Books published by publisher Milkweed Editions

Named a "Best Essay Collection of the Decade" by Literary Hub As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on “a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise” (Elizabeth Gilbert). Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings―asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass―offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.

“From the summer of my twelfth year I carry a series of images more vivid and lasting than any others of my boyhood and indelible beyond all attempts the years make to erase or fade them “ So begins David Hayden’s story of what happened in Montana in 1948. The events of that cataclysmic summer permanently alter twelve-year-old David’s understanding of his family: his father, a small-town sheriff; his remarkably strong mother; David’s uncle Frank, a war hero and respected doctor; and the Haydens’ Sioux housekeeper, Marie Little Soldier, whose revelations turn the family’s life upside down as she relates how Frank has been molesting his female Indian patients. As their story unravels around David, he learns that truth is not what one believes it to be, that power is abused, and that sometimes one has to choose between family loyalty and justice.

“From the summer of my twelfth year I carry a series of images more vivid and lasting than any others of my boyhood and indelible beyond all attempts the years make to erase or fade them “ So begins David Hayden’s story of what happened in Montana in 1948. The events of that cataclysmic summer permanently alter twelve-year-old David’s understanding of his family: his father, a small-town sheriff; his remarkably strong mother; David’s uncle Frank, a war hero and respected doctor; and the Haydens’ Sioux housekeeper, Marie Little Soldier, whose revelations turn the family’s life upside down as she relates how Frank has been molesting his female Indian patients. As their story unravels around David, he learns that truth is not what one believes it to be, that power is abused, and that sometimes one has to choose between family loyalty and justice.

"Ada Limón's new collection is her best yet, a much needed shot of if not hope, then perseverance amidst much uncertainty." (NPR) From National Book Award and National Book Critics Circle Award finalist Ada Limón comes The Carrying - her most powerful collection yet. Vulnerable, tender, acute, these are serious and brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility - "What if, instead of carrying / a child, I am supposed to carry grief?" - and a body seized by pain and vertigo as well as ecstasy. A nation convulses: "Every song of this country / has an unsung third stanza, something brutal." And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives. "Fine then, / I'll take it," she writes. "I'll take it all." Praise for The Carrying "Ada Limón is one of the country's finest poets." (Shelf Awareness) "The Carrying is one of Ada Limón's best. Even in poems about racism, misogyny, violence, and the darkness that often accompanies life, Limón's resiliency shines through." (Bitch Media) "The Carrying is dazzling, precise, transformative and deeply humane. Ada Limón is an American treasure." (Jami Attenberg) "In these poems, joy and longing and grief sing with a music that - regardless of what I am burdened or blessed to carry - makes me want to live passionately and fully in the difficult world. The Carrying is a gift." (Natasha Trethewey)

Since its establishment as a federally protected wilderness in 1964, the Boundary Waters has become one of our nation’s most valuable―and most frequently visited―natural treasures. When Amy and Dave Freeman learned of toxic mining proposed within the area’s watershed, they decided to take action―by spending a year in the wilderness, and sharing their experience through video, photos, and blogs with an audience of hundreds of thousands of concerned citizens. This book tells the deeper story of their adventure in northern Minnesota: of loons whistling under a moonrise, of ice booming as it forms and cracks, of a moose and her calf swimming across a misty lake.With the magic―and urgent―message that has rallied an international audience to the campaign to save the Boundary Waters, A Year in the Wilderness is a rousing cry of witness activism, and a stunning tribute to this singularly beautiful region.

“From the summer of my twelfth year I carry a series of images more vivid and lasting than any others of my boyhood and indelible beyond all attempts the years make to erase or fade them “ So begins David Hayden’s story of what happened in Montana in 1948. The events of that cataclysmic summer permanently alter twelve-year-old David’s understanding of his family: his father, a small-town sheriff; his remarkably strong mother; David’s uncle Frank, a war hero and respected doctor; and the Haydens’ Sioux housekeeper, Marie Little Soldier, whose revelations turn the family’s life upside down as she relates how Frank has been molesting his female Indian patients. As their story unravels around David, he learns that truth is not what one believes it to be, that power is abused, and that sometimes one has to choose between family loyalty and justice.

It's 1942. Thirteen-year-old Korinna Rehme is an active member of her local Jungmadel, a Nazi youth group, along with many of her friends. She believes that Hitler is helping Germany by instituting a program to deal with what he calls the "Jewish problem," a program that she witnesses as her Jewish neighbors are attacked and taken from their homes. Korinna's parents, however, are members of a secret underground group providing a means of escape to the Jews of their city. Korinna is shocked to discover that they are hiding a refugee family behind the wall of her bedroom. But as she comes to know the family, her sympathies begin to turn. When someone tips off the Gestapo, loyalties are put to the test and Korinna must decide what she really believes and whom she really trusts. Filled with adventure, Behind the Bedroom Wall helps readers understand the forces that drove so many to turn on their neighbors and the courage that allowed some to resist.

The 1947 Partition of India is the backdrop for this powerful novel, narrated by a precocious child who describes the brutal transition with chilling veracity. Young Lenny Sethi is kept out of school because she suffers from polio. She spends her days with Ayah, her beautiful nanny, visiting with the large group of admirers that Ayah draws. It is in the company of these working class characters that Lenny learns about religious differences, religious intolerance, and the blossoming genocidal strife on the eve of Partition. As she matures, Lenny begins to identify the differences between the Hindus, Moslems, and Sikhs engaging in political arguments all around her. Lenny enjoys a happy, privileged life in Lahore, but the kidnapping of her beloved Ayah signals a dramatic change. Soon Lenny’s world erupts in religious, ethnic, and racial violence. By turns hilarious and heartbreaking, the domestic drama serves as a microcosm for a profound political upheaval.

John James Audubon is renowned for his masterpiece of natural history and art, The Birds of America, the first nearly comprehensive survey of the continent’s birdlife. And yet few people understand, and many assume incorrectly, what sort of man he was. How did the illegitimate son of a French sea captain living in Haiti, who lied both about his parentage and his training, rise to become one of the greatest natural historians ever and the greatest name in ornithology? In Under a Wild Sky this Pulitzer Prize finalist, William Souder reveals that Audubon did not only compose the most famous depictions of birds the world has ever seen, he also composed a brilliant mythology of self. In this dazzling work of biography, Souder charts the life of a driven man who, despite all odds, became the historical figure we know today.

WINNER OF THE 2018 NATIONAL BOOK CRITICS CIRCLE AWARD ALA NOTABLE BOOK OF 2018 FINALIST FOR THE 2019 PEN/JEAN STEIN BOOK AWARD From National Book Award and National Book Critics Circle Award finalist Ada Limón comes The Carrying―her most powerful collection yet. Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility―“What if, instead of carrying / a child, I am supposed to carry grief?”―and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives. “Fine then, / I’ll take it,” she writes. “I’ll take it all.” In Bright Dead Things, Limón showed us a heart “giant with power, heavy with blood”―“the huge beating genius machine / that thinks, no, it knows, / it’s going to come in first.” In her follow-up collection, that heart is on full display―even as The Carrying continues further and deeper into the bloodstream, following the hard-won truth of what it means to live in an imperfect world.

Depicting with humor and insight the pressure to be outwardly perfect, this novel for ages 10-13 shows how one girl develops compassion for her own and others’ imperfections.For 13-year-old Isabelle Lee, whose father has recently died, everything's normal on the outside. Isabelle describes the scene at school with bemused accuracy--the self-important (but really not bad) English teacher, the boy that is constantly fixated on Ashley Barnum, the prettiest girl in class, and the dynamics of the lunchroom, where tables are turf in a all-eyes-open awareness of everybody's relative social position.But everything is not normal, really. Since the dealth of her father, Isabelle's family has only functioned on the surface. Her mother, who used to take care of herself, now wears only lumpy, ill-fitting clothes, cries all night, and has taken every picture of her dead husband and put them under her bed. Isabelle tries to make light of this, but the underlying tension is expressed in overeating and then binging. As the novel opens, Isabelle's little sister, April, has told their mother about Isabelle's problem. Isabelle is enrolled in group therapy. Who should show up there, too, but Ashley Barnum, the prettiest, most together girl in class.

In 2012, Sarah Ruhl was a distinguished author and playwright, twice a finalist for the Pulitzer Prize. Max Ritvo, a student in her playwriting class at Yale University, was an exuberant, opinionated, and highly gifted poet. He was also in remission from pediatric cancer. Over the next four years―in which Ritvo’s illness returned and his health declined, even as his productivity bloomed―the two exchanged letters that spark with urgency, humor, and the desire for connection. Reincarnation, books, the afterlife as an Amtrak quiet car, good soup: in Ruhl and Ritvo’s exchanges, all ideas are fair, nourishing game, shared and debated in a spirit of generosity and love. “We’ll always know one another forever, however long ever is,” Ritvo writes. “And that’s all I want―is to know you forever.” Studded with poems and songs, Letters from Max is a deeply moving portrait of a friendship, and a shimmering exploration of love, art, mortality, and the afterlife.