Other editions of book The Tales of Mother Goose

The Tales of Mother Goose, as first collected by Charles Perrault in 1696 are here presented, with a translation by Charles Welsh and an Introduction by M.V. O’Shea. Perrault (1628 – 1703) was among the first writers to bring magical children’s stories into the literary mainstream, proving to his original seventeenth century readers (and those in the present day!) that such works were important, enjoyable, as well as thought-provoking.The stories in this edition of ‘Tales of Mother Goose’ encompass favorites such as ‘Blue Beard’, ‘Little Red Riding-Hood’, ‘Sleeping Beauty’, ‘Puss in Boots’ and ‘Cinderella’ as well as other, less well known tales such as ‘Riquet of the Tuft’, ‘Little Thumb’ and ‘The Fairy.’ The text is accompanied by the wonderful black-and-white illustrations of D. J. Munro; inspired by – and in the style of, the great artist Gustave Doré (1832 – 1883). Doré worked primarily with wood engraving, though also with watercolours, landscapes, and historical works.Presented alongside the text, Munro’s images further refine and enhance Perrault’s legendary storytelling. This is a book to be enjoyed and appreciated by both young and old alike.

A translation by Charles Welsh with an introduction by M.V. O'Shea professor of education at the University of Wisconsin."The initiator of the literary fairy tale genre, Charles Perrault, published in 1695 under the name of his son a collection of fairy tales Histoires ou contes du temps passés, avec des moralités, which became better known under its subtitle of Contes de ma mère l'Oye or Tales of My Mother Goose. Perrault's publication marks the first authenticated starting-point for Mother Goose stories."CONTENTS:Cinderella, or the Little Glass SlipperThe Sleeping Beauty in the WoodLittle ThumbThe Master Cat, or Puss in BootsRiquet of the TuftBlue BeardThe FairyLittle Red Riding-hood

What virtues do these stories possess that have kept them alive for so long a time? They have to some degree stimulated and nourished qualities of supreme worth in individual and social life. With the young the struggle against greed and falsehood and pride and cowardice is a very real one, and situations in which these homely, fundamental traits are involved are full of interest and seriousness. Again, to mature people the reward of well-doing and the punishment of evil conduct portrayed in these stories are apt to seem too realistic, too much also on the cut-and-dried pattern; but it is far different with children. They have a very concrete sense of right and wrong, and they demand a clear, explicit, tangible outcome for every sort of action. They must have concrete, living examples, with the appropriate outcome of each, set before them.A modest, faithful child will be strengthened in his good qualities; while one lacking these will have them aroused, to some extent at any rate, by following Cinderella in her career. Arrogance and selfishness come to unhappy straits in this fancy world, and they are likely to fare the same in the real world; so it would be better to part company with them, and take up with gentleness and kindliness and faithfulness instead. And every one may be of some help to others if he be only of the right mind. The brother who thought himself faring badly with only a cat for a legacy learns betimes that even so small and apparently helpless a creature may be of much service when he is rightly disposed. A person might think little Thumb could accomplish nothing of value to any one, but he again teaches the child that all depends on the willingness to be of assistance, the good-heartedness, the fellow-feeling which one has for others.In making this version anew the translator has endeavored to retain the characteristics of the style of the early chap-book versions, while evading the pompous, stilted language and Johnsonian phraseology so fashionable when they were first translated.

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About The Tales Of Mother Goose by Charles Perrault Charles Perrault published The Tales Of Mother Goose in France in 1697 during what scholars call the first "vogue" of tales produced by learned French writers. The genre that we now know so well was new and an uncommon kind of literature in the epic world of Louis XIV's court. This inaugural collection of French fairy tales features characters like Sleeping Beauty, Cinderella, and Puss in Boots that over the course of the eighteenth century became icons of social history in France and abroad. Perrault's tales are primarily moralistic or didactic, with elements of Christian teaching, about which scholar Lydia Jean says they were written "to reinforce royal absolutism; [Perrault] defended the primacy of the Catholic faith". For example the main character in the first tale, Griselidis, achieves goodness through the blessing of God although she is not of noble birth; the moral is that through her ordeals she becomes worthy to be wife to a nobleman. "Les Souhaits", on the other hand, probably written to shock the sensibilities of his aristocratic audience, is about a common woodcutter who neither knows what to do with the gift of three wishes nor deserves the heavenly gift—because of his low birth and stupidity he squanders the wishes. Perrault was influenced by Church writers such as Camus and Tertullian, and the Fall of Man is a pervasive theme in his stories. Anne Duggan writes about the stories in "Women Subdued: The Abdication and Purification of Female Characters in Perrault's Tales" that the men are passionate whereas women's passions are punished. She goes on to explain that Griselidis and Donkeyskin assume the original sin of all women, and like Mary Magdalen, undergo experiences of penitence and repentance for their sin. The male char

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How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Formatted for e-reader Illustrated About The Tales Of Mother Goose by Charles Perrault Charles Perrault published The Tales Of Mother Goose in France in 1697 during what scholars call the first "vogue" of tales produced by learned French writers. The genre that we now know so well was new and an uncommon kind of literature in the epic world of Louis XIV's court. This inaugural collection of French fairy tales features characters like Sleeping Beauty, Cinderella, and Puss in Boots that over the course of the eighteenth century became icons of social history in France and abroad. Perrault's tales are primarily moralistic or didactic, with elements of Christian teaching, about which scholar Lydia Jean says they were written "to reinforce royal absolutism; [Perrault] defended the primacy of the Catholic faith". For example the main character in the first tale, Griselidis, achieves goodness through the blessing of God although she is not of noble birth; the moral is that through her ordeals she becomes worthy to be wife to a nobleman. "Les Souhaits", on the other hand, probably written to shock the sensibilities of his aristocratic audience, is about a common woodcutter who neither knows what to do with the gift of three wishes nor deserves the heavenly gift—because of his low birth and stupidity he squanders the wishes. Perrault was influenced by Church writers such as Camus and Tertullian, and the Fall of Man is a pervasive theme in his stories. Anne Duggan writes about the stories in "Women Subdued: The Abdication and Purification of Female Characters in Perrault's Tales" that the men are passionate whereas women's passions are punished. She goes on to explain that Griselidis and Donkeyskin assume the original sin of all women, and like Mary Magdalen, undergo experiences of penitence and repentance for their sin. The male characters are thus absolved of sin by the female. Duggan writes that in the stories generally the female characters begin in a state of sin: their experiences or ordeals purify and deliver them while simultaneously making them powerless.

Charles Perrault (1628-1703) was a French author who laid foundations for a new literary genre, the fairy tale. He attended the best schools and studied law before embarking on a career in government service. He took part in the creation of the Academy of Sciences as well as the restoration of the Academy of Painting. When the Academy of Inscriptions and Belles-Lettres was founded in 1663, Perrault was appointed its secretary by its founder Jean Baptiste Colbert, finance minister to King Louis XIV. In 1695, when he was 67, he lost his post as secretary. He decided to dedicate himself to his children and published Histoires ou Contes du Temps Passé (Tales and Stories of the Past With Morals) (1697), with the subtitle: Les Contes de Ma Mère l'Oie (Tales of Mother Goose). Its publication made him suddenly widelyknown beyond his own circles and marked the beginnings of a new literary genre, the fairy tale. He is best known for: Le Petit Chaperon Rouge (Little Red Riding Hood), La Belle au Bois Dormant (Sleeping Beauty) and Le Maître Chat ou le Chat Botté (Puss in Boots).

When you want to read in both Russian and English, though, there’s a great option: bilingual books!Reading bilingual books and inferring the vocabulary and grammar is a far superior method of language learning than traditional memorization. It is also much less painful.Charles Perrault (12 January 1628 – 16 May 1703) was a French author and member of the Académie Française. He laid the foundations for a new literary genre, the fairy tale, with his works derived from earlier folk tales. The best known of his tales include Le Petit Chaperon Rouge (Little Red Riding Hood), Cendrillon (Cinderella), Le Chat Botté (Puss in Boots), La Belle au bois Dormant (The Sleeping Beauty), and Barbe Bleue (Bluebeard). Some of Perrault's versions of old stories have influenced the German versions published by the Brothers Grimm more than 100 years later. The stories continue to be printed and have been adapted to opera, ballet (such as Tchaikovsky's The Sleeping Beauty), theatre, and film. Perrault was an influential figure in the 17th-century French literary scene, and was the leader of the Modern faction during the Quarrel of the Ancients and the Moderns.

The Man Charles Perrault (1628-1703) was a member of the Académie Française and a leading intellectual of his time. Ironically, his dialogue Parallèles des anciens et des modernes (Parallels between the Ancients and the Moderns), 1688-1697, which compared the authors of antiquity unfavorably to modern writers, served as a forerunner for the Age of Enlightenment in Europe, an era that was not always receptive to tales of magic and fantasy. The Stories Perrault could have not predicted that his reputation for future generations would rest almost entirely on a slender book published in 1697 containing eight simple stories with the unassuming title: Stories or Tales from Times Past, with Morals, with the added title in the frontispiece, Tales of Mother Goose. The original title, in French, was Histoires ou contes du temps passé, avec des moralités: Contes de ma mère l'Oye. Charles Perrault, in a symbolically significant gesture, did not publish the book in question under his own name but rather under the name of his son Pierre. Perrault chose his stories well, and he recorded them with wit and style. His narratives belong to a story-telling tradition that has been shared by countless generations. He did not invent these tales -- even in his day their plots were well known -- but he gave them literary legitimacy.