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Between Fitzroy Street and St James’s Park there are a great many streets, and, if you go the right way you will pass a great many shops that you cannot possibly help stopping to look at. The children stopped to look at several with gold-lace and beads and pictures and jewellery and dresses, and hats, and oysters and lobsters in their windows, and their sorrow did not seem nearly so impossible to bear as it had done in the best parlour at No. 300, Fitzroy Street. Presently, by some wonderful chance turn of Robert’s (who had been voted Captain because the girls thought it would be good for him—and indeed he thought so himself—and of course Cyril couldn’t vote against him because it would have looked like a mean jealousy), they came into the little interesting criss-crossy streets that held the most interesting shops of all—the shops where live things were sold. There was one shop window entirely filled with cages, and all sorts of beautiful birds in them. The children were delighted till they remembered how they had once wished for wings themselves, and had had them—and then they felt how desperately unhappy anything with wings must be if it is shut up in a cage and not allowed to fly. ‘It must be fairly beastly to be a bird in a cage,’ said Cyril. ‘Come on!’ They went on, and Cyril tried to think out a scheme for making his fortune as a gold-digger at Klondyke, and then buying all the caged birds in the world and setting them free. Then they came to a shop that sold cats, but the cats were in cages, and the children could not help wishing someone would buy all the cats and put them on hearthrugs, which are the proper places for cats. And there was the dog-shop, and that was not a happy thing to look at either, because all the dogs were chained or caged, and all the dogs, big and little, looked at the four children with sad wistful eyes and wagged beseeching tails as if they were trying to say, ‘Buy me! buy me! buy me! and let me go for a walk with you; oh, do buy me, and buy my poor brothers too! Do! do! do!’ They almost said, ‘Do! do! do!’ plain to the ear, as they whined; all but one big Irish terrier, and he growled when Jane patted him. ‘Grrrrr,’ he seemed to say, as he looked at them from the back corner of his eye—‘YOU won’t buy me. Nobody will—ever—I shall die chained up—and I don’t know that I care how soon it is, either!’ I don’t know that the children would have understood all this, only once they had been in a besieged castle, so they knew how hateful it is to be kept in when you want to get out. Of course they could not buy any of the dogs. They did, indeed, ask the price of the very, very smallest, and it was sixty-five pounds—but that was because it was a Japanese toy spaniel like the Queen once had her portrait painted with, when she was only Princess of Wales. But the children thought, if the smallest was all that money, the biggest would run into thousands—so they went on. And they did not stop at any more cat or dog or bird shops, but passed them by, and at last they came to a shop that seemed as though it only sold creatures that did not much mind where they were—such as goldfish and white mice, and sea-anemones and other aquarium beasts, and lizards and toads, and hedgehogs and tortoises, and tame rabbits and guinea-pigs. And there they stopped for a long time, and fed the guinea-pigs with bits of bread through the cage-bars, and wondered whether it would be possible to keep a sandy-coloured double-lop in the basement of the house in Fitzroy Street. ‘I don’t suppose old Nurse would mind VERY much,’ said Jane. ‘Rabbits are most awfully tame sometimes. I expect it would know her voice and follow her all about.’ ‘She’d tumble over it twenty times a day,’ said Cyril; ‘now a snake—’ ‘There aren’t any snakes, said Robert hastily, ‘and besides, I never could cotton to snakes somehow—I wonder why.’

"The Story of the Amulet is a novel for children, written in 1906 by English author Edith Nesbit.It is the final part of a trilogy of novels that also includes Five Children and It (1902) and The Phoenix and the Carpet (1904). In it the children re-encounter the Psammead—the ""it"" in Five Children and It. As it no longer grants wishes to the children, however, its capacity is mainly advisory in relation to the children's other discovery, the Amulet, thus following a formula successfully established in The Phoenix and the Carpet."

The Story of the Amulet is a novel for children, written in 1906 by English author Edith Nesbit. It is the final part of a trilogy of novels that also includes Five Children and It (1902) and The Phoenix and the Carpet (1904). In it the children re-encounter the Psammead—the "it" in Five Children and It. As it no longer grants wishes to the children, however, its capacity is mainly advisory in relation to the children's other discovery, the Amulet, thus following a formula successfully established in The Phoenix and the Carpet.

There were once four children who spent their summer holidays in a white house, happily situated between a sandpit and a chalkpit. One day they had the good fortune to find in the sandpit a strange creature. Its eyes were on long horns like snail's eyes, and it could move them in and out like telescopes. It had ears like a bat's ears, and its tubby body was shaped like a spider's and covered with thick soft fur-and it had hands and feet like a monkey's. It told the children-whose names were Cyril, Robert, Anthea, and Jane-that it was a Psammead or sand-fairy. (Psammead is pronounced Sammy-ad.) It was old, old, old, and its birthday was almost at the very beginning of everything. And it had been buried in the sand for thousands of years. But it still kept its fairylikeness, and part of this fairylikeness was its power to give people whatever they wished for. You know fairies have always been able to do this. Cyril, Robert, Anthea, and Jane now found their wishes come true; but, somehow, they never could think of just the right things to wish for, and their wishes sometimes turned out very oddly indeed. In the end their unwise wishings landed them in what Robert called 'a very tight place indeed', and the Psammead consented to help them out of it in return for their promise never never to ask it to grant them any more wishes, and never to tell anyone about it, because it did not want to be bothered to give wishes to anyone ever any more. At the moment of parting Jane said politely-'I wish we were going to see you again some day.'And the Psammead, touched by this friendly thought, granted the wish.

How is this book unique? Illustrations includedOriginal & Unabridged EditionOne of the best books to readClassic historical fiction booksExtremely well formattedThe Story of the Amulet is a novel for children, written in 1906 by English author Edith Nesbit. It is the final part of a trilogy of novels that also includes Five Children and It (1902) and The Phoenix and the Carpet (1904). In it the children re-encounter the Psammead—the "it" in Five Children and It. As it no longer grants wishes to the children, however, its capacity is mainly advisory in relation to the children's other discovery, the Amulet, thus following a formula successfully established in The Phoenix and the Carpet. At the beginning of this book, the journalist father of Robert, Anthea, Cyril, and Jane has gone overseas to cover the war in Manchuria. Their mother has gone to Madeira to recuperate from an illness, taking with her their younger brother, the Lamb. The children are living with an old Nurse who has set up a boardinghouse in central London. Her only remaining boarder is a scholarly Egyptologist who has filled his bedsit with ancient artefacts. During the course of the book, the children get to know the "poor learned gentleman" and befriend him and call him Jimmy. Cook's house is in Fitzrovia, the district of London near the British Museum, which Nesbit accurately conveys as having bookstalls and shops filled with unusual merchandise. In one of these shops the children find the Psammead. It had been captured by a trapper, who failed to recognise it as a magical being. The terrified creature cannot escape, for it can only grant wishes to others, not to itself. Using a ruse, the children persuade the shopkeeper to sell them the "mangy old monkey," and they free their old friend.

How is this book unique?Font adjustments & biography includedUnabridged (100% Original content)IllustratedAbout The Story of the Amulet by E. Nesbit The Story of the Amulet is a novel for children, written in 1906 by English author Edith Nesbit. It is the final part of a trilogy of novels that also includes Five Children and It (1902) and The Phoenix and the Carpet (1904). In it the children re-encounter the Psammead—the "it" in Five Children and It. As it no longer grants wishes to the children, however, its capacity is mainly advisory in relation to the children's other discovery, the Amulet, thus following a formula successfully established in The Phoenix and the Carpet. At the beginning of this book, the journalist father of Robert, Anthea, Cyril, and Jane has gone overseas to cover the war in Manchuria. Their mother has gone to Madeira to recuperate from an illness, taking with her their younger brother, the Lamb. The children are living with an old Nurse who has set up a boardinghouse in central London. Her only remaining boarder is a scholarly Egyptologist who has filled his bedsit with ancient artefacts. During the course of the book, the children get to know the "poor learned gentleman" and befriend him and call him Jimmy. Cook's house is in Fitzrovia, the district of London near the British Museum, which Nesbit accurately conveys as having bookstalls and shops filled with unusual merchandise. In one of these shops the children find the Psammead. It had been captured by a trapper, who failed to recognise it as a magical being. The terrified creature cannot escape, for it can only grant wishes to others, not to itself. Using a ruse, the children persuade the shopkeeper to sell them the "mangy old monkey," and they free their old friend.

This new and exciting translation of Homers epic war poem, The Iliad, is told with excitement and character by Anton Lesser. The poem concentrates on the key 50 days during the ten-year war, when there is strife not only between the Greeks and the defending Trojans, but also within the Greek forces themselves. The mighty warrior Achilles, angry with Agamemnon, withdraws from the battle and only returns to face Hector when his close companion Patroclus is killed. This abridged version offers the key moments.

The Story of the Amulet is a children's novel by E. Nesbit, first published in 1906. It's the final chapter of a trilogy of novels. The children in story re-encounter the Psammead—the "it" in Five Children and It. "It" no longer grants wishes to the children, but advises in the children's other discovery, the Amulet. Like os story of time travel, The Story of the Amulet is one in which "Nesbit's powers of invention are at their best.

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