Other editions of book My Antonia

HarperCollins is proud to present its incredible range of best-loved, essential classics.My Antonia is Willa Cather’s masterpiece about 19th-century Nebraskan pioneers.My Antonia depicts the pioneering period of European settlement on the tall-grass prairie of the American midwest, with its beautiful yet terrifying landscape, rich ethnic mix of immigrants and native-born Americans, and communities who share life's joys and sorrows.Jim Burden recounts his memories of Antonia Shimerda, whose family settle in Nebraska from Bohemia. Together they share childhoods spent in a new world. Jim leaves the prairie for college and a career in the east, while Antonia devotes herself to her large family and productive farm. Her story is that of the land itself, a moving portrait of endurance and strength.

My Antonia tells the stories of an orphaned boy from Virginia, Jim Burden, and the elder daughter in a family of Bohemian immigrants, Ántonia Shimerda, who are each brought to be pioneers in Nebraska towards the end of the 19th century, as children. Ántonia must work as a servant on the farms of her neighbors after her father commits suicide. She elopes with a railway conductor but returns home and eventually becomes the patient and strong wife of a Bohemian farmer, Anton Cuzak, the mother of a large family and a typical woman of the pioneer West.

My Ántonia evokes the Nebraska prairie life of Willa Cather's childhood, and commemorates the spirit and courage of immigrant pioneers in America. One of Cather's earliest novels, written in 1918, it is the story of Ántonia Shimerda, who arrives on the Nebraska frontier as part of a family of Bohemian emigrants. Her story is told through the eyes of Jim Burden, a neighbor who will befriend Ántonia, teach her English, and follow the remarkable story of her life.Working in the fields of waving grass and tall corn that dot the Great Plains, Ántonia forges the durable spirit that will carry her through the challenges she faces when she moves to the city. But only when she returns to the prairie does she recover her strength and regain a sense of purpose in life. In the quiet, probing depth of Willa Cather's art, Ántonia's story becomes a mobbing elegy to those whose persistence and strength helped build the American frontier.

My Antonia tells the stories of an orphaned boy from Virginia, Jim Burden, and the elder daughter in a family of Bohemian immigrants, Ántonia Shimerda, who are each brought to be pioneers in Nebraska towards the end of the 19th century, as children. Ántonia must work as a servant on the farms of her neighbors after her father commits suicide. She elopes with a railway conductor but returns home and eventually becomes the patient and strong wife of a Bohemian farmer, Anton Cuzak, the mother of a large family and a typical woman of the pioneer West. My Antonia is considered one of Willa Cather’s best works. It is the final book of her prairie trilogy of novels, preceded by O Pioneers! and The Song of the Lark.Includes image gallery.

Orphaned at the age of 10, Jim Burden moves to Nebraska to live with his grandparents. There he meets Ántonia Shimerda, the daughter of an immigrant family from Bohemia, who have come to carve out a life for themselves in the harsh and bountiful Nebraskan landscape. At the urging of her father, Jim teaches Ántonia English and together they share adventures that will bind them throughout their lives, despite the vicissitudes of time and fate, and years of separation. The final book in Willa Cather’s Great Plains trilogy, My Ántonia is a lyrical tribute to the bygone pioneer life and the struggles and successes of America’s early settlers.

My Ántonia or My Antonia is a novel published in 1918 by American writer Willa Cather, considered one of her best works. It is the final book of her "prairie trilogy" of novels, preceded by O Pioneers! and The Song of the Lark. The novel tells the stories of an orphaned boy from Virginia, Jim Burden, and the elder daughter in a family of Bohemian immigrants, Ántonia Shimerda, who are each brought as children to be pioneers in Nebraska towards the end of the 19th century. Both the pioneers who first break the prairie sod for farming, as well as of the harsh but fertile land itself, feature in this American novel. The first year in the very new place leaves strong impressions in both children, affecting them lifelong. This novel is considered Cather's first masterpiece. Cather was praised for bringing the American West to life and making it personally interesting.

Travel to the Old West with Pulitzer Prize winner Willa Cather. Willa Cather’s novels brought the life of American settlers on the Great Plains to the forefront of the nation’s consciousness during a time when the lands west of the Mississippi were undergoing rapid transformation. My Ántonia, considered by many scholars to be her first masterpiece, tells the story of a young orphan, Jim Burden, who is sent from Virginia to Nebraska, where he grows up with his grandparents on their farm. He becomes friends with Ántonia Shimerda, a Bohemian girl who endures her own struggles as she enters adulthood. Rich in themes that will resonate with readers of all backgrounds, My Ántonia explores the struggles and triumphs of ordinary people in extraordinary times.

My Antonia tells the stories of an orphaned boy from Virginia, Jim Burden, and the elder daughter in a family of Bohemian immigrants, Ántonia Shimerda, who are each brought to be pioneers in Nebraska towards the end of the 19th century, as children. Ántonia must work as a servant on the farms of her neighbors after her father commits suicide. She elopes with a railway conductor but returns home and eventually becomes the patient and strong wife of a Bohemian farmer, Anton Cuzak, the mother of a large family and a typical woman of the pioneer West.

Contents in this BookBOOK I. The Shimerdas BOOK II. The Hired Girls BOOK III. Lena Lingard BOOK IV. The Pioneer Woman's Story BOOK V. Cuzak's Boys INTRODUCTIONLAST summer I happened to be crossing the plains of Iowa in a season of intense heat, and it was my good fortune to have for a traveling companion James Quayle Burden—Jim Burden, as we still call him in the West. He and I are old friends—we grew up together in the same Nebraska town—and we had much to say to each other. While the train flashed through never-ending miles of ripe wheat, by country towns and bright-flowered pastures and oak groves wilting in the sun, we sat in the observation car, where the woodwork was hot to the touch and red dust lay deep over everything. The dust and heat, the burning wind, reminded us of many things. We were talking about what it is like to spend one's childhood in little towns like these, buried in wheat and corn, under stimulating extremes of climate: burning summers when the world lies green and billowy beneath a brilliant sky, when one is fairly stifled in vegetation, in the color and smell of strong weeds and heavy harvests; blustery winters with little snow, when the whole country is stripped bare and gray as sheet-iron. We agreed that no one who had not grown up in a little prairie town could know anything about it. It was a kind of freemasonry, we said.Although Jim Burden and I both live in New York, and are old friends, I do not see much of him there. He is legal counsel for one of the great Western railways, and is sometimes away from his New York office for weeks together. That is one reason why we do not often meet. Another is that I do not like his wife.When Jim was still an obscure young lawyer, struggling to make his way in New York, his career was suddenly advanced by a brilliant marriage. Genevieve Whitney was the only daughter of a distinguished man. Her marriage with young Burden was the subject of sharp comment at the time. It was said she had been brutally jilted by her cousin, Rutland Whitney, and that she married this unknown man from the West out of bravado. She was a restless, headstrong girl, even then, who liked to astonish her friends. Later, when I knew her, she was always doing something unexpected. She gave one of her town houses for a Suffrage headquarters, produced one of her own plays at the Princess Theater, was arrested for picketing during a garment-makers' strike, etc. I am never able to believe that she has much feeling for the causes to which she lends her name and her fleeting interest. She is handsome, energetic, executive, but to me she seems unimpressionable and temperamentally incapable of enthusiasm. Her husband's quiet tastes irritate her, I think, and she finds it worth while to play the patroness to a group of young poets and painters of advanced ideas and mediocre ability. She has her own fortune and lives her own life. For some reason, she wishes to remain Mrs. James Burden.