The Chain Of Destiny
Bram Stoker
language
(, Aug. 6, 2010)
An excerpt:It was so late in the evening when I arrived at Scarp that I had but little opportunity of observing the external appearance of the house; but, as far as I could judge in the dim twilight, it was a very stately edifice of seemingly great age, built of white stone. When I passed the porch, however, I could observe its internal beauties much more closely, for a large wood fire burned in the hall and all the rooms and passages were lighted. The hall was almost baronial in its size, and opened on to a staircase of dark oak so wide and so generous in its slope that a carriage might almost have been driven up it. The rooms were large and lofty, with their walls, like those of the staircase, panelled with oak black from age. This sombre material would have made the house intensely gloomy but for the enormous width and height of both rooms and passages. As it was, the effect was a homely combination of size and warmth. The windows were set in deep embrasures, and, on the ground story, reached from quite level with the floor to almost the ceiling. The fireplaces were quite in the old style, large and surrounded with massive oak carvings, representing on each some scene from Biblical history, and at the side of each fireplace rose a pair of massive carved iron fire-dogs. It was altogether just such a house as would have delighted the heart of Washington Irving or Nathaniel Hawthorne.The house had been lately restored; but in effecting the restoration comfort had not been forgotten, and any modern improvement which tended to increase the homelike appearance of the rooms had been added. The old diamond-paned casements, which had remained probably from the Elizabethan age, had given place to more useful plate glass; and, in like manner, many other changes had taken place. But so judiciously had every change been effected that nothing of the new clashed with the old, but the harmony of all the parts seemed complete.