Books in American Negro: His History and Literature series

Running a Thousand Miles for Freedom. William and Ellen Craft. The American Negro. His History and Literature. Ellen Craft (1826–1891) and William Craft (September 25, 1824 – January 29, 1900) were slaves from Macon, Georgia in the United States who escaped to the North in December 1848 by traveling openly by train and steamboat, arriving in Philadelphia on Christmas Day. She posed as a white male planter and he as her personal servant. Their daring escape was widely publicized, making them among the most famous of fugitive slaves. Abolitionists featured them in public lectures to gain support in the struggle to end the institution. As the light-skinned mixed-race daughter of a mulatto slave and her white master, Ellen Craft used her appearance to pass as a white man, dressed in appropriate clothing. Threatened by slave catchers in Boston after passage of the Fugitive Slave Act of 1850, the Crafts escaped to England, where they lived for nearly two decades and reared five children. The Crafts lectured publicly about their escape. In 1860 they published a written account, Running a Thousand Miles for Freedom; Or, The Escape of William and Ellen Craft from Slavery. One of the most compelling of the many slave narratives published before the American Civil War, their book reached wide audiences in Great Britain and the United States. After their return to the US in 1868, the Crafts opened an agricultural school for freedmen's children in Georgia and worked the farm until 1890. Their account was reprinted in the United States in 1999, with both the Crafts credited as authors, and it is available online at Project Gutenberg and the University of Virginia.

Frederick Douglass was born a slave and escaped to freedom in his twenties. My Bondage and My Freedom (1855) was written after he had established himself as a newspaper editor. In this book, Douglass expands upon his previous accounts of his years as a slave. With great psychological penetration, he probes the longterm and corrosive effects of slavery and comments upon his active resistance to the segregation he encounters in the North.

Originally published in 1853, Clotel is the first novel by an African American. William Wells Brown, a contemporary of Frederick Douglass, was well known for his abolitionist activities. In Clotel, the author focuses on the experiences of a slave woman: Brown treats the themes of gender, race, and slavery in distinctive ways, highlighting the mutability of identity as well as the absurdities and cruelties of slavery.

First published in 1909, W.E.B. Du Bois's biography of abolitionist John Brown is a literary and historical classic. With a rare combination of scholarship and passion, Du Bois defends Brown against all detractors who saw him as a fanatic, fiend, or traitor. Brown emerges as a rich personality, fully understandable as an unusual leader with a deeply religious outlook and a devotion to the cause of freedom for the slave.This new edition is enriched with an introduction by John David Smith and with supporting documents relating to Du Bois's correspondence with his publisher.

First published in 1909, W.E.B. Du Bois's biography of abolitionist John Brown is a literary and historical classic. With a rare combination of scholarship and passion, Du Bois defends Brown against all detractors who saw him as a fanatic, fiend, or traitor. Brown emerges as a rich personality, fully understandable as an unusual leader with a deeply religious outlook and a devotion to the cause of freedom for the slave.This new edition is enriched with an introduction by John David Smith and with supporting documents relating to Du Bois's correspondence with his publisher.

Originally published in 1853, Clotel is the first novel by an African American. William Wells Brown, a contemporary of Frederick Douglass, was well known for his abolitionist activities. In Clotel, the author focuses on the experiences of a slave woman: Brown treats the themes of gender, race, and slavery in distinctive ways, highlighting the mutability of identity as well as the absurdities and cruelties of slavery. The plot includes several mulatto characters, such as Clotel, who live on the margins of the black and white worlds, as well as a woman who dresses as a man to escape bondage; a white woman who is enslaved; and a famous white man who is mistaken for a mulatto. In her Introduction, scholar Joan E. Cashin highlights the most interesting features of this novel and its bold approach to gender and race relations. This volume, the latest in the American History Through Literature series, is suitable for a variety of undergraduate courses in American history, cultural history, women's studies, and slavery.

Originally published in 1853, Clotel is the first novel by an African American. William Wells Brown, a contemporary of Frederick Douglass, was well known for his abolitionist activities. In Clotel, the author focuses on the experiences of a slave woman: Brown treats the themes of gender, race, and slavery in distinctive ways, highlighting the mutability of identity as well as the absurdities and cruelties of slavery. The plot includes several mulatto characters, such as Clotel, who live on the margins of the black and white worlds, as well as a woman who dresses as a man to escape bondage; a white woman who is enslaved; and a famous white man who is mistaken for a mulatto. In her Introduction, scholar Joan E. Cashin highlights the most interesting features of this novel and its bold approach to gender and race relations. This volume, the latest in the American History Through Literature series, is suitable for a variety of undergraduate courses in American history, cultural history, women's studies, and slavery.