Books with author Peter Opie

This anthology brings together the outstanding verse written for children over a period of five hundred years. It contains more than 300 poems written by 123 authors, and includes the rhymed precepts of medieval times, the admonitory verse of Elizabethan Puritans, the inspirational verse of Blake and Christopher Smart, the nonsense verses of Edward Lear and Lewis Carroll, the nursery verses of Robert Louis Stevenson and A. A. Milne, and the poetical imaginings of Christina Rossetti, Eleanor Farjeon, and Walter de la Mare. It has truly been called "A companion to the mature of all ages, no matter how young."

Here is a brand new edition of the classic anthology of nursery rhymes--over 500 rhymes, songs, nonsense jingles, and lullabies traditionally handed down to young children. Included are all of your favorites, ranging from "Yankee Doodle Came to Town" and "A Frog He Would A-Wooing Go" to "Baa, Baa, Black Sheep," Jack and Jill" and "Old Mother Hubbard." And complementing the rhymes are nearly a hundred illustrations, including reproductions of early art found in ballad sheets and music books, which highlight the development of children's illustrations over the last two centuries. With each piece, Iona and Peter Opie introduced a wealth of information, noting the earliest known publications of the rhyme, describing how it originated, illustrating changes in wording over time, and indicating variations and parallels in other languages. Moreover, in the general introduction, the Opies discuss the different types of rhyme and the earliest published collections, and they address such questions as who was Mother Goose and whether or not individual rhymes originally portrayed real people. For this second edition, the notes have been updated and extended in light of recent scholarship, providing an unrivaled wealth of literary and bibliographic information. The Oxford Dictionary of Nursery Rhymes is now more than ever an indispensable reference source for scholars and book collectors as well as a volume to be treasured by parents and children alike.

Everyone has at one time been inspired or enchanted by fairy tales, with their evil witches, pure princesses, heroic princes, and happy endings. Yet over the years, most of these popular tales have undergone many transformations, as editors and storytellers have shortened and sentimentalized them, as well as slanted them to suit the demands of the time. Now reissued, Iona and Peter Opie's magnificent The Classic Fairy Tales, presents twenty-four of the best-known fairy tales in their original written form. Drawing on years of expertise, the editors provide introductions to each fairy tale, tracing the development of each story and noting points of interest. We learn, for example, that in a 17th century version of "Sleeping Beauty", the prince actually raped the princess in her sleep. Goldilocks, it turns out, evolved from the little old woman of the original story into a young girl. Little Red Ridinghood was actually eaten by the wolf, and in an early version of the "Frog Prince," the princess had to sleep with the frog to free him from his spell. With classic tales from the likes of Charles Perrault, the Brothers Grimm, and Hans Christian Andersen, and the works of such famous illustrators as Gustav Dore, Kate Greenaway, and George Cruikshank, The Classic Fairy Tales brings to life the charm and beauty of these timeless favorites.

I Saw Esau, The Schoolchild's Pocket Book, Iona & Peter Opie (editors), illustrated by Maurice Sendak, Candlewick Press, 1992, 1st American Edition, 3rd printing. 160 pages, color illustrations. (First Thus; originally published in 1947, London, as I Saw Esau, Traditional Rhymes of Youth). Description: Book; plain, dark green boards with gold lettering to spin only, brown endpapers, profusely illustrated in color by Maurice Sendak. Dust jacket; green with illustration on front and small illustration on back by Sendak, not price clipped ($19.95), 0692 on inside front flap. Condition: Book; near fine, bright, clean covers and pages, no marks, points and spine are strong. Top edge of front cover has several small indents, else fine. Dust jacket; very good. Cover are bright but the front cover has a mark where someone apparently tried to remove a sticker, else near fine.

This volume, based on thirty years of collecting and research by two pioneers in the field of children's lore and language, presents hundreds of singing and clapping games popular with children since the Middle Ages, including such favorites as "Pop Goes the Weasel," "Lazy Mary Will You Get Up?," "Skip to My Lou," "The Muffin Man," and "Ring a Ring o' Roses." Serving as an exposition of both the workings of folklore and the perennial ways of young children left to play on their own, The Singing Game categorizes over 150 of these games into groups such as "Matchmaking," "Wedding Rings," "Cushion Dances," "Witch Dances," "Calls of Friendship," "Eccentric Circles," "Buffoonery," and "Clapping." The Opies provide a detailed, historical description of each game, as well as a vivid, firsthand account from one of its most recent practitioners on the playgrounds and backstreets throughout England. Demonstrating how the games have evolved over the years, and how they vary from country to country, this book offers a comprehensive, authoritative history of a universal folk genre. Beautifully illustrated throughout, it contains photographs, lithographs, and prints; the words to each game as well as the music for many of them; footnotes; a bibliography; a general index; and an index of songs, games, and dances.

This volume, based on thirty years of collecting and research by two pioneers in the field of children's lore and language, presents hundreds of singing and clapping games popular with children since the Middle Ages, including such favorites as "Pop Goes the Weasel," "Lazy Mary Will You Get Up?," "Skip to My Lou," "The Muffin Man," and "Ring a Ring o' Roses." Serving as an exposition of both the workings of folklore and the perennial ways of young children left to play on their own, The Singing Game categorizes over 150 of these games into groups such as "Matchmaking," "Wedding Rings," "Cushion Dances," "Witch Dances," "Calls of Friendship," "Eccentric Circles," "Buffoonery," and "Clapping." The Opies provide a detailed, historical description of each game, as well as a vivid, firsthand account from one of its most recent practitioners on the playgrounds and backstreets throughout England. Demonstrating how the games have evolved over the years, and how they vary from country to country, this book offers a comprehensive, authoritative history of a universal folk genre. Beautifully illustrated throughout, it contains photographs, lithographs, and prints; the words to each game as well as the music for many of them; footnotes; a bibliography; a general index; and an index of songs, games, and dances.