Other editions of book Billy Budd

“Billy Budd” is the final work of American author Herman Melville which was discovered amongst his papers three decades after his death and first published in Raymond Weaver’s 1924 edition of “The Collected Works of Melville.” The emergence of that collection as well as Weaver’s 1921 biography, “Herman Melville: Man, Mariner and Mystic”, sparked a revival of interest in the forgotten writer. Despite the complex and incomplete nature of the manuscript excitement arose around this “new” Melville work when it was first discovered. The novel is concerned with its titular character, Billy Budd, a navy sailor accused of mutiny by a fellow officer, who immediately strikes his accuser dead, followed quickly by a trial, conviction and execution. The story stemmed from Melville’s interest in an 1888 article called “The Mutiny on the Somers,” concerning three sailors who in 1842 had been convicted of mutiny. Presented here in this volume is Weaver’s original 1924 edition, a first of many attempts to piece together and refine the sometimes illegible text, which included questionable additions and omissions made by Melville’s wife after his death. Also included in this collection are the following tales: “The Piazza”, “Bartleby: The Scrivener”, “Benito Cereno”, “The Lightning-Rod Man”, “The Encantadas”, “The Bell-Tower”, and “The Paradise of Bachelors and The Tartarus of Maids”. This edition includes a biographical afterword.

The gripping tale of a handsome and charismatic young sailor who runs afoul of his ship’s master-at-arms, is falsely accused of inciting a mutiny, and hung, Billy Budd, Sailor is often treated as a masterpiece, a canonical work. But that assessment is at least partly founded on the assumption that the story was complete and ready for publication when it was left among the manuscripts on Melville’s writing desk when he died in 1891. As Hershel Parker has pointed out, “It is a wonderfully teachable story—as long as it is not taught as a finished, complete, coherent, and totally interpretable work of art.” Furthering Melville’s goal of getting his last literary projects into print, even in their imperfect forms, this last volume in the edition presents the poetry and prose that Melville was unable to finish, his sometimes ineffectual, sometimes heroic purposes betrayed by death. These unfinished writings include, besides Billy Budd, two projected volumes containing poems and prose pieces, Weeds and Wildings and Parthenope; three prose pieces, “Rammon,” “Story of Daniel Orme,” and “Under the Rose”; and some three dozen poems of varying lengths. Some of these pieces were surely composed late in Melville’s career, during his retirement, but others may date to as early as the 1850s. Except for Billy Budd, many of these works have not been readily available in reliable texts, when available at all. This volume, the result of the editors’ meticulous study of the manuscripts, offers new reading texts, with significant corrections of words, phrases, and titles, the inclusion of heretofore unpublished lines of verse, and the return to their original locations of the two poems, “The Enviable Isles” and “Pausilippo,” that Melville had extracted for use in John Marr (1888) and Timoleon (1891). Hershel Parker’s Historical Note traces how these writings fit into the trajectory of Melville’s career, and the rest of the Editorial Appendix presents the scholarly evidence and decisions made in creating the reading texts. As a whole, the Northwestern-Newberry Edition of The Writings of Herman Melville, now complete in fifteen volumes, offers for the first time the total body of Melville’s extant writings in a critical text, faithful to his intentions.

Unpublished in Melville's time, this is a short novella about jealousy, revenge and brutal maritime justice.We are a provider of high-quality, low cost public domain titles. We aim to be the publisher with the largest selection of public domain titles available in the world. Our editions provide the reader with editions that reflect, as much as possible, the original intention of the author. We do not bog our titles down with pointless introductions and academic dawdling. We let the work of the authors we publish speak for itself. We pride ourselves that all of our editions are edited to a high standard-with readability being our number one goal.

Billy Budd, an orphaned, illegitimate child suffused with innocence, openness, and natural charisma, has been impressed into service aboard the HMS Bellipotent. He is adored by the crew but for unexplained reasons arouses the antagonism of the ship's master-at-arms, John Claggart, who falsely accuses Billy of conspiracy to mutiny. Set in 1797, Billy Budd exploits the tension of this period during the war between England and France to create a tale of satanic treachery, tragedy, and great pathos that explores human relationships and the inherently ambiguous nature of man-made justice. Melville's stories are masterpieces to be appreciated on more than one level. They are rich with symbolism and spiritual depth and show the timeless poetic power of Melville's writing as he consciously uses the disguise of allegory in various ways and to various ends.

If Melville had never written "Moby Dick," his place in literature would have been assured by his short fiction. "Billy Budd, Sailor" is his last work and his masterpiece -- a brilliant study of the tragic clash between social authority and individual freedom, human justice and abstract good. In "Bartleby the Scivener," a Wall Street law clerk takes passive resistance to a comic -- and tragic -- extreme. Completing the beautiful collection are: "Benito Cerino, " "The Encantatas, " "The Plaza, " and finally, Melville s chilling science fiction parable, "The Bell Tower."

Melvilles last work, it is a brilliant study of conflicts between social authority and individual freedom, human righteousness and evil. It is the story of a naive young man who is accused of a crime he has not committed. Melville has wonderfully portrayed the agony and helplessness of a young spirit against social injustice. Noteworthy for its infinite interpretations it arrests the readers interest.