Other editions of book Up and Down

Up and Down is the 1918 novel by the famous English novelist, biographer, memoirist, archaeologist and short story writer, E. F. Benson. The novel is more a memoir, than an traditional novel. Benson describes life in Capri and London during WWI. Odin’s Library Classics is dedicated to bringing the world the best of humankind’s literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.

Up and Down by E. F. BensonI do not know whether in remote generations some trickle of Italian blood went to the making of that entity which I feel to be myself, or whether in some previous incarnation I enjoyed a Latin existence, nor do I greatly care: all that really concerns me is that the moment the train crawls out from its burrowings through the black roots of pine-scented mountains into the southern openings of the Alpine tunnels, I am conscious that I have come home. I greet the new heaven and the new earth, or, perhaps more accurately, the beloved old heaven and the beloved old earth; I hail the sun, and know that something within me has slept and dreamed and yearned while I lived up in the north, and wakes again now with the awakening of Brünnhilde....The conviction is as unfathomable and as impervious to analysis as the springs of character, and if it is an illusion I am deceived by it as completely as by some master-trick of conjuring. It is not merely that I love for their own sakes the liquid and dustless thoroughfares of Venice, the dim cool churches and galleries that glow with the jewels of Bellini and Tintoret, the push of the gliding gondola round the corners of the narrow canals beneath the mouldering cornices and mellow brickwork, for I should love these things wherever they happened to be, and the actual spell of Venice would be potent if Venice was situated in the United States of America or in Manchester. But right at the back of all Venetian sounds and scents and sights sits enthroned the fact that the theatre of those things is in Italy. Florence has her spell, too, when from the hills above it in the early morning you see her hundred towers pricking the mists; Rome the imperial has her spell, when at sunset you wander through the Forum and see the small blue campanulas bubbling out of the crumbling travertine, while the Coliseum glows like a furnace of molten amber, or pushing aside the leather curtain you pass into the huge hushed halls of St. Peter's; Naples has her spell, and the hill-side of Assisi hers, but all these are but the blossoms that cluster on the imperishable stem that nourishes them. Yet for all the waving of these wands, it is not Bellini nor Tintoret, nor Pope nor Emperor who gives the spells their potency, but Italy, the fact of Italy. Indeed (if in soul you are an Italian) you will find the spell not only and not so fully in the churches and forums and galleries of cities, but on empty hill-sides and in orchards, where the vine grows in garlands from tree to tree, and the purple clusters of shadowed grapes alternate with the pale sunshine of the ripened lemons. There, more than among marbles, you get close to that which the lover of Italy adores in her inviolable shrine, and if you say that such adoration is very easily explicable since lemon trees and vines are beautiful things, we will take some example that shall be really devoid of beauty to anyone who has not Italy in his heart, but to her lover is more characteristic of her than any of her conventional manifestations.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back []. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. Lang: - eng, Pages 348. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.