Other editions of book The Hunchback of Notre-

The Hunchback of Notre Dame, by Victor Hugo, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. One of the first great novels of the Romantic era, Victor Hugo’s The Hunchback of Notre Dame has thrilled generations of readers with its powerfully melodramatic story of Quasimodo, the deformed hunchback who lives in the bell tower of medieval Paris’s most famous cathedral.Feared and hated by all, Quasimodo is looked after by Dom Claude Frollo, a stern, cold priest who ignores the poor hunchback in the face of his frequent public torture. But someone steps forward to help—the beautiful gypsy Esmeralda, whose single act of kindness fills Quasimodo with love. Can the hunchback save the lovely gypsy from Frollo’s evil plan, or will they all perish in the shadows of Notre Dame?An epic tale of beauty and sadness, The Hunchback of Notre Dame portrays the sufferings of humanity with compassion and power.Isabel Roche teaches French language and literature at Bennington College. She specializes in the nineteenth-century French novel.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In the grotesque bell-ringer Quasimodo, Victor Hugo created one of the most vivid characters in classic fiction. Quasimodo's doomed love for the beautiful gypsy girl Esmerelda is an example of the traditional love theme of beauty and the beast. Yet, set against the massive background of Notre Dame de Paris and interwoven with the sacred and secular life of medieval France, it takes on a larger perspective. The characters come to life: the poet Gringoire, the tormented priest Claude Frollo, the fun-loving captain Phoebus and above all Quasimodo and Esmeralda themselves. It is a tale peppered with humour but fuelled by the anguish which unfolds beneath the bells of the great cathedral of Paris.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The story is quite expansive, but filled with a great variation of characters and turns of events. I am always impressed that our human history has changed over the centuries but people's characters seem to still follow similar patterns. The hunchback and Esmeralda have impressed me the most. Both facing huge difficulties and obstacles in their lives but both remaining true to their basic decency and compassion for others. ( Amazon customer)

In the grotesque bell-ringer "Quasimodo", Victor Hugo created one of the most vivid characters in classic fiction. Quasimodo's doomed love for the beautiful gypsy girl Esmerelda is an example of the traditional love theme of beauty and the beast. Yet, set against the massive background of Notre Dame de Paris and interwoven with the sacred and secular life of medieval France, it takes on a larger perspective. The characters come to life: the poet Gringoire, the tormented priest Claude Frollo, the fun-loving captain Phoebus and above all Quasimodo and Esmeralda themselves. It is a tale peppered with humour but fuelled by the anguish which unfolds beneath the bells of the great cathedral of Paris.