Other editions of book Notes from the Underground

In 1864, just prior to the years in which he wrote his greatest novels — Crime and Punishment, The Idiot, The Possessed and The Brothers Karamazov — Fyodor Dostoyevsky (1821–1881) penned the darkly fascinating Notes from the Underground. Its nameless hero is a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values and few absolutes. Moreover, the novel introduces themes — moral, religious, political and social — that dominated Dostoyevsky's later works. Notes from the Underground, then, aside from its own compelling qualities, offers readers an ideal introduction to the creative imagination, profundity and uncanny psychological penetration of one of the most influential novelists of the nineteenth century. Constance Garnett's authoritative translation is reprinted here, with a new introduction.

In 1864, just prior to the years in which he wrote his greatest novels — Crime and Punishment, The Idiot, The Possessed and The Brothers Karamazov — Fyodor Dostoyevsky (1821–1881) penned the darkly fascinating Notes from the Underground. Its nameless hero is a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values and few absolutes. Moreover, the novel introduces themes — moral, religious, political and social — that dominated Dostoyevsky's later works. Notes from the Underground, then, aside from its own compelling qualities, offers readers an ideal introduction to the creative imagination, profundity and uncanny psychological penetration of one of the most influential novelists of the nineteenth century. Constance Garnett's authoritative translation is reprinted here, with a new introduction.

In 1864, just prior to the years in which he wrote his greatest novels — Crime and Punishment, The Idiot, The Possessed and The Brothers Karamazov — Fyodor Dostoyevsky (1821–1881) penned the darkly fascinating Notes from the Underground. Its nameless hero is a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values and few absolutes. Moreover, the novel introduces themes — moral, religious, political and social — that dominated Dostoyevsky's later works. Notes from the Underground, then, aside from its own compelling qualities, offers readers an ideal introduction to the creative imagination, profundity and uncanny psychological penetration of one of the most influential novelists of the nineteenth century. Constance Garnett's authoritative translation is reprinted here, with a new introduction.

Written in reaction to Nikolay Chernyshevsky’s ideological novel What Is to Be Done? (1863), which offered a planned utopia based on “natural” laws of self-interest, Notes from the Underground attacks the scientism and rationalism at the heart of Chernyshevsky’s novel. The views and actions of Dostoyevsky’s underground man demonstrate that in asserting free will humans often act against self-interest. The underground man is profoundly alienated from life, entombed in his room. The hero’s views are outlined in Part I, and Part II describes the underground man’s conflicts. When he turns to reason for salvation, it fails him, and he concludes that not reason but caprice ultimately prevails in human nature.

Notes From The Underground is an 1864 novella by Fyodor Dostoyevsky. Notes is considered by many to be one of the first existentialist novels. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man) who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, or the underground man's diary, and attacks emerging Western philosophy, especially Nikolay Chernyshevsky's What Is to Be Done?. The second part of the book is called "Apropos of the Wet Snow", and describes certain events that, it seems, are destroying and sometimes renewing the underground man, who acts as a first person, unreliable narrator and anti-hero.

Alienated from society and paralysed by a sense of his own insignificance, the anonymous narrator of Dostoevsky's groundbreaking Notes from Underground tells the story of his tortured life. With bitter irony, he describes his refusal to become a worker in the 'anthill' of society and his gradual withdrawal to an existence 'underground'.The novel is divided into two parts: the first, a half-desperate, half-mocking political critique; the second, a powerful, at times absurdly comical account of the man's breakaway from society and descent "underground." The book's extraordinary style - brilliantly violating literary conventions in ways never before attempted - shocked its first readers and still shocks many Russians today.

Dostoevsky’s classic pitting one man against society Widely considered to be the first existential novella, Notes from Underground presents the diary of a bitter, misanthropic man. The unnamed narrator has, in an act of supreme defiance, withdrawn from society completely. Formerly a civil servant, this “sick” and “wicked” man suffers from incurable ennui and forsakes all interaction. Rallying against what he perceives as human evils, like war, love, and utopianism, he exiles himself from all humanity in favor of exalted loneliness and suffering. Readers bear witness to the friends, lovers, and crippling social pressures of nineteenth-century Russia that made him this way.Notes from Underground, which preceded masterworks including Crime and Punishment and The Brothers Karamazov, is among Dostoevsky’s finest works, melding fiction and philosophy. This ebook has been professionally proofread to ensure accuracy and readability on all devices.

Notes from the Underground presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator, who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, and attacks emerging Western philosophy. The second part of the book describes certain events that appear to be destroying and sometimes renewing the underground man, who acts as a first person, unreliable narrator and anti-hero.Notes from the Underground, is an 1864 novella by Fyodor Dostoevsky. Notes is considered by many to be one of the first existentialist novels. The narration by the Underground Man is laden with ideological allusions and complex conversations regarding the political climate of the time period. Using his fiction as a weapon of ideological discourse, Dostoevsky challenges the ideologies of his time, mainly nihilism and rational egoism. The seminal influence of the work has seen a wide impact on subsequent various works in the fields of philosophy, literature, and film.This cloth-bound book includes a Victorian inspired dust-jacket, and is limited to 100 copies.

In 1864, just prior to the years in which he wrote his greatest novels — Crime and Punishment, The Idiot, The Possessed and The Brothers Karamazov — Fyodor Dostoyevsky (1821–1881) penned the darkly fascinating Notes from the Underground. Its nameless hero is a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values and few absolutes. Moreover, the novel introduces themes — moral, religious, political and social — that dominated Dostoyevsky's later works. Notes from the Underground, then, aside from its own compelling qualities, offers readers an ideal introduction to the creative imagination, profundity and uncanny psychological penetration of one of the most influential novelists of the nineteenth century. Constance Garnett's authoritative translation is reprinted here, with a new introduction.

This title comes from the award-winning translators of "Crime and Punishment", Richard Pevear and Larissa Volokhonsky. The apology and confession of a minor mid-19th-century Russian official, "Notes from Underground" is a half-desperate, half-mocking political critique and a powerful, at times absurdly comical, account of man's breakaway from society and descent 'underground'.

Notes from Underground (pre-reform Russian: Записки изъ подполья; post-reform Russian: Записки из подполья, tr. Zapíski iz podpólʹya), also translated as Notes from the Underground or Letters from the Underworld, is an 1864 novella by Fyodor Dostoevsky. Notes is considered by many to be one of the first existentialist novels.[1] It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, or the underground man's diary, and attacks emerging Western philosophy, especially Nikolay Chernyshevsky's What Is to Be Done?[2] The second part of the book is called "Apropos of the Wet Snow" and describes certain events that appear to be destroying and sometimes renewing the underground man, who acts as a first person, unreliable narrator and anti-hero.[3]