Books with author Henry Wadsworth Longfellow

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About The Song of Hiawatha by Henry Wadsworth Longfellow The Song of Hiawatha is an 1855 epic poem in trochaic tetrameter by Henry Wadsworth Longfellow that features Native American characters. The epic relates the adventures of an Ojibwe warrior named Hiawatha and the tragedy of his love for Minnehaha. Events in the story are set in the Pictured Rocks area on the south shore of Lake Superior. Longfellow's poem, though based on native oral traditions surrounding the figure of Manabozho, represents not a work of transmission but an original work of American Romantic literature. Longfellow's sources for the legends and ethnography found in his poem were the Ojibwe Chief Kahge-ga-gah-bowh during his visits at Longfellow's home; Black Hawk and other Sac and Fox Indians Longfellow encountered on Boston Common; Algic Researches (1839) and additional writings by Henry Rowe Schoolcraft, an ethnographer and United States Indian agent; and Heckewelder's Narratives. In sentiment, scope, overall conception, and many particulars, Longfellow insisted, "I can give chapter and verse for these legends. Their chief value is that they are Indian legends." Longfellow had originally planned on following Schoolcraft in calling his hero Manabozho, the name in use at the time among the Ojibwe/Anishinaabe of the south shore of Lake Superior for a figure of their folklore, a trickster-transformer. But in his journal entry for June 28, 1854, he wrote, "Work at 'Manabozho;' or, as I think I shall call it, 'Hiawatha'—that being another name for the same personage." Longfellow, following Schoolcraft, was mistaken in thinking the names were synonyms. In Ojibwe lore the figure of Manabozho is legendary but the name Hiawatha is unknown. The name Hiawatha derives from the name of a historical figure associated with the League of the Iroquois, the Five Nations, then located in present-day New York and Pennsylvania. The popularity of Longfellow's poem nevertheless led to the name "Hiawatha" becoming attached to a number of locales and enterprises in areas more historically associated with the Ojibwe than the Iroquois.

The poem follows an Acadian girl named Evangeline and her search for her lost love Gabriel, set during the time of the Expulsion of the Acadians. The idea for the poem came from Longfellow's friend, Nathaniel Hawthorne. Longfellow used dactylic hexameter, imitating Greek and Latin classics, though the choice was criticized. It became Longfellow's most famous work in his lifetime and remains one of his most popular and enduring works.

The Song of Hiawatha is an 1855 epic poem by Henry Wadsworth Longfellow that features Native American characters. The epic relates the adventures of an Ojibwe warrior named Hiawatha and the tragedy of his love for Minnehaha. Events in the story are set in the Pictured Rocks area on the south shore of Lake Superior. Longfellow's poem, though based on native oral traditions surrounding the figure of Manabozho, represents not a work of transmission but an original work of American Romantic literature.In his book on the development of the image of the Indian in American thought and literature, Pearce wrote about The Song of Hiawatha: "It was Longfellow who fully realized for mid-nineteenth century Americans the possibility of image of the noble savage. He had available to him not only poems on the Indian . . . but also the general feeling that the Indian belonged nowhere in American life but in dim prehistory. He saw how the mass of Indian legends which Schoolcraft was collecting depicted noble savages out of time, and offered, if treated right, a kind of primitive example of that very progress which had done them in. Thus in Hiawatha he was able, matching legend with a sentimental view of a past far enough away in time to be safe and near enough in space to be appealing, fully to image the Indian as noble savage. For by the time Longfellow wrote Hiawatha, the Indian as a direct opponent of civilization was dead, yet was still heavy on American consciences . . . . The tone of the legend and ballad… would color the noble savage so as to make him blend in with a dim and satisfying past about which readers could have dim and satisfying feelings."

The Song of Hiawatha is an 1855 epic poem by Henry Wadsworth Longfellow that features Native American characters. The epic relates the adventures of an Ojibwe warrior named Hiawatha and the tragedy of his love for Minnehaha. Events in the story are set in the Pictured Rocks area on the south shore of Lake Superior. Longfellow's poem, though based on native oral traditions surrounding the figure of Manabozho, represents not a work of transmission but an original work of American Romantic literature.In his book on the development of the image of the Indian in American thought and literature, Pearce wrote about The Song of Hiawatha: "It was Longfellow who fully realized for mid-nineteenth century Americans the possibility of image of the noble savage. He had available to him not only poems on the Indian . . . but also the general feeling that the Indian belonged nowhere in American life but in dim prehistory. He saw how the mass of Indian legends which Schoolcraft was collecting depicted noble savages out of time, and offered, if treated right, a kind of primitive example of that very progress which had done them in. Thus in Hiawatha he was able, matching legend with a sentimental view of a past far enough away in time to be safe and near enough in space to be appealing, fully to image the Indian as noble savage. For by the time Longfellow wrote Hiawatha, the Indian as a direct opponent of civilization was dead, yet was still heavy on American consciences . . . . The tone of the legend and ballad… would color the noble savage so as to make him blend in with a dim and satisfying past about which readers could have dim and satisfying feelings."

The Song of Hiawatha is an 1855 epic poem by Henry Wadsworth Longfellow that features Native American characters. The epic relates the adventures of an Ojibwe warrior named Hiawatha and the tragedy of his love for Minnehaha. Events in the story are set in the Pictured Rocks area on the south shore of Lake Superior. Longfellow's poem, though based on native oral traditions surrounding the figure of Manabozho, represents not a work of transmission but an original work of American Romantic literature.In his book on the development of the image of the Indian in American thought and literature, Pearce wrote about The Song of Hiawatha: "It was Longfellow who fully realized for mid-nineteenth century Americans the possibility of image of the noble savage. He had available to him not only poems on the Indian . . . but also the general feeling that the Indian belonged nowhere in American life but in dim prehistory. He saw how the mass of Indian legends which Schoolcraft was collecting depicted noble savages out of time, and offered, if treated right, a kind of primitive example of that very progress which had done them in. Thus in Hiawatha he was able, matching legend with a sentimental view of a past far enough away in time to be safe and near enough in space to be appealing, fully to image the Indian as noble savage. For by the time Longfellow wrote Hiawatha, the Indian as a direct opponent of civilization was dead, yet was still heavy on American consciences . . . . The tone of the legend and ballad… would color the noble savage so as to make him blend in with a dim and satisfying past about which readers could have dim and satisfying feelings."

The Song of Hiawatha is an 1855 epic poem by Henry Wadsworth Longfellow that features Native American characters. The epic relates the adventures of an Ojibwe warrior named Hiawatha and the tragedy of his love for Minnehaha. Events in the story are set in the Pictured Rocks area on the south shore of Lake Superior. Longfellow's poem, though based on native oral traditions surrounding the figure of Manabozho, represents not a work of transmission but an original work of American Romantic literature.In his book on the development of the image of the Indian in American thought and literature, Pearce wrote about The Song of Hiawatha: "It was Longfellow who fully realized for mid-nineteenth century Americans the possibility of image of the noble savage. He had available to him not only poems on the Indian . . . but also the general feeling that the Indian belonged nowhere in American life but in dim prehistory. He saw how the mass of Indian legends which Schoolcraft was collecting depicted noble savages out of time, and offered, if treated right, a kind of primitive example of that very progress which had done them in. Thus in Hiawatha he was able, matching legend with a sentimental view of a past far enough away in time to be safe and near enough in space to be appealing, fully to image the Indian as noble savage. For by the time Longfellow wrote Hiawatha, the Indian as a direct opponent of civilization was dead, yet was still heavy on American consciences . . . . The tone of the legend and ballad… would color the noble savage so as to make him blend in with a dim and satisfying past about which readers could have dim and satisfying feelings."

The Song of Hiawatha is an 1855 epic poem by Henry Wadsworth Longfellow that features Native American characters. The epic relates the adventures of an Ojibwe warrior named Hiawatha and the tragedy of his love for Minnehaha. Events in the story are set in the Pictured Rocks area on the south shore of Lake Superior. Longfellow's poem, though based on native oral traditions surrounding the figure of Manabozho, represents not a work of transmission but an original work of American Romantic literature.In his book on the development of the image of the Indian in American thought and literature, Pearce wrote about The Song of Hiawatha: "It was Longfellow who fully realized for mid-nineteenth century Americans the possibility of image of the noble savage. He had available to him not only poems on the Indian . . . but also the general feeling that the Indian belonged nowhere in American life but in dim prehistory. He saw how the mass of Indian legends which Schoolcraft was collecting depicted noble savages out of time, and offered, if treated right, a kind of primitive example of that very progress which had done them in. Thus in Hiawatha he was able, matching legend with a sentimental view of a past far enough away in time to be safe and near enough in space to be appealing, fully to image the Indian as noble savage. For by the time Longfellow wrote Hiawatha, the Indian as a direct opponent of civilization was dead, yet was still heavy on American consciences . . . . The tone of the legend and ballad… would color the noble savage so as to make him blend in with a dim and satisfying past about which readers could have dim and satisfying feelings."

The Song of Hiawatha is an 1855 epic poem by Henry Wadsworth Longfellow that features Native American characters. The epic relates the adventures of an Ojibwe warrior named Hiawatha and the tragedy of his love for Minnehaha. Events in the story are set in the Pictured Rocks area on the south shore of Lake Superior. Longfellow's poem, though based on native oral traditions surrounding the figure of Manabozho, represents not a work of transmission but an original work of American Romantic literature.In his book on the development of the image of the Indian in American thought and literature, Pearce wrote about The Song of Hiawatha: "It was Longfellow who fully realized for mid-nineteenth century Americans the possibility of image of the noble savage. He had available to him not only poems on the Indian . . . but also the general feeling that the Indian belonged nowhere in American life but in dim prehistory. He saw how the mass of Indian legends which Schoolcraft was collecting depicted noble savages out of time, and offered, if treated right, a kind of primitive example of that very progress which had done them in. Thus in Hiawatha he was able, matching legend with a sentimental view of a past far enough away in time to be safe and near enough in space to be appealing, fully to image the Indian as noble savage. For by the time Longfellow wrote Hiawatha, the Indian as a direct opponent of civilization was dead, yet was still heavy on American consciences . . . . The tone of the legend and ballad… would color the noble savage so as to make him blend in with a dim and satisfying past about which readers could have dim and satisfying feelings."

On a divine journey through the depths of Hell, Dante--with his guide, the poet Virgil--witnesses the fate of Earth’s sinners. Inferno, a 14th century poem and the first part of Dante Alighieri’s The Divine Comedy, paints an allegorical underworld in which sinners are punished in accordance with their sins. Journey through the darkness and meet famous historical and mythical figures and the fate that has become them, from Homer and Julius Caesar who dwell in Limbo with the unbaptized and the virtuous pagans, to Judas Iscariot and Satan himself, who dwell in the deepest circle of hell for the sin of treachery. Influential, even after seven centuries in print, readers of Inferno will appreciate the plethora of allusions both within and concerning this work, as well as the moral implications the story develops. Lexile score: 1120LAbout the Word Cloud Classics series:Classic works of literature with a clean, modern aesthetic! Perfect for both old and new literature fans, the Word Cloud Classics series from Canterbury Classics provides a chic and inexpensive introduction to timeless tales. With a higher production value, including heat burnished covers and foil stamping, these eye-catching, easy-to-hold editions are the perfect gift for students and fans of