Other editions of book The Lances of Lynwood

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - For an explanation of the allusions in the present Tale, scarcely any Notes are necessary, save a reference to the bewitching Chronicle of Froissart; and we cannot but hope that our sketch may serve as an inducement to some young readers to make acquaintance with the delectable old Canon for themselves, undeterred by the size of his tomes. The story of Orthon is almost verbally copied from him, and bears a curious resemblance to various German legends - such as that of "Heinzelman," to be found in Keightley's "Fairy Mythology," and to "Teague of the Lea," as related in Croker's "Irish Fairy Legends."

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide. This text refers to the Bibliobazaar edition.

Charlotte Mary Yonge (1823-1901), was an English novelist, known for her huge output. She was devoted to the Church of England, and much influenced by John Keble, a near neighbour and one of the leaders of the Oxford Movement. Her novels reflected the values and concerns of Anglo-Catholicism. She began writing in 1848, and published during her long life about 100 works, chiefly novels. Her first commercial success, The Heir of Redclyffe (1854), provided the funding to enable the schooner Southern Cross to be put into service on behalf of George Selwyn. Similar charitable works were done with the profits from later novels. She was also editor, for nearly forty years, of a magazine for young ladies, the Monthly Packet. Among the best known of her works are Heartsease; or, The Brother's Wife (1854), The Daisy Chain; or, Aspirations (1856), A History of Christian Names (1863, revised 1884), A Book of Golden Deeds (1864), The Dove in the Eagle's Nest (1866), Life of John Coleridge Patteson: Missionary Bishop of the Melanesian Islands (1873) and Hannah More (1888).

For an explanation of the allusions in the present Tale, scarcely any Notes are necessary, save a reference to the bewitching Chronicle of Froissart; and we cannot but hope that our sketch may serve as an inducement to some young readers to make acquaintance with the delectable old Canon for themselves, undeterred by the size of his tomes. The story of Orthon is almost verbally copied from him, and bears a curious resemblance to various German legends - such as that of "Heinzelman," to be found in Keightley's "Fairy Mythology," and to "Teague of the Lea," as related in Croker's "Irish Fairy Legends."

A young knight, Sir Eustace Lynwood must prove his loyalty in this chivalrous story set in the time of Edward, the Black Prince, just at the beginning of the War of the Roses. Edward occupies the French region of Bordeaux and calls upon his liege lords to maintain his kingdom as his health fails. Young Sir Eustace Lynwood, newly knighted upon the battlefield, must preserve his nephew’s rights to his lands back in England while defending himself from treachery at court. Evil knights seek to steal the nephew’s land and disgrace Sir Eustace by feeding false rumors about him to the Prince. They plot to kill Sir Eustace; but they don’t account for his perseverance and the loyalty which he inspires in his men-at-arms, the Lances of Lynwood. Sir Eustace maintains a humble chivalry throughout adversity and proves a model of virtuous

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.