, encountering—among other things—mescaline, women, art, gluttony, falsehood, science, prayer, and, occasionally, truth. A portrait of an explosive decade, sparkling with inventive writing and conveying the essence of a generation, Been Down So Long It Looks Like Up to Me, as Thomas Pynchon writes in the introduction, "comes on like the Hallelujah Chorus done by 200 kazoo players with perfect pitch." "A marvelous storyteller, Fariña is fit to join the company of Kerouac, Kesey, and Pynchon." —San Francisco Chronicle

Scenes are for making.From mesacaline trips to campus riots, from sacrilegious rites to the New Left, from amorous conquest to amorous conquest...Gnossos Pappadopoulis makes them all. Who's gnossos?He's a shaggy-haired, pot-puffing product of the Great Society, an amoral collegiate hipster who loathes convention, lusts for kicks and is determined, above all else, never to lose his cool. He's the guy who has been down so long it looks like up. Richard George Fariña (March 8, 1937 - April 30, 1966) was an American writer and folksinger. He was a figure in both the counterculture scene of the early- to mid-sixties and the budding folk rock scene of the same era.

Fariña evokes the Sixties as precisely, wittily, and poignantly as F. Scott Fitzgerald captured the Jazz Age. The hero, Gnossus Pappadopoulis, weaves his way through the psychedelic landscape, encountering—among other things—mescaline, women, art, gluttony, falsehood, science, prayer, and, occasionally, truth. A portrait of an explosive decade, sparkling with inventive writing and conveying the essence of a generation, Been Down So Long It Looks Like Up to Me, as Thomas Pynchon writes in the introduction, "comes on like the Hallelujah Chorus done by 200 kazoo players with perfect pitch." "A marvelous storyteller, Fariña is fit to join the company of Kerouac, Kesey, and Pynchon." —San Francisco Chronicle