Bunner Sisters
Edith Wharton
(CreateSpace Independent Publishing Platform, Sept. 27, 2017)
"Among the novelists whose work must be counted into the sum of English literature." -New Outlook "Pleasing...dealing with old New York and two middle-aged women who kept a little shop in Stuyvesant Square." -The Bookseller, Newsdealer and Stationer "Edith Wharton is a prose writer par excellence." -Review of Reviews "Mrs. Wharton dawned upon our ignorant but eager appreciation, a little bewildering to our immaturity because she was so mature and sophisticated. Henry James and Meredith had educated us to read her intelligently (though we had only begun to read them), and if our admiration was boyish it was genuine. I remember distinctly the emotions of surprise and delight at the appearance of a new writer, an American writer, whose first work showed the competence and finish of a practiced hand. Then followed, at intervals sufficiently long to indicate careful workmanship, now a novel, now a collection of short stories, all of unvarying excellence. But there was another sense in which the work was unvarying, another interpretation of the moderate rate of production. Though the plots were ingenious, original, not cast in one mold, the kind of life so acutely and deeply studied was a limited, even thin, upper layer of society....Mrs. Wharton is at once direct and subtle. She unfolds with perfect lucidity the complexities of human nature. Her sentences are so beautifully sequential that sometimes a passage seems to straighten out, tense and flexible, like a taut wire; and the vibration is the sound of life." -John Macy, The Dial "As the success of the women in keeping new aspirants out of drawing-room and country house has always been greater than the success of the men in keeping them out of Wall Street, the aboriginal aristocracy in Mrs. Wharton's novels transacts its affairs for the most part in drawing-room and country house....Novels written out of this conception of existence fall ordinarily into partisanship, either on the side of the individual who leaves his herd or on the side of the herd which runs him down or shuts him out for good. Mrs. Wharton has always been singularly unpartisan, as if she recognized it as not duty of hers to do more for the herd or its members than to play over the spectacle of their clashes the long, cold light of her magnificent irony....The illusion of reality in her work almost never fails her, so alertly is her mind on the lookout to avoid vulgar or shoddy romantic elements. Compared to Henry James, her principal master in fiction, whom she resembles in respect to subjects and attitudes...she has more intelligence than he. Compared to Jane Austen, the novelist among Anglo-Saxon women whom Mrs. Wharton most resembles, particularly as regards satire and decorum, she is the more impassioned of the two. It may seem at first thought a little strange to compare the vivid novels of the author of 'The House of Mirth' with the mouse-colored narratives of the author of 'Pride and Prejudice,' for the twentieth century has added to all fiction many overtones not heard in the eighteenth. But of no other woman writer since Jane Austen can it be said quite so truthfully as of Mrs. Wharton that her natural, instinctive habitat is a true tower of irony." -The Nation