Books with title Uncle Vanya

Uncle Vanya is a play by Russian playwright Anton Chekhov. It was first published in 1897 and received its Moscow première in 1899 in a production by the Moscow Art Theatre. The play portrays the visit of an elderly professor and his glamorous, much younger second wife, Yeléna, to the rural estate that supports their urban lifestyle. Two friends, Vanya, brother of the Professor's late first wife, who has long managed the estate, and Astrov, the local Doctor, both fall under Yelena's spell while bemoaning the ennui of their provincial existence. Uncle Vanya is widely considered one of Chekhov's most important plays and has been praised as one of Chekhov's most important dramatic works ever since.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. 1st World Library-Literary Society is a non-profit educational organization. Visit us online at www.1stWorldLibrary.ORG - - A country house on a terrace. In front of it a garden. In an avenue of trees, under an old poplar, stands a table set for tea, with a samovar, etc. Some benches and chairs stand near the table. On one of them is lying a guitar. A hammock is swung near the table. It is three o'clock in the afternoon of a cloudy day. MARINA, a quiet, grey-haired, little old woman, is sitting at the table knitting a stocking.

"Uncle Vanya", Anton Chekhov's masterpiece of frustrated longing and wasted lives, was originally a much more conventional drama in its earlier incarnation. Previously known as "The Wood Demon", the play was rejected by two theatres before premiering in Moscow in December of 1889 to a very poor reception (it closed after three performances). Sometime between that date and 1896, Chekhov revised the play, altering it radically. Chekhov’s "Uncle Vanya" explores the disruption and discontent of a small group of people in rural 19th century Russia, and since its publication has helped pave the way for many of the world’s finest contemporary playwrights.Uncle Vanya spends his time idling around the country estate of his brother-in-law, Serebryakov, a retired professor, in Russia, 1898. His sister (the professor's wife) dead, Vanya indulges in a romantic malaise over Serebryakov's beautiful, young second wife, Yelena. Meanwhile Doctor Astrov, summoned to the estate to tend to the professor's myriad imagined aches and pains, is also in love with the enigmatic Yelena and remains oblivious to the fact that Serebryakov's daughter, Sonya, yearns for him. Trouble develops when Serebryakov announces his plan to sell the estate (Vanya and Sonya’s home) in order to invest the profits and make a fortune for himself and Yelena.

Uncle Vanya ACT I A country house on a terrace. In front of it a garden. In an avenue of trees, under an old poplar, stands a table set for tea, with a samovar, etc. Some benches and chairs stand near the table. On one of them is lying a guitar. A hammock is swung near the table. It is three o'clock in the afternoon of a cloudy day. MARINA, a quiet, grey-haired, little old woman, is sitting at the table knitting a stocking. ASTROFF is walking up and down near her. MARINA. [Pouring some tea into a glass] Take a little tea, my son. ASTROFF. [Takes the glass from her unwillingly] Somehow, I don't seem to want any. MARINA. Then will you have a little vodka instead? ASTROFF. No, I don't drink vodka every day, and besides, it is too hot now. [A pause] Tell me, nurse, how long have we known each other? MARINA. [Thoughtfully] Let me see, how long is it? Lord--help me to remember. You first came here, into our parts--let me think--when was it? Sonia's mother was still alive--it was two winters before she died; that was eleven years ago--[thoughtfully] perhaps more. ASTROFF. Have I changed much since then?

One of the most important dramatic works from the acclaimed Russian playwright and “father of the modern dysfunctional family comedy” (Hyde Park Herald). A classic four-act romantic tragedy, Uncle Vanya is essentially a reworking of an earlier Chekhov play, The Wood Demon. It tells the story of a retired university professor and his extended middle-class family. When the professor unexpectedly announces he is about to sell his country estate, scheming between the play’s nine principle characters ensues. Tensions crest when their security is threatened and disappointments from the past—unrequited feelings, miseries, and failures—shockingly resurface. One could think of Uncle Vanya, which had its Moscow premiere in 1899 and remains a favorite of theatergoers to this day, “as the forerunner of existential tragicomedies like Waiting for Godot and No Exit. Underlying the characters’ boredom, frustration, and desperation is the monumental realization that their lives are meaningless and have no purpose, even if some of them are in denial” (Hyde Park Herald). “Uncle Vanya is a study of ennui, unfulfilled desires, and the misery of rural isolation. Yet it’s also funny—full of Chekhov’s social satire and disdain for hypocrisy.” —Go London