Books published by publisher The Clarendon Press

A remarkable feature of the period since 1970 has been the patterns of rapid and turbulent change in financing behavior and financial structure in many advanced countries. This book explores, in theoretical and empirical terms, the nature of the relationships between the underlying phenomena--levels and changes in debt, vulnerability to default in the corporate and household sectors, and systematic risk in the financial sector. The book focuses on the generality of this phenomena--whether similar patterns are observable in certain countries, as well as in the international capital markets themselves. Emphasis is placed to the importance of the nature and evolution of financial structure to the genesis of instability. Given the international scope of the analysis, the work is germane to the study of the development of financial systems in all advanced countries, as well as the euromarkets.

As Master of the Revels, Sir Henry Herbert was responsible for licensing and censoring plays from 1623 to 1642 and again from 1660 to 1673. This completely new edition of his records includes many documents previously unavailable. A comprehensive introduction offers a new biography of Sir Henry, an account of the strange and complicated history of his private papers, and the fullest description available of his activities as Master of the Revels. The edition will be an essential reference work for literary scholars and theater historians.

This is a history of the Kenyan city of Mombasa and its surrounding settlements from the mid-nineteenth century to the height of colonial rule in the 1930s. Justin Willis sets out to place the island and town of Mombasa in its African context, incorporating the findings of recent historical and anthropological research. Willis examines the institutions and social networks which simultaneously united and divided the people of the region before the colonial period, demonstrating both their interdependence and the creation of distinct population categories. This is a radical re-interpretation of the history of Mombasa and its hinterland, based on thorough archival research. It offers valuable insights into the nature of ethnic identity, and makes an important contribution to the growing body of scholarly work on the African city.

Those wishing to know the nature of madness, wrote Voltaire, should observe their dreams. This is an important new analysis of the problematic relationship between dreams and madness that preoccupied nineteenth-century French writers, thinkers, and doctors. Tony James shows how doctors (such as Esquirol, Lélut, and Janet), thinkers (including Maine de Biran and Taine), and writers (Balzac, Nerval, Baudelaire, Victor Hugo, and Rimbaud) grappled in very different ways with the problems raised by the so-called "phenomena of sleep" and particularly the question: might dreams be a source of creativity?

The Pharsalia is Lucan's epic on the civil wars between Caesar and Pompey. It is a poem of immense energy and intelligence in which spectacle and spectatorship are prominent. Leigh shows that by transforming certain Virgilian narrative devices Lucan launches an attack on the Augustan ideology of the Aeneid: where Virgil writes the foundation myth for the new regime and celebrates the connections between Augustus and Aeneas, Lucan produces a savagely republican anti-Aeneid which represents the civil wars as the death of Rome.

The newest addition to the acclaimed Clarendon Dickens is based on the three-volume 1861 edition; variant readings, including those in manuscript and extant proofs, are recorded in the textual apparatus, providing an unusually rich source of information on Dickens's methods of composition. Appendices include the original ending, the author's notes, and two textual examinations, one of the five so-called "editions" of 1861, the other a comparison of the one-volme 1862 edition with the 1864 Library edition.

"The Holy War," John Bunyan's fourth work of major importance, appeared in 1682. Although "The Pilgrim's Progress" has always been the most popular of Bunyan's numerous works, "The Holy War" holds a firm second place in the hearts of Christians throughout the world. As in "The Pilgrim's Progress," "The Holy War" is a fascinating allegory, a delightful narrative. As Ernest W. Bacon describes it in "John Bunyan: Pilgrim and Dreamer": "The story sets out to recall the fall and redemption of mankind under the guise of a besieged city. The city of Mansoul originally belonged by right to Shaddai or God, but was betrayed through Ear Gate and Eye Gate into the hands of Diabolus or the Devil, besieging giant who takes control. In the hands of the enemy, Mansoul loses its Major, Lord Understanding, and Mr. Conscience is dismissed from his post as Recorder. Lord Will-be-Will becomes the Lord of Mansoul - man's fallen will, self-will, and ill-will all combined in one unpleasant and anti-God character." In the end Mansoul is recaptured by Emmanuel's army, and Diabolus is driven out. There is triumph over sin and evil - one of the Bible's most comforting themes.

Beddard here studies the events and issues which dethroned the Catholic James II and enthroned the Protestant William and Mary. Beginning with the dynastic revolution in England, he examines the dependent kingdoms of Scotland and Ireland, the American colonies, the United Provinces, and the continental European background. Themes explored include the role of the Whigs in William of Orange's success, the shift in Tory opinion, the part played by the Scottish nobility, Ireland's reduction to colony status, the evolution of Dutch foreign and domestic policy, and transatlantic repercussions. The volume concludes with an examination of 1688 and its place in the Whig theory of history. Drawing on the expertise of an international team of scholars, the volume makes an important contribution to the historiographical assessment of the revolutions of 1688 and their profound impact on subsequent history.

Romola, George Eliot's only historical novel, always occupied a special place in her own affections. Looking back at the end of her career, she remarked "I could swear by every sentence as having been written with my best blood." Henry James called it "on the whole the finest thing she wrote." Yet since its first appearance the novel has perplexed many of Eliot's admirers by the range and density of its historical references. The Clarendon Edition, based on the original Cornhill serialization with emendations from later authoritative editions, traces and explains the allusions and provides a comprehensive account of the composition and publishing history of the novel: it confirms Romola as one of Eliot's greatest artistic achievements.

As well as being the author of the greatest of all children's plays, Peter Pan, J.M. Barrie also wrote sophisticated social comedy and political satire. The Admirable Crichton and What Every Woman Knows are shrewd and entertaining contribution to the politics of class and gender, while Mary Rose is one of the best ghost stories written for the stage.