Other editions of book Some Experiences of an Irish R. M.

About the Book Collections of English, Irish, Scottish, Welsh literature are anthologies that have been compiled in order to demonstrate the works of a number of English, Irish, Scottish, and Welsh authors. Also in this Book Theatre has been an important part of British and Irish culture, dating back to the Roman occupation. Medieval mystery plays and morality plays were performed at religious festivals. The reign of Elizabeth I the flowering of drama was personified by William Shakespeare. Puritans banned drama during the Interregnum of 1642—1660, but London theatres opened again with the Restoration of the monarchy in 1660, and flourished thereafter. In the 18th century, highbrow and provocative Restoration comedy was replaced by sentimental comedy, and domestic tragedy (George Lillo's The London Merchant, 1731), and a fascination with Italian opera. The Romanticism period (1798–1836) saw melodramas, light comedies, operas, pantomimes, translations of French farces, and Victorian burlesque. Drama was revived again in the late 19th century with plays on the London stage by the Irishmen George Bernard Shaw and Oscar Wilde and the Norwegian Henrik Ibsen. JM Synge and Noel Coward contributed in the 20th century.And in this Book English poetry begins with Anglo-Saxon poetry such as the hymn on the creation, which Bede attributes to Cædmon (658–680AD). William Shakespeare was the stand out poet of the Elizabethan period, while Milton was considered the greatest poet of Jacobean and Caroline pe5riod (1603-1670). The Romantic movement was very big, proiducing such greats as William Blake, William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, Lord Byron, and John Keats. The major Victorian poets were John Clare, Alfred, Lord Tennyson, Robert Browning, Elizabeth Barrett Browning, Matthew Arnold and Gerard Manley Hopkins. James Macpherson was the first Scottish poet to gain an international reputation, while Robert Burns is regarded as the national poet of Scotland. The most important figure of Scottish Romanticism, Walter Scott, began as a poet. In Wales the works of the great hymn writers of the 18th and 19th centuries were the poets William Williams Pantycelyn and Ann Griffiths. In the early 20th century there was a Welsh renaissance, with poets like T. H. Parry-Williams and D. Gwenallt Jones and T. Gwynn Jones.About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> Some Experiences Of An Irish R. M.<author> Martin Ross<illustrated by> Edith Œnone Somerville<publisher> Longmans, Green, 1901

Some experiences of an Irish R.M. is an unchanged, high-quality reprint of the original edition of 1899. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> Some Experiences Of An Irish R. M.<edition> 12, reprint<author> Martin Ross<illustrated by> Edith Œnone Somerville<publisher> Longmans, Green and co., 1906<subjects> Ireland

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

About the Book Collections of English, Irish, Scottish, Welsh literature are anthologies that have been compiled in order to demonstrate the works of a number of English, Irish, Scottish, and Welsh authors. Also in this Book Theatre has been an important part of British and Irish culture, dating back to the Roman occupation. Medieval mystery plays and morality plays were performed at religious festivals. The reign of Elizabeth I the flowering of drama was personified by William Shakespeare. Puritans banned drama during the Interregnum of 1642—1660, but London theatres opened again with the Restoration of the monarchy in 1660, and flourished thereafter. In the 18th century, highbrow and provocative Restoration comedy was replaced by sentimental comedy, and domestic tragedy (George Lillo's The London Merchant, 1731), and a fascination with Italian opera. The Romanticism period (1798–1836) saw melodramas, light comedies, operas, pantomimes, translations of French farces, and Victorian burlesque. Drama was revived again in the late 19th century with plays on the London stage by the Irishmen George Bernard Shaw and Oscar Wilde and the Norwegian Henrik Ibsen. JM Synge and Noel Coward contributed in the 20th century.And in this Book English poetry begins with Anglo-Saxon poetry such as the hymn on the creation, which Bede attributes to Cædmon (658–680AD). William Shakespeare was the stand out poet of the Elizabethan period, while Milton was considered the greatest poet of Jacobean and Caroline pe5riod (1603-1670). The Romantic movement was very big, proiducing such greats as William Blake, William Wordsworth, Samuel Taylor Coleridge, Percy Bysshe Shelley, Lord Byron, and John Keats. The major Victorian poets were John Clare, Alfred, Lord Tennyson, Robert Browning, Elizabeth Barrett Browning, Matthew Arnold and Gerard Manley Hopkins. James Macpherson was the first Scottish poet to gain an international reputation, while Robert Burns is regarded as the national poet of Scotland. The most important figure of Scottish Romanticism, Walter Scott, began as a poet. In Wales the works of the great hymn writers of the 18th and 19th centuries were the poets William Williams Pantycelyn and Ann Griffiths. In the early 20th century there was a Welsh renaissance, with poets like T. H. Parry-Williams and D. Gwenallt Jones and T. Gwynn Jones.About us Leopold Classic Library has the goal of making available to readers the classic books that have been out of print for decades. While these books may have occasional imperfections, we consider that only hand checking of every page ensures readable content without poor picture quality, blurred or missing text etc. That's why we: republish only hand checked books; that are high quality; enabling readers to see classic books in original formats; that are unlikely to have missing or blurred pages. You can search "Leopold Classic Library" in categories of your interest to find other books in our extensive collection. Happy reading!

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1906 Excerpt: ...alias pigs' feet, a grisly delicacy peculiar to Irish openair holiday-making, and the July sun blazed on a scene that even Miss Cecilia Shute found to be almost repayment enough for the alarms of the drive. "As a rule, I am so bored by driving that I find it reviving to be frightened," she said to me, as we climbed to safety on a heathery ridge above the fields dedicated to galloping the horses; "but when my brother scraped all those people off one side of that car, and ran the pole into the cart of lemonade-bottles, I began to wish for courage to tell him I was going to get out and walk home." "Well, if you only knew it," said Bernard, who was spreading rugs over the low furze bushes in the touching belief that the prickles would not come through, "the time you came nearest to walking home was when the lash of the whip got twisted round Nancy's tail. Miss Knox, you're an authority on these things--don't you think it would be a good scheme to have a light anchor in the trap, and when the horses began to play the fool, you'd heave the anchor over the fence and bring them up all standing?" "They wouldn't stand very long," remarked Miss Sally. "Oh, that's all right," returned the inventor; "I'd have a dodge to cast them loose, with the pole and the splinter-bar." "You'd never see them again," responded Miss Knox demurely, "if you thought that mattered." "It would be the brightest feature of the case," said Miss Shute. She was surveying Miss Sally through her pincenez as she spoke, and was, I have reason to believe, deciding that by the end of the day her brother would be well on in the first stages of his fifteenth love affair. It has possibly been suspected tha...