Other editions of book EMMA

Although convinced that she herself will never marry anyone, Emma Woodhouse, a precocious almost twenty-one-year-old resident of the village of Highbury, imagines herself to be naturally gifted in conjuring love matches. After self-declared success at matchmaking between her governess and Mr. Weston, a village widower, Emma takes it upon herself to find an eligible match for her new friend, Harriet Smith. Though Harriet’s parentage is unknown, Emma is convinced that Harriet deserves to be a gentleman’s wife and sets her friend’s sights on Mr. Elton, the village vicar. Meanwhile, Emma persuades Harriet to reject the proposal of Robert Martin, a well-to-do farmer for whom Harriet clearly has feelings.Harriet becomes infatuated with Mr. Elton under Emma’s encouragement, but Emma’s plans go awry when Elton makes it clear that his affection is for Emma, not Harriet. Emma realizes that her obsession with making a match for Harriet has blinded her to the true nature of the situation. Mr. Knightley, the brother of Emma’s brother-in-law and her treasured friend, watches Emma’s matchmaking efforts with a critical eye. He believes that Mr. Martin is a worthy young man whom Harriet would be lucky to marry. He and Emma quarrel over Emma’s meddling, and, as usual, Mr. Knightley proves to be the wiser of the pair. Elton, spurned by Emma and offended by her insinuation that Harriet is his equal, leaves for the town of Bath and marries a young woman there almost immediately.Emma is left to comfort Harriet and to wonder about the character of a new visitor expected in Highbury—Mr. Weston’s son, Frank Churchill. Frank is set to visit his father in Highbury after having been raised by his aunt and uncle in London, who have also adopted him as their heir. Emma knows nothing about Frank, who has long been deterred from visiting his father by his aunt’s illnesses and complaints. Mr. Knightley is immediately suspicious of the young man, especially after Frank rushes back to London merely to have his hair cut. Emma, however, finds Frank delightful and notices that his charms are directed mainly toward her. Though she plans to discourage these charms, she finds herself flattered and engages in a flirtation with the young man. Emma greets Jane Fairfax, another addition to the Highbury set, with less enthusiasm. Jane is beautiful and accomplished, but Emma dislikes her because of her reserve and, the narrator insinuates, because she is jealous of Jane.Suspicion, intrigue, and misunderstandings ensue. Mr. Knightley defends Jane, saying that she deserves compassion because, unlike Emma, she has no independent fortune and must soon leave home to work as a governess. Mrs. Weston suspects that the warmth of Mr. Knightley’s defense comes from romantic feelings, an implication Emma resists. Everyone assumes that Frank and Emma are forming an attachment, though Emma soon dismisses Frank as a potential suitor and imagines him as a match for Harriet. At a village ball, Knightley earns Emma’s approval by offering to dance with Harriet, who has just been humiliated by Mr. Elton and his new wife. The next day, Frank saves Harriet from Gypsy beggars. When Harriet tells Emma that she has fallen in love with a man above her social station, Emma believes that she means Frank. Knightley begins to suspect that Frank and Jane have a secret understanding, and he attempts to warn Emma. Emma laughs at Knightley’s suggestion and loses Knightley’s approval when she flirts with Frank and insults Miss Bates, a kindhearted spinster and Jane’s aunt, at a picnic. When Knightley reprimands Emma, she weeps.Includes a biography of the Author

How is this book unique? Formatted for E-Readers, Unabridged & Original version. You will find it much more comfortable to read on your device/app. Easy on your eyes.Includes: 15 Colored Illustrations and BiographyEmma, by Jane Austen, is a novel about youthful hubris and the perils of misconstrued romance. The novel was first published in December 1815. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian-Regency England; she also creates a lively comedy of manners among her characters.Before she began the novel, Austen wrote, "I am going to take a heroine whom no one but myself will much like." In the first sentence she introduces the title character as "Emma Woodhouse, handsome, clever, and rich." Emma is spoiled, headstrong, and self-satisfied; she greatly overestimates her own matchmaking abilities; she is blind to the dangers of meddling in other people's lives; and her imagination and perceptions often lead her astray.This novel has been adapted for several films, many television programs, and a long list of stage plays.Emma Woodhouse has just attended the wedding of Miss Taylor, her best friend and former governess, to Mr Weston. Having introduced them, Emma takes credit for their marriage, and decides that she rather likes matchmaking. She returns home to Hartfield with her father, who misses Miss Taylor equally with his daughter. Against the advice of Mr Knightley, Emma forges ahead with her new interest, and tries to match her new friend Harriet Smith to Mr Elton, the local vicar. Emma is convinced that Mr Elton's attentions are a result of his attraction for Harriet. First, Emma must persuade Harriet to refuse the marriage proposal from Robert Martin, a respectable, educated, and well-spoken young farmer. Emma decides he is not good enough. Against her own wishes, Harriet rejects Mr Martin. Mr Elton, a social climber, thinks Emma is in love with him and proposes to her after a Christmas visit to the Westons. Emma, shocked, tells Mr Elton that she had thought him attached to Harriet. Elton is outraged at this notion. After Emma rejects him, he leaves for a sojourn in Bath, and Harriet feels heartbroken. Emma feels dreadful about misleading Harriet. Mr Elton soon returns with a pretentious, nouveau-riche wife, as Mr Knightley expected.Emma is certain that Frank's engagement will devastate Harriet, but Harriet says no. Harriet loves Mr Knightley, but knows the match is too unequal. Emma is startled, and then she faces her feelings. She realizes in a flash that she is the one to marry Mr Knightley. Mr Knightley returns, walking to Hartfield's gardens to learn Emma's reaction to the engagement. When he learns, he is overcome with his own feelings for her. He proposes and she accepts. After a long visit with Isabella, Harriet accepts Robert Martin's second proposal, and they are the first couple to marry. Mrs Weston gives birth to a baby girl, after which event, Emma tells her father of her plans with Mr Knightley, and their living with him at Hartfield. Jane and Emma reconcile, and Frank and Jane visit the Westons. Jane rejoins the Campbells. Once the period of deep mourning ends, they will marry, settle at Enscombe. Before the end of November, Emma and Mr Knightley marry. They seem all set for a union of "perfect happiness"

Emma, by Jane Austen, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Emma Woodhouse is a wealthy, exquisite, and thoroughly self-deluded young woman who has "lived in the world with very little to distress or vex her."Jane Austen exercises her taste for cutting social observation and her talent for investing seemingly trivial events with profound moral significance as Emma traverses a gentle satire of provincial balls and drawing rooms, along the way encountering the sweet Harriet Smith, the chatty and tedious Miss Bates, and her absurd father Mr. Woodhouse–a memorable gallery of Austen's finest personages. Thinking herself impervious to romance of any kind, Emma tries to arrange a wealthy marriage for poor Harriet, but refuses to recognize her own feelings for the gallant Mr. Knightley. What ensues is a delightful series of scheming escapades in which every social machination and bit of "tittle-tattle" is steeped in Austen's delicious irony. Ultimately, Emma discovers that "Perfect happiness, even in memory, is not common."Virginia Woolf called Jane Austen "the most perfect artist among women," and Emma Woodhouse is arguably her most perfect creation. Though Austen found her heroine to be a person whom "no one but myself will much like," Emma is her most cleverly woven, riotously comedic, and pleasing novel of manners.Steven Marcus is Professor of English and Comparative Literature and George Delacorte Professor in the Humanities at Columbia University, and a specialist in nineteenth-century literature and culture. A fellow of both the American Academy of Arts and Sciences and the Academy of Literary Studies, he has received Fulbright, American Council of Learned Societies, Guggenheim, Center for Advanced Study in the Behavioral Sciences, Rockefeller, and Mellon grants. He is the author of more than 200 publications.

REA's MAXnotes for Jane Austen's Emma MAXnotes offer a fresh look at masterpieces of literature, presented in a lively and interesting fashion. Written by literary experts who currently teach the subject, MAXnotes will enhance your understanding and enjoyment of the work. MAXnotes are designed to stimulate independent thought about the literary work by raising various issues and thought-provoking ideas and questions. MAXnotes cover the essentials of what one should know about each work, including an overall summary, character lists, an explanation and discussion of the plot, the work's historical context, illustrations to convey the mood of the work, and a biography of the author. Each chapter is individually summarized and analyzed, and has study questions and answers.

Includes the unabridged text of Austen's classic novel plus a complete study guide that helps readers gain a thorough understanding of the work's content and context. The comprehensive guide includes chapter-by-chapter summaries, explanations and discussions of the plot, question-and-answer sections, author biography, analytical paper topics, list of characters, bibliography, and more.

Emma is one of the most famous novels by Jane Austen, that followed Sense and Sensibility, Pride and Prejudice and Mansfield Park, and was first published in 1815 less than two years before her death. The story of Emma Woodhouse, a young, handsome, clever and rich woman, who enjoys playing match-maker and meddling with other people's life, is typical Austen in exposing one of her core themes, the dependence of women on marriage to secure social standing and economic security, and in the biting social commentaries of Regency England.

Emma, by Jane Austen, is a novel about youthful hubris and the perils of misconstrued romance. The novel was first published in December 1815. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian-Regency England; she also creates a lively comedy of manners among her characters.Before she began the novel, Austen wrote, "I am going to take a heroine whom no one but myself will much like." In the very first sentence she introduces the title character as "Emma Woodhouse, handsome, clever, and rich." Emma, however, is also rather spoiled, headstrong, and self-satisfied; she greatly overestimates her own matchmaking abilities; she is blind to the dangers of meddling in other people's lives; and her imagination and perceptions often lead her astray.